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Streaming Media
Magazine

January/February 2023
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Streaming Media Producer Focus
June 18, 2020
Featured Articles
Pros and Cons of Going Live with Remote Production
As social distancing necessitates remote production, live producers face new challenges and new variables that raise the question: Is walking the live streaming highwire the right choice? It depends, say Ben Ratner and Alex Lindsay, in this clip from their panel at Streaming Media East Connect 2020.
Are We Moving Toward a REMI Hybrid Live Event Production Model?
Blizzard Entertainment's Corey Smith discusses the shift toward full cloud remote (REMI) production in large-scale event streaming in this clip from a panel at Streaming Media East Connect 2020.
Featured News
AJA Upgrades Ki Pro GO H.264 Recorder and Player
New v2.0 firmware update enhances H.264 recording quality choices, expands timecode options and introduces network downloading and enhanced super out functionality
Telestream Rips Up Rulebook with Launch of Lightspeed Live Capture C2
New dual-channel ingest solution provides unbeatable value: lowest cost access to capture plus Vantage media processing
Mediasite Announces Advanced Integration with Zoom for Hybrid Learning
Mediasite is central destination for all Zoom recordings; new streamlined LMS integration in Mediasite gives users more control over what collaborative content is recorded and routed to Mediasite
nablet Licenses XAVC Encoder to Telestream
nablet, a leading provider of media processing technologies, announced today that it has licensed its XAVC encoder to Telestream, a leading provider of end-to-end video solutions
UpChord Music Moves Its Courses Online Using ATEM Mini Pro
Blackmagic Design today announced Beijing based music production training school UpChord Music has been streaming its courses to students around the world using ATEM Mini Pro and ATEM Mini switchers.
9Darts.HK Streams DARTSLIVE Cup Singapore Match With Blackmagic Design’s ATEM Production Switchers
Blackmagic Design today announced 9Darts.HK streamed matches of the recent DARTSLIVE Cup Singapore tournament using a mix of Blackmagic Design streaming and broadcast gear.
 
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