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Upcoming Industry Conferences
Content Delivery Summit [1 June 2020]
Streaming Media East Connect [2-3 June 2020]
Streaming Media West [6-7 October 2020]
Past Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Concert/Performance Video
Articles

Tutorial: H.264 Encoding in Apple Compressor and Adobe Media Encoder

If you're a streaming producer you have to know how to produce H.264 for both Flash distribution and for mobile devices. Fortunately, Adobe Media Encoder makes this simple with multiple presets for desktop and mobile players which I'll show you how to find and customize in this tutorial.
Featured Articles, Posted 15 Feb 2012

Review: NewTek TriCaster 850 Extreme

The Extreme version provides a number of enhancements over the original TCXD850 including full HD recording treatment, with the ability to record 1080p30 of any discrete input as well as the program or AUX outputs (the TCXD850 could record only outputs). This extended ability to record both inputs and outputs means that 850 Extreme can perform isolation recording of up to 8 simultaneous camera inputs with its proprietary IsoCorder software.
Featured Articles, Posted 10 Feb 2012

Producing the 53rd Grammy Awards Concert

The Grammy Awards get their share of slings and arrows from hipsters, but as CD and more recently ticket sales continue to decline, finding ways to "eventize" the concert experience and create a recording of it that can offer continuous revenue streams going forward might be Grammy's biggest contribution yet to keeping the music business as we know it alive.
Featured Articles, Posted 10 Feb 2012

Review: Panasonic AV-HS400N HD Video Mixer

HD video mixers aren't cheap, but they do offer amazing functionality inside compact boxes. I put Panasonic's AV-HS400N through its paces during an awards ceremony. I found much to like, and a few minor issues, and look forward to technologies like this becoming more affordable in the years to come.
Featured Articles, Posted 01 Feb 2012

The Sweet Science of Producing Boxing Shows

Jon Connor and Cristina Valdivieso, two renowned event filmmakers from Philadelphia, went to Los Angeles in June to shadow World Light Welterweight boxing champion Amir Khan as he prepared for his title unification bout, capturing footage for pay-per-view broadcast in the UK. Stephen Nathans-Kelly describes how they pulled it off.
Featured Articles, Posted 23 Jan 2012

Live, Raw, Real: Producing One-Take Online Music Videos

There's a wave of raw, demolike one-take music videos with an unmistakable live feel sweeping the web, and some savvy event filmmakers have thrown their hats into thering. Here we look behind the scenes of Bill Grant's boneshow and Jet Kaiser's One Take Shows, and get their spin on this new, viral field-recording phenomenon.
Featured Articles, Posted 18 Jan 2012

Like a Mighty Stream: Webcasting Rock Shows with Ryan Bodie Films

Streaming concerts and other live events has established Ryan Bodie's Studio 26 as the go-to live event webcast provider in his region and in some key entertainment areas, ranging from concert series in the spring to festivals in the summer and one-off arena gigs like a Chaka Khan show. Bodie estimates that his crew shoots, switches, and streams 80 live events per year, with maybe half of those involving music.
Featured Articles, Posted 17 Jan 2012

Producing My First Webcast

Jan Ozer produced his first live webcast on May 8, 2010. As with anything else, he learned some huge lessons that didn't become obvious until he was there in the chair, broadcasting live. If you've got your first live webcast coming up, perhaps you'll find them useful.
Featured Articles, Posted 16 Jan 2012

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