PluralEyes for FCP X is available now for 149.00 USD. Existing PluralEyes for FCP customers can upgrade to PluralEyes for Final Cut Pro X free of charge.
Featured News,
Posted 13 Feb 2012
As a hybrid live/broadcast event, the X Games franchise is the closest thing we have to the Olympics, only better, because ESPN has near-complete control over the events and seems to enjoy taking the "extreme" philosophy at the heart of the games to the limit.
Featured Articles,
Posted 10 Feb 2012
The Grammy Awards get their share of slings and arrows from hipsters, but as CD and more recently ticket sales continue to decline, finding ways to "eventize" the concert experience and create a recording of it that can offer continuous revenue streams going forward might be Grammy's biggest contribution yet to keeping the music business as we know it alive.
Featured Articles,
Posted 10 Feb 2012
Roland's VR-5 A/V Mixer features multiple video inputs, an internal media player, computer input and conversion, a built-in audio mixer, two integrated LCD monitors to see video inputs, output and various device settings, and the ability to internally record your program output while also sending your program to a laptop for streaming--all for an MSRP of $4,995.
Featured Articles,
Posted 01 Feb 2012
Jon Connor and Cristina Valdivieso, two renowned event filmmakers from Philadelphia, went to Los Angeles in June to shadow World Light Welterweight boxing champion Amir Khan as he prepared for his title unification bout, capturing footage for pay-per-view broadcast in the UK. Stephen Nathans-Kelly describes how they pulled it off.
Featured Articles,
Posted 23 Jan 2012
There's a wave of raw, demolike one-take music videos with an unmistakable live feel sweeping the web, and some savvy event filmmakers have thrown their hats into thering. Here we look behind the scenes of Bill Grant's boneshow and Jet Kaiser's One Take Shows, and get their spin on this new, viral field-recording phenomenon.
Featured Articles,
Posted 18 Jan 2012
Streaming concerts and other live events has established Ryan Bodie's Studio 26 as the go-to live event webcast provider in his region and in some key entertainment areas, ranging from concert series in the spring to festivals in the summer and one-off arena gigs like a Chaka Khan show. Bodie estimates that his crew shoots, switches, and streams 80 live events per year, with maybe half of those involving music.
Featured Articles,
Posted 17 Jan 2012
Jan Ozer produced his first live webcast on May 8, 2010. As with anything else, he learned some huge lessons that didn't become obvious until he was there in the chair, broadcasting live. If you've got your first live webcast coming up, perhaps you'll find them useful.
Featured Articles,
Posted 16 Jan 2012
Award-winning producer Shawn Lam looks at the art and science of stage lighting and the challenges of making lighting designed for performance work for video. He also discusses the meat-and-potatoes things you need to know for microphone selection and successful live-recorded conference audio.
Featured Articles,
Posted 16 Jan 2012
Whether you're shooting a conference, a convention, or an AGM, the setup of the shoot is one of the most important parts of the production process. It's the step where you select the equipment, establish your camera positions, lay your cables, and check and recheck your audio and lighting.
Featured Articles,
Posted 15 Jan 2012
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