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Streaming Media Producer Focus
August 25, 2016

Featured Articles
Choosing a 4K Camera for Live Events
When discussing the current state of UHD/4K, "current" is a fast-moving target in mid-2016. This article will introduce you to what you need to know to get into 4K for live production and online video, from codecs to cameras.
Home Runs: Using Fibre to Direct and Deliver Live Shows Remotely
Peter Hartz explains how The Switch leveraged fibre technology to cut, switch, and deliver Univision's live soccer broadcasts from their home office, and how the infrastructure can be used for a range of other purposes including live OTT in this excerpt from his Live Streaming Summit panel.
Featured News
axle Video Unveils axle Starter Media Management Software for Avid NEXIS|PRO
axle media management complements Avid NEXIS|PRO media storage, which targets the production and storage needs of independent professionals and smaller workgroups, and supports all the top media creation applications including Avid Media Composer®, Adobe Premiere Pro and Apple Final Cut Pro X editing systems
Zylight to Demo New Flat Fresnel and New On-Camera Light at IBC 2016
For the first time at IBC, the company will also demonstrate its new ZyLink Bridge, which works with the free ZyLink App to allow precise lighting adjustments for multiple Zylights through an iPhone or iPad without a router or network configurations
Cooke Optics Debuts Latest Lenses at SET Expo
On display at Stand 168 will be the brand new true front Anamorphic/i 35-140mm zoom lens that will make its first showing in Latin America, alongside the acclaimed Cooke S4/i, 5/i, miniS4/i and Anamorphic/i prime lens families.
Sponsored Articles
Tutorial: Setting Up Avid NEXIS | PRO Shared Storage Platform
The Avid NEXIS | PRO has all the features that Avid's big NEXIS shared storage solutions have, but scaled down for producers with smaller shops but the same need for reliability and sharing functionality that makes NEXIS popular with bigger studios.
 
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