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Streaming Media Producer - Featured News

News

LiveU Transforms National Live Basketball Coverage in Australia

LiveU Solo and a fully cloud-based online workflow used to cover over 900 NBL1 live games across Australia increasing nationwide exposure to the games and simplifying the production workflow.

Creamfields Wows Crowds with Blackmagic Design Live Production Workflow

Creamfields, the UK's biggest dance music festival, was delivered using a Blackmagic Design live production workflow built around ATEM production switchers and HyperDeck recorders.

Brightcove Acquires HapYak

With the integration of the HapYak technology, Brightcove users can quickly and easily incorporate interactivity into virtually any video, including clickable hotspots, quizzes, shopping cart purchases, personalization, choose-your-own adventure paths, and a variety of calls to action (e.g., buy now, subscribe, download)

Mo-Sys Technology Played Starring Role in Moov’s Virtual Set for BBC Sport’s Tokyo Games Coverage

Mo-Sys Engineering, a world leader in precision camera tracking solutions for virtual studios and augmented reality, today announces that its StarTracker technology was front and centre of the innovative virtual studio production for BBC Sport's coverage
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Streaming Media Producer - Featured Articles

Featured Articles

Remote Production and the Future of Live Streaming

by | 3Q's Andrew McCargar, Fairmile's Ian Nock, and PUSH's Larry Gale discuss how the remote production workflows that have become prevalent during the pandemic era will impact live streaming going forward.

Review: YoloLiv Yolobox and Yolobox Pro

by | Anthony Burokas provides a walkthrough of Android tablet-based multicam livestreaming Yololiv's YoloBox and Yolobox Pro, discussing key features, usability, and current shortcomings.

Guildhall School Makes New Connections with NewTek and NDI Mix

When London's Guildhall School of Music and Drama upgraded its video infrastructure with NewTek's VMC (TriCaster) live multi-camera production system and NDI to solve a pressing issue, it also opened a world of possibilities.

The Case for Collaborative Cloud Editing

by | Blackbird's Daniel Webster discusses the rise of collaborative, cloud-based editing workflows and the reasons for the overall trend toward toward distributed production workflows with limited centralized elements in this clip from Streaming Media Connect 2021.

How Cloud Migration Changes Live Streaming Workflows

by | LiveSports LLC's Jef Kethley discusses how moving to cloud production has changed both his workflows and the ways he allocates staff in this clip from Streaming Media Connect 2021.

Remote Production with NewTek Live Call Connect

by | NewTek's Chris Burgos explains how NewTek Live Call Connect and NDI 5 enable heightened engagement for multi-guest remote production in this clip from his presentation at Streaming Media Connect 2021.

Review: JVC HC-550 4K Camcorder

by | The JVC GY-HC550 will do very well in news production, corporate video, and event production. The ability to store a station or other logo on the camera for streaming is very useful.

Advancing Remote Production with SRT and Cloud Routing

by | Live X's Anna Cowdery and Live Sports LLC's Jef Kethley discuss their go-to tools and tech for remote production in this clip from Streaming Media Connect 2021.

Review: Riverside.fm for Remote Producers

by | From a perfect high-quality audio recording of a podcast guest to a remote shoot with a 4K camera hooked into a computer via Riverside, editors can have access to perfect video files in seconds and avoid most of the downsides of other popular video call services.

Review: The Roland V-160HD Hybrid Event Video Switcher

by | While detailing every feature of this switcher is beyond the scope of the article, I'll present the top 10 features that I fully appreciate on the Roland V-160HD, peppered with some constructive criticism for good measure.

Ongoing Challenges of Remote Production

by | It's been the eighteen months since most streaming pros began pivoting to remote production, and the challenges producers face have evolved along with changes in working conditions, workflows, and client expectations. In this clip from Streaming Media Connect 2021, remote production experts discuss the current state of the art.

Comms Best Practices for Remote Live Production

by | Live X's Anna Cowdery, Live Sports' Jef Kethley, Focal Point's Marty Jenoff, and Maven's Ben Ratner discuss what works and what doesn't when it comes to comms and talkback and remote live production in this clip from their panel at Streaming Media Connect.

Choosing a Cloud Production Tool

by | If you're looking to get started with cloud production, here's a concise buyers' guide to available solutions and the benefits of each offered by LiveSports LLC's Jef Kethley in his presentation at Streaming Media East Connect 2021.

Pros and Cons of Cloud Production

by | Pizazz Chief Problem Solver Jef Kethley discusses the benefits and challenges of moving production to the cloud in this clip from his presentation at Streaming Media East 2021.
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