This article will discuss an all-day webcast that Morningstar does every year for its Individual Investor Conference, going through the decisions made in pre-production, the vendors selected, and the workflow, and share some tips that readers take into your webcast productions.
Featured Articles,
Posted 25 Nov 2014
Matrox VS4 not only sends the video feeds to Wirecast for streaming, it simultaneously provides high-quality ISO recording of all the original video and audio feeds to NLE-friendly codecs
Featured News,
Posted 19 Nov 2014
Roland has supplied the Roland VR-50HD, a live AV production and streaming switcher, for each seminar room
Featured News,
Posted 18 Nov 2014
Noted surgeon finds live 3D streaming and recording from Monarch HD "irreplaceable" for live teaching and archiving
Featured Articles,
Posted 17 Nov 2014
With new powerful production capabilities, streamlined workflows, and expanded content source options, Wirecast 6.0 offers the capabilities of more expensive hardware solutions with the flexibility and affordability of a software application
Featured News,
Posted 11 Nov 2014
The Aframe Fall 2014 release provides enterprise-grade business intelligence and control over video assets being acquired and produced around the world
Featured News,
Posted 11 Nov 2014
How to use the Ambience Match natural sound-matching feature in iZotope RX4 Advanced to fix uneven ambient audio across multiple clips and scenes, using examples from Jason Prisk's new indie film, Crimes and Mister Meanors.
Featured Articles,
Posted 10 Nov 2014
Adorama's Flashpoint 1300 LED Panel light is powerful, flexible and well-featured as a standalone light and can be easily integrated into two- and four-light panels should the need arise.
Featured Articles,
Posted 05 Nov 2014
Check out videoBIO President and CEO's new trailer for her Streaming Media Producer Live 2014 session, How to Create a Dynamic Corporate Identity Video!
Featured Articles,
Posted 01 Nov 2014
VideoBIO President and CEO Catharine Fennell presents a trailer for her Streaming Media Producer Live 2014 session, "S102: How to Build an Amazing In-House Video Team."
Featured Articles,
Posted 01 Nov 2014
Anthony Burokas provides a sneak preview of his Streaming Media Producer Live 2014 seminar, T203: Choosing a Video Switcher, which he'll present Wednesday, November 19 at 11:30 AM in Huntington Beach, California.
Featured Articles,
Posted 01 Nov 2014
This tutorial will show you how to create jib/slider movement by using 2K footage in your 1080p Adobe Premiere Pro CC project.
Featured Articles,
Posted 27 Oct 2014
Telestream's MacCaption and CaptionMaker (for Windows) are ready to meet the new FCC rules requiring the captioning of video clips that are posted online
Featured News,
Posted 15 Oct 2014
In this walkthrough of the latest version of iZotope's powerful audio repair tool, RX4 Advanced, we'll explore the RX4 interface and workflow, and use some of its key capabilities to clean up some persistent hum as it effects both dialogue and music.
Featured Articles,
Posted 11 Oct 2014
The ultra-portable TriCaster Mini joins the TriCaster 40 at the sub-$6k end of the TriCaster line, but weighs in 10 lbs. lighter and adds HDMI input ISO-recording, a new compact control surface, an internal monitor, and more.
Featured Articles,
Posted 09 Oct 2014
ATEM Switcher Update 6.1 software, a free download for ATEM switcher users, includes new features for Camera Control such as copying of color settings across cameras, white balance display and synchronized fading of audio and video using Fade to Black
Featured News,
Posted 08 Oct 2014
In this tutorial, we explore how to add depth and visual interest to your videos by applying 3D properties in Adobe After Effects and leveraging the additional pixel real estate in 4K footage used for 1080p HD projects.
Featured Articles,
Posted 08 Oct 2014
Viewers interacting with a second screen while consuming content is not something that we, as producers, have much control over, but by integrating real-time social media with streaming video we can try to maintain viewer engagement and encourage them to use their second screens to interact with the content producers and other viewers, instead of with their wider social media network.
Featured Articles,
Posted 07 Oct 2014
I'm revisiting ring lights because I found one that addressed the two things that wanted to be different when I reviewed the Rosco Ring Light http://buff.ly/1u7t08l last year. The F&V R300 is a different design, with LEDs facing the subject instead of into a white plastic. It also has a battery holder on the right of the light, and a built-in power/dimmer on the left. The exact two things I said I wanted in a ringlight. But how does it light?
Featured Articles,
Posted 06 Oct 2014
|