Working with compound clips in FCP X is similar to nesting sequences in Final Cut Pro 7. Once you understand how it works, and how changes to compound clips can ripple across projects, it's a powerful feature that you'll find yourself using more and more.
Featured Articles,
Posted 10 Jun 2013
DigiNovations Executive Producer Whit Wales discusses how to prepare for and produce videos for academic clients that capture the mission and message of the school, and to build a single-video project into a comprehensive video program that effectively promotes and positions the school.
Featured Articles,
Posted 01 Jun 2013
Go behind the scenes at Streaming Media East 2013's 4-track, 3-day, live-switched conference and 1-day webcast with producer and crew chief Shawn Lam and see the process and the gear and how it all fits together in live-switched webcast production.
Featured Articles,
Posted 28 May 2013
Now featuring a new interview from NAB 2013 on the Sound Devices Pix240i, this article looks at a handful of portable and rackmount external video recorders for live HD production, specifically in the role of recording the master program feed from a live switch.
Featured Articles,
Posted 16 Apr 2013
Infinite counterbalance control is what differentiates the Vinten Vision blue line of tripods from its competitors. Here's a look at the latest additions to the line, with tips on balancing, counterbalancing, and choosing the right-payload tripod for your camera and accessories.
Featured Articles,
Posted 16 Apr 2013
An in-depth look at a portable Reflecmedia chromakey kit that combines a retro-reflective screen with a green-blue ringlight for versatile, quick-and-easy, reliable greenscreen setup and keying.
Featured Articles,
Posted 27 Mar 2013
New system, designed to support existing broadcast clients and attract new webcasting clients, deployed for West Virginia governor's inauguration and HS basketball tournament
Featured News,
Posted 27 Mar 2013
Running Telestream Wirecast with the Matrox VS4, a powerful, well-integrated capture card, handling most of the input/encoding/previewing load, yields impressive results that catapulte Wirecast into the TriCaster/Livestream Studio class of product when it comes to responsiveness.
Featured Articles,
Posted 26 Mar 2013
The Blackmagic Cinema Camera was used to shoot Sesame Workshop's, the nonprofit organization behind Sesame Street, recent YouTube campaign to get to one billion views: "Sesame Street: Can You Tell-y Me How to Get to a Billion?" and the secret video that was unlocked when one billion views were reached "Counting the "You"s in YouTube."
Featured News,
Posted 13 Mar 2013
Faculty and students in the Kamal Adham Center for Television and Digital Journalism, starting in September, will have access to a broadcast grade HD television studio built around Blackmagic Design products, including the ATEM 2 M/E Production Switcher and ATEM 2 M/E Broadcast Panel
Featured News,
Posted 13 Mar 2013
Kappa Studios switches from Avid to an all-Adobe workflow for the production of Cartoon Network's new hit show Annoying Orange.
Sponsored Articles,
Posted 22 Feb 2013
RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings
Featured News,
Posted 21 Feb 2013
SUGARfx Subtitles allows users to add permanent subtitles to their finished movies in Final Cut Pro®, Motion, Adobe® Premiere Pro and Adobe After Effects
Featured News,
Posted 21 Feb 2013
In this first installment of our new tutorial series, Glen Elliott demystifies Final Cut Pro X, illustrates its core functions, and focuses on one of the most powerful new features for organizing, accelerating, and streamlining your edits: metadata keyword tagging.
Featured Articles,
Posted 21 Feb 2013
Want to produce great shows on-time and on-budget? Re-evaluate your production pipeline to break up time-consuming tasks.
Featured Articles,
Posted 13 Feb 2013
Background noise and pops and clicks in audio are an unfortunate fact of life for many productions. In this tutorial we'll explore some fixes you can try in Final Cut Pro X.
Featured Articles,
Posted 13 Feb 2013
Top-level networking conference and information exchange for the innovators and decision-makers of the industry looking for expert speakers on encoding and transcoding; formats, protocols, and standards; event webcasting; online video delivery infrastructure, and more
Featured News,
Posted 12 Feb 2013
New release includes powerful new tools to increase workflow efficiency through automated, rules-based file operations, and sets a new standard in proxy editing workflows with the introduction of the EDIUS® XS non-linear low resolution proxy editor
Featured News,
Posted 04 Feb 2013
Two types of noises degrade the audio you shoot with your video: random noises like microphone clicks and pops, and consistent noises like white noise or air conditioning hum. This tutorial demonstrates how to remove both of them in Adobe Audition CS6.
Featured Articles,
Posted 04 Feb 2013
|