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Upcoming Industry Conferences
Streaming Media East [2-3 June 2020]
Esport & Sports Streaming Summit [2 June 2020]
OTT Summit [2-3 June 2020]
Video Engineering & Technology Summit [2-3 June 2020]
Enterprise & Education Video Summit [3 June 2020]
Content Delivery Summit [1 June 2020]
Past Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Encoding/Streaming
Articles

AJA: HD and 4K Production

AJA Product Manager Eric Norrell offers an overview of key AJA products and applications for HD and 4K production, post-production, and streaming, along with a look at integrated solutions featuring AJA gear like the vMix Thunder.
Sponsored Articles, Posted 02 Jan 2015

Do's and Don'ts for YouTube Publishers

Here are some dos and don'ts for leveraging YouTube as a distribution platform.
Featured Articles, Posted 29 Dec 2014

Production Solutions for Live Streaming, Part 2: Sony Anycast Touch

In Part 1 of this series on production solutions for live streaming, we looked at two key pieces of the live production puzzle: cameras and audio. Here we'll look at a product that ties it all together for live producers: the Sony Anycast Touch.
Sponsored Articles, Posted 22 Dec 2014

Production Solutions for Live Streaming, Part 1: Cameras and Audio

In this 2-part series, we'll focus on some of the tools that are available to you as content creators when you're delivering content for the web, beginning in this first installment with cameras and pro audio gear.
Sponsored Articles, Posted 22 Dec 2014

Gearing Up for 4K Production, Part 1: Connectivity, Codecs, and Capture

We'll begin this 3-part series with a look at the two 4K formats and a discussion of why you'd want to shoot in 4K today even though most viewers and potential clients aren't demanding it, and start to examine the links in the 4K live production chain with an eye to connectivity, codecs, and capture.
Featured Articles, Posted 22 Dec 2014

Developing an Online Video Marketing Strategy, Part 2: Producing With Marketing in Mind

In Part 1 of this three-part series, we looked at content creation for effective online video marketing at the conceptual, strategizing stage. The next step, after you've decided what type of content you're going to create, is to start thinking about preproduction and the production cycle.
Featured Articles, Posted 22 Dec 2014

Developing an Online Video Marketing Strategy, Part 1: Creating Content

In this three-part series on developing, delivering, and leveraging online video for marketing purposes, we'll begin in this first installment with a look at creating content for market videos.
Featured Articles, Posted 15 Dec 2014

Matrox Releases Automatic Configuration Tools for Monarch HD Streaming and Recording Appliance

AV integrators and video delivery platform developers can use the powerful tools to design a single device management interface for detecting, configuring, and controlling Monarch HD units in remote locations
Featured News, Posted 11 Dec 2014

How to Produce an All-Day Webcast

This article will discuss an all-day webcast that Morningstar does every year for its Individual Investor Conference, going through the decisions made in pre-production, the vendors selected, and the workflow, and share some tips that readers take into your webcast productions.
Featured Articles, Posted 25 Nov 2014

Matrox VS4 Quad HD Capture Card Now Supports Wirecast 6.0

Matrox VS4 not only sends the video feeds to Wirecast for streaming, it simultaneously provides high-quality ISO recording of all the original video and audio feeds to NLE-friendly codecs
Featured News, Posted 19 Nov 2014

Case Study: Streaming and Archiving Live Surgical Training 3D Video and Audio

Noted surgeon finds live 3D streaming and recording from Monarch HD "irreplaceable" for live teaching and archiving
Featured Articles, Posted 17 Nov 2014

Telestream Wirecast 6.0 Now Available

With new powerful production capabilities, streamlined workflows, and expanded content source options, Wirecast 6.0 offers the capabilities of more expensive hardware solutions with the flexibility and affordability of a software application
Featured News, Posted 11 Nov 2014

Camp Digital Streams Life is Beautiful Music and Lifestyle Festival with AJA Ki Pro

Camp Digital has extensive experience in live event production, and along with a vast team mobilized for the event, is capturing 500+ hours of content using file-based HD/SD recording devices from AJA Video Systems' Ki Pro family
Featured News, Posted 28 Oct 2014

DMO Live Underground Music Site Live Streams Festivals and More with Matrox Monarch HD

Created for the electronic music lover, DMO Live, will soon connect venues in different worldwide locations through one live event by streaming the night's main happening on large screens in club locations around the world.
Featured Articles, Posted 27 Oct 2014

PESA Ships XSTREAM C22 Compact Streaming System

As part of a larger hybrid broadcast system or standalone streaming appliance, the C22 allows AV professionals to compress, stream and share high-quality content
Featured News, Posted 22 Oct 2014

First Look: NewTek TriCaster Mini

The ultra-portable TriCaster Mini joins the TriCaster 40 at the sub-$6k end of the TriCaster line, but weighs in 10 lbs. lighter and adds HDMI input ISO-recording, a new compact control surface, an internal monitor, and more.
Featured Articles, Posted 09 Oct 2014

How to Integrate Real-Time Social Media with Streaming Video

Viewers interacting with a second screen while consuming content is not something that we, as producers, have much control over, but by integrating real-time social media with streaming video we can try to maintain viewer engagement and encourage them to use their second screens to interact with the content producers and other viewers, instead of with their wider social media network.
Featured Articles, Posted 07 Oct 2014

Portable Field Transcoding with Small-Form-Factor Computers

What if you need to transcode files when you're in the field, in between production shoots or as a way to push digital dailies out to local clients? Recognizing the need for portability in such a scenario, we ran a number of tests to determine the ideal balance of size and speed, and we share those results here.
Featured Articles, Posted 30 Sep 2014

Pickathon Music Festival Picks ATEM Switchers for Switching its Live Stream

Pickathon Music Festival used five Blackmagic Studio Cameras and six ATEM Live Production Switchers, as well as a large number of additional Blackmagic Design products, as the backbone of its live production and live streaming workflows
Featured News, Posted 24 Sep 2014

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