|
Review: Adorama Flashpoint LED Lights |
|
With only 250 incandescent or daylight-balanced lights, the Adorama Flashpoint 500C feels like a niche product suitable primarily for producers who need to support both incandescent and daylight-balanced light in single light. Given the improved mounting options and fit and finish, Jan Ozer reports that he'd buy it in a heartbeat if it offered all daylight-balanced bulbs. |
|
Review: Blackmagic Design ATEM Television Studio |
|
The ATEM Television Studio is a software-driven video and audio mixer that, for less than $1000 (US), allows you to mix up to six cameras down into a single output program feed, live. You can also add keys, masks, and titles, and it features a built-in H.264 encoder that puts this little stick of tricks firmly on the webcaster's radar. |
|
Tutorial: Vislink LiveGear Airstream Cellular iNG Transmitter |
|
If you're in the market for a portable video encoder/transmitter, you should consider the LiveGear Airstream from Vislink. It's mobile and easy to use, and it employs predictive forward error correction and adaptive bitrate H.264 encoding to reliably deliver top-quality video over broadband cellular networks. |
|
Story of a Rock: Creating Compelling Video Storytelling from Static Subjects |
|
What if you're hired to tell the story of a rock--or something equally unexciting and un-visual? Mad Bear Productions' Glenn Zimmerman explains how to make visual storytelling from the most unlikely material, and construct a story that speaks to your intended audience. |