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Featured News

RE:Vision Effects Reveals RE:Match Pro Automatic Multicam Color-Matching Tool

RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings
Featured News, Posted 21 Feb 2013

FxFactory Sweetens Subtitling With SUGARfx

SUGARfx Subtitles allows users to add permanent subtitles to their finished movies in Final Cut Pro®, Motion, Adobe® Premiere Pro and Adobe After Effects
Featured News, Posted 21 Feb 2013

BorisFX Breaks Out Continuum Complete Filters as Discrete Units

Boris Continuum Complete features more than 200 comprehensive filters across 16 categories of effects, including 3D particles, image restoration tools such as Noise Reduction and Flicker Fixer, lens flares and lights, chroma keys and mattes, color correction tools, blurs, glows, and film effects
Featured News, Posted 21 Feb 2013

Crispy Duck Leverages AFrame's Cloud Video Technology to Debut Harper’s BAZAAR's "The Look" Season 2

Through the use of Aframe, the program achieves the lush production values that reinforce the magazine's luxury positioning with speed and ease and at a budget not typically associated with cross-continent productions.
Featured News, Posted 13 Feb 2013

VariZoom Rolls Out Stealthy Stabilizer

The Stealthy is VariZoom's answer to the demand for a device that can handle the needs of both video and photography applications in the field: Steady motion stabilizer, 3-point shooter, mini monopod, full monopod, and tripod
Featured News, Posted 13 Feb 2013

Livestream Unveils Livestream Studio, New Software-Only Version of HD500

Now, anyone can build a live, multi-camera production switcher that competes with hardware products on the market for a fraction of the price. Livestream Studio works exclusively with any Blackmagic Design capture and playback device and runs on Microsoft Windows
Featured News, Posted 13 Feb 2013

Streaming Media Europe 2013 Call for Speakers Open Through February 28

Top-level networking conference and information exchange for the innovators and decision-makers of the industry looking for expert speakers on encoding and transcoding; formats, protocols, and standards; event webcasting; online video delivery infrastructure, and more
Featured News, Posted 12 Feb 2013

Apantac Multiviewers Used in Jackson Square Control Center to Monitor Super Bowl Feeds

Apantac TAHOMA Multiviewers were chosen to visually monitoring incoming and outgoing Super Bowl SLVII feeds that were routed through the Hurst USA Inc. Mini Pearl Broadcast Distribution Truck
Featured News, Posted 05 Feb 2013

Broadcast Pix Granite Powers BC Eagles In-House Basketball, Hockey, and Football Broadcasts and Streams

The Boston College Athletics Department is using a Broadcast Pix Granite 2000 Video Control Center to produce live in-house video scoreboard presentations for Eagles basketball, hockey, and football home games. When hockey and basketball games are not broadcast, Boston College streams its productions live to Web.
Featured News, Posted 04 Feb 2013

Matrox Lowers MXO2 Mini MAX Pricing to $599 ($699 with Thunderbolt)

Matrox MXO2 Mini MAX provides affordable HDMI and analog video and audio input and output for leading editing apps from Adobe, Apple, and Avid
Featured News, Posted 04 Feb 2013

Atlanta Hawks Shoot for Live-Switched Multiscreen Production with Ross Video 3 M/E Switcher

NBA team installs Ross Video 3 M/E Vision Production Switcher has been installed to manage the arena scoreboard and display systems
Featured News, Posted 04 Feb 2013

Mobile TV Group Taps Grass Valley for Triple-Feed Mobile Production Truck

Mobile TV's 33HDX truck will feature 11 of the new high-performance Grass Valley LDX Series cameras and an 8 M/E Kayenne Video Production Center switcher with three control surfaces: a 4-stripe Kayenne control panel, a 2-stripe Kayenne control panel, and a 1 M/E KSP soft-panel
Featured News, Posted 04 Feb 2013

Grass Valley Unveils GV Stratus Nonlinear Production Solution With Enhanced Worfklow Efficiency

New release includes powerful new tools to increase workflow efficiency through automated, rules-based file operations, and sets a new standard in proxy editing workflows with the introduction of the EDIUS® XS non-linear low resolution proxy editor
Featured News, Posted 04 Feb 2013

Camera Turret Debuts Feather Touch Zoom Controller for DSLR Lenses

New zoom controller with external DC motor designed to move even a 1/4 turn DSLR lens like a broadcast zoom
Featured News, Posted 30 Jan 2013

FxFactory Adds Two New Nattress Plug-ins for FCP X, Motion, After Effects, and Premiere Pro

Bounce Transitions lets editors quickly bounce footage on and off the screen using realistic motion algorithms for natural bounce or spring movement. Nattress Shatter Transitions create dynamic transitions based on either breaking apart the outgoing video or bringing together the incoming video.
Featured News, Posted 30 Jan 2013

Noise Industries Announces Ripple Tools Plug-ins for Apple FCP X

Ripple Tools enables FCP X editors to add split screens; use 8 or 16 point mattes; add adjustment layers to control the look of multiple clips; color balance using traditional color wheels; apply vintage and black-and-white effects; move images in 3D space and use guides for aligning text and graphic elements on the screen
Featured News, Posted 28 Jan 2013

Broadcast Pix Ships Video Control Center 3.2 Software

VCC 3.2 features camera control enhancements that include thumbnail displays of each preset position, as well as auto-follow of camera switching and enhanced macro integration
Featured News, Posted 28 Jan 2013

FBmn Border Plug-in for Sony Vegas Helps Editors Frame and Highlight Areas of Video

The plug-in provides a few-clicks approach to drag a rectangular, square, round or oval shape around the most important things that has to be shown on the video
Featured News, Posted 28 Jan 2013

FOR-A FRC-800HS HD/SD Frame Rate Converter Optimized for Winter Sports

Users of the frame rate converter will now be able to select a ‘winter sports' scene type, a special mode created by FOR-A to optimize the conversion process in environments with high-speed moving objects in highly saturated backgrounds that contain a lot of bright white, such as snow or ice
Featured News, Posted 28 Jan 2013

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