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MLB Tonight Leverages Grass Valley Kayenne

A Grass Valley customer since it launched in January 2009, MLB Network's facility also features a collaborative editing environment based on 15 Grass Valley Aurora™ editing systems and multiple Grass Valley K2 HD media servers, configured as a flexible and highly reliable storage area network (SAN), and is one of the largest K2/Aurora systems in the world.
Featured News, Posted 26 Jun 2012

Broadcast Pix Helps Beam Olympic Torch from Northern Ireland to World-Record Audience with Granite 5000

Two-hour live production streamed live to Neelb.tv and delivered on large public screens in Belfast using Broadcast Pix Granite 5000 Video Control Center
Featured News, Posted 26 Jun 2012

Broadcast Pix Unveils Multiscreen Support for 1 M/E Line at InfoComm 2012

The new multi-screen technology is ideal for driving three image magnification (I-MAG) screens, as each enjoys patented technology to maintain one frame of constant delay for continual lip sync throughout a presentation
Featured News, Posted 12 Jun 2012

Roland Announces Dedicated iPad Control App for M-480

Application designed to control parameters of the M-480 Digital Mixer, allowing the user to store scenes and edit the Channel Strip (EQ), GEQ, Sends on Fader, and more
Featured News, Posted 12 Jun 2012

Is the New MacBook Pro the Ultimate Ultra-Portable Live Stream Machine?

Due to its unprecedented screen resolution, speed, and next-gen connectivity, the new next-generation MacBook Pro, announced on Monday at Apple's World Wide Developers Conference, might just be the ticket for streaming media ultraportability, for a variety of reasons.
Featured Articles, Posted 12 Jun 2012

Solid Camera Powers Up Unity Solution for High Power-Consumption Cameras at CineGear 2012

Unity's battery replacement module radiates approximately one-third the heat of a standard battery adapter to more efficiently meet the demands of today's high-power digital cameras, such as Phantom and the Sony F65
Featured News, Posted 30 May 2012

OConnor Intros 60L Carbon Fiber Tripod for Large-Camera Producers

Ideally suited for the OConnor Ultimate 2065 and 2575D 150mm ball-based fluid heads, the 60L combines the benefits of new-age materials with precision engineering to provide a support system that is lighter weight with quick setup features, yet is solid enough to carry large film and digital camera configurations
Featured News, Posted 30 May 2012

The NAB Interviews With Shawn Lam: The Vinten Blue5 Tripod System

Shawn Lam interviews Boston-area DP Tom Guilmette on Vinten's new Blue5 DSLR and 12-28 lb. camcorder-ready fluid-head and tripod system.
Featured Articles, Posted 01 May 2012

The NAB Interviews With Shawn Lam: Blackmagic Design UltraStudio Express

Shawn Lam interviews Blackmagic Design president Dan May on UltraStudio Express, Blackmagic's new Thunderbolt-powered SDI/HDMI capture and playback solution.
Featured Articles, Posted 01 May 2012

Review: Litepanels MicroPro Hybrid DSLR LED

Litepanels recently shipped the MicroPro Hybrid, a dimmable, on-camera Hybrid LED that can refresh itself much faster than most any strobe light can. Thus it may pack a powerful 1-2 punch for DSLR producers who need to capture both video and still images. But how well does it handle both tasks? In this article Anthony Burokas reviews the new light and compares it to an LED light that's one-fifth the cost to see how these two lights measure up.
Featured Articles, Posted 01 May 2012

Review: Divergent Media ScopeBox 3.0

For scopes and DVR functionality, Divergent's ScopeBox 3.0 outdoes Adobe's late, lamented OnLocation, particularly because it works with a range of cameras, not just those with FireWire outputs. If you've been wondering what you were going to do for DVR/scope functionality on the Mac now that Adobe has exited the market, you should definitely give ScopeBox a try.
Featured Articles, Posted 01 May 2012

FOR-A To Debut its SmartDirect 'All-in-One' Live Production System at NAB

With Brainstorm's Easy On Air Graphics template-based CG interface, SmartDirect can key graphics over background video internally or output key and fill signals for an external mix
Featured News, Posted 04 Apr 2012

Vision Research Unveils Phantom v642 Digital High-Speed Camera for Live Sports

Retains the unique ability to both record and playback ultra-slow motion footage simultaneously, while adding the capability to accurately color match regular speed broadcast cameras using advanced Multi-Matrix Color Correction Technology
Featured News, Posted 28 Mar 2012

Film School: Producing School Promo Videos

St. Louis-area studio Gebbs.TV has created a renewable revenue stream and a powerful body of work producing promo videos for area schools that live on the schools' websites and serve as recruiting films and video mission statements.
Featured Articles, Posted 28 Mar 2012

Canon Intros New XU-80 HD PTZ Robotic Camera

New robotic HD camera designed for use in outdoor sports and event broadcasting, houses of worship, indoor event videography, venue IMAG, education
Featured News, Posted 13 Mar 2012

Review: Roland VR-3 All-In-One A/V Mixer—UPDATED!

If you're in the market for an all-in-one video mixer for webcasting 4:3 NTSC video, Roland's compact new VR-3 fits the bill nicely. If you need widescreen video output, you may need to add some steps to your workflow when you pair NTSC widescreen video with many of the popular streaming services.
Featured Articles, Posted 07 Mar 2012

Hitachi Unveils 2 New HD Cameras for Sports Video

SK-HD1500 uses standard 2/3" bayonet mount lenses, captures video at 2.5X and 3X speed; compact HV-HD33 3-MOS POV HD camera outputs SDI at multiple frame rates
Featured News, Posted 05 Mar 2012

Canon Unveils 5D Mark III With 22MP Full-Frame Sensor and New Intraframe H.264 Compression for Easier Editing

Canon 5D Mark III new video features include better noise reduction, longer continuous recording times, and a built-in headphone jack for audio monitoring
Featured News, Posted 02 Mar 2012

The Live Event Producer's Guide to the Sony NEX-FS100

Sony's NEX-FS100 presents challenges shooters never encounter with traditional camcorders, as well as different lens-mounting choices and caveats than DSLR shooters face. In this article we'll discuss the abilities and limitations of the FS100 for live event production work.
Featured Articles, Posted 01 Mar 2012

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