Working with compound clips in FCP X is similar to nesting sequences in Final Cut Pro 7. Once you understand how it works, and how changes to compound clips can ripple across projects, it's a powerful feature that you'll find yourself using more and more.
Featured Articles,
Posted 10 Jun 2013
DigiNovations Executive Producer Whit Wales discusses how to prepare for and produce videos for academic clients that capture the mission and message of the school, and to build a single-video project into a comprehensive video program that effectively promotes and positions the school.
Featured Articles,
Posted 01 Jun 2013
Go behind the scenes at Streaming Media East 2013's 4-track, 3-day, live-switched conference and 1-day webcast with producer and crew chief Shawn Lam and see the process and the gear and how it all fits together in live-switched webcast production.
Featured Articles,
Posted 28 May 2013
HuffPost Live panel discusses this important tie between on-air talent and the audience.
Featured Articles,
Posted 22 May 2013
proDAD ProDRENALIN is a standalone application specifically designed to address issues that producers face when they shoot POV and aerial footage with cameras like the GoPro HERO--specifically, stabilization issues and the fisheye look. Here's a look at how the new app fared with some challenging aerial footage shot with a typically shaky tricopter.
Featured Articles,
Posted 22 May 2013
External audio mixers make it easy to adapt XLR mic and line-level sources to the audio inputs on DSLRs. The juicedLink Riggy Assist series of audio mixers are intended to adapt various microphones to be used with DSLRs. They can also provide additional features like phantom power and metering. The Riggy Assist does all this and more.
Featured Articles,
Posted 20 May 2013
The Mount Royal Curling Club leverages the Telestream Wirecast Pro and Matrox VS4 to deliver a live-switched feed of the 2013 Canadian Mixed Curling Championship to online viewers across Canada.
Featured Articles,
Posted 15 May 2013
In this tutorial, we'll look at several ways you can use connected storylines to enhance your FCP X edits and mix in cutaways and creative shots in a quick and efficient way.
Featured Articles,
Posted 10 May 2013
Premiere Pro CC and After Effects CC showcased in Adobe MAX kickoff keynote
Featured Articles,
Posted 07 May 2013
Shawn Lam interviews Matrox marketing manager Dan Maloney regarding the Streaming Media Innovation Award-winning MonarchHD, a new professional streaming and recording appliance.
Featured Articles,
Posted 23 Apr 2013
Shawn Lam and Dave Walton discuss the JVC GY-HM650 2.0, JVC's newly updated dual-card/dual-codec ProHD camcorder with built-in FTP and live-output capability and a 23:1 Fujinon lens.
Featured Articles,
Posted 23 Apr 2013
Shawn Lam and Atomos' Jeremy Young discuss the Samurai Blade, Atomos' new field recorder that features an improved 16:9 preview screen, waveform functionality, and enhanced Canon 5D Mark III support.
Featured Articles,
Posted 23 Apr 2013
Shawn Lam and Tal Tzuk of PetrolBags discuss Petrol's new Deca Airflow Camera Backpack (PC306) for cameras and camcorders up to the size of a Sony PMW-200, plus accessories and and lenses and a 17" laptop.
Featured Articles,
Posted 23 Apr 2013
Shawn Lam and Al Mooney of Adobe discuss new features in Adobe Premiere Pro, including improved multicam and expanded GPU support, and new keyboard-driven editing enhancements.
Featured Articles,
Posted 23 Apr 2013
Shawn Lam and Doug Jensen discuss two new models in Sony's PMW camcorder line (that previously brought you the popular EX1 and EX3), the PMW-160 and its larger stablemate the PMW-200, and discuss the cameras' new 4:2:2 codec, recording media, and noise-handling features.
Featured Articles,
Posted 16 Apr 2013
Shawn Lam discusses the new ATEM Production Studio 4K and 6Gb SDI with Blackmagic Design's Stuart Ashton an NAB 2013.
Featured Articles,
Posted 16 Apr 2013
Now featuring a new interview from NAB 2013 on the Sound Devices Pix240i, this article looks at a handful of portable and rackmount external video recorders for live HD production, specifically in the role of recording the master program feed from a live switch.
Featured Articles,
Posted 16 Apr 2013
Infinite counterbalance control is what differentiates the Vinten Vision blue line of tripods from its competitors. Here's a look at the latest additions to the line, with tips on balancing, counterbalancing, and choosing the right-payload tripod for your camera and accessories.
Featured Articles,
Posted 16 Apr 2013
In the first installment of Streaming Media's NAB 2013 Interviews, Shawn Lam and Jon Sagud discuss the Canon XA25, the new $2700 compact pro camcorder unveiled by Canon at this year's show.
Featured Articles,
Posted 10 Apr 2013
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