There's a wave of raw, demolike one-take music videos with an unmistakable live feel sweeping the web, and some savvy event filmmakers have thrown their hats into thering. Here we look behind the scenes of Bill Grant's boneshow and Jet Kaiser's One Take Shows, and get their spin on this new, viral field-recording phenomenon.
Featured Articles,
Posted 18 Jan 2012
Streaming concerts and other live events has established Ryan Bodie's Studio 26 as the go-to live event webcast provider in his region and in some key entertainment areas, ranging from concert series in the spring to festivals in the summer and one-off arena gigs like a Chaka Khan show. Bodie estimates that his crew shoots, switches, and streams 80 live events per year, with maybe half of those involving music.
Featured Articles,
Posted 17 Jan 2012
Jan Ozer produced his first live webcast on May 8, 2010. As with anything else, he learned some huge lessons that didn't become obvious until he was there in the chair, broadcasting live. If you've got your first live webcast coming up, perhaps you'll find them useful.
Featured Articles,
Posted 16 Jan 2012
Award-winning producer Shawn Lam looks at the art and science of stage lighting and the challenges of making lighting designed for performance work for video. He also discusses the meat-and-potatoes things you need to know for microphone selection and successful live-recorded conference audio.
Featured Articles,
Posted 16 Jan 2012
Whether you're shooting a conference, a convention, or an AGM, the setup of the shoot is one of the most important parts of the production process. It's the step where you select the equipment, establish your camera positions, lay your cables, and check and recheck your audio and lighting.
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Posted 15 Jan 2012
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