Streaming Media

Streaming Media on Facebook Streaming Media on Twitter Streaming Media on LinkedIn
 
Corporate/Commercial Video
Articles

Behind the Scenes: How to Produce a Live-Switched Webcast

Go behind the scenes at Streaming Media East 2013's 4-track, 3-day, live-switched conference and 1-day webcast with producer and crew chief Shawn Lam and see the process and the gear and how it all fits together in live-switched webcast production.
Featured Articles, Posted 28 May 2013

Audio Mixers for DSLR Production--UPDATED 5/20/13

External audio mixers make it easy to adapt XLR mic and line-level sources to the audio inputs on DSLRs. The juicedLink Riggy Assist series of audio mixers are intended to adapt various microphones to be used with DSLRs. They can also provide additional features like phantom power and metering. The Riggy Assist does all this and more.
Featured Articles, Posted 20 May 2013

Sonnet Upgrades xMac mini Server

The updated xMac mini Server now supports a double-width PCIe card's daughter card and includes BNC connector mounting holes on the enclosure's rear panel
Featured News, Posted 15 May 2013

Commentary: Adobe Reveals Creative Tools Features and Strategy at Adobe MAX

Premiere Pro CC and After Effects CC showcased in Adobe MAX kickoff keynote
Featured Articles, Posted 07 May 2013

Interview: Al Mooney, Product Manager, Adobe Premiere Pro

Shawn Lam and Al Mooney of Adobe discuss new features in Adobe Premiere Pro, including improved multicam and expanded GPU support, and new keyboard-driven editing enhancements.
Featured Articles, Posted 23 Apr 2013

The NAB Interviews: Doug Jensen on the Sony PMW-160 and PMW-200

Shawn Lam and Doug Jensen discuss two new models in Sony's PMW camcorder line (that previously brought you the popular EX1 and EX3), the PMW-160 and its larger stablemate the PMW-200, and discuss the cameras' new 4:2:2 codec, recording media, and noise-handling features.
Featured Articles, Posted 16 Apr 2013

HD Field Recorders for Live Production--UPDATED!

Now featuring a new interview from NAB 2013 on the Sound Devices Pix240i, this article looks at a handful of portable and rackmount external video recorders for live HD production, specifically in the role of recording the master program feed from a live switch.
Featured Articles, Posted 16 Apr 2013

Review: Vinten Vision blue Tripods--UPDATED with New Interview on Vinten blueBridge from NAB 2013

Infinite counterbalance control is what differentiates the Vinten Vision blue line of tripods from its competitors. Here's a look at the latest additions to the line, with tips on balancing, counterbalancing, and choosing the right-payload tripod for your camera and accessories.
Featured Articles, Posted 16 Apr 2013

Tutorial: Making the Right Audio Connections for Live and Corporate Video

In this article we'll walk through the process of connecting a camcorder to an external microphone or soundboard for optimum, clean, balanced audio capture--critical skills for any videographer or online video producer doing corporate video or live events.
Featured Articles, Posted 03 Apr 2013

Tutorial: Advanced Editing Techniques in Apple FCP X

This tutorial explores advanced editing techniques in FCP X including back-timing your edits, replacing edits and auditioning, top-and-tail editing, extend edits, trim-to-selection edits, keyboard trimming, and the Precision Editor.
Featured Articles, Posted 02 Apr 2013

Review: Reflecmedia ChromaFlex for Easy Keying

An in-depth look at a portable Reflecmedia chromakey kit that combines a retro-reflective screen with a green-blue ringlight for versatile, quick-and-easy, reliable greenscreen setup and keying.
Featured Articles, Posted 27 Mar 2013

Matrox Announces Avio F125 Fiber-Optic KVM Extender

Avio F125 separates dual HD video, keyboard, mouse, stereo analog audio and USB 2.0 devices from a workstation
Featured News, Posted 13 Mar 2013

Tutorial: How to Edit in Final Cut Pro X’s Magnetic Timeline

The magnetic timeline is one of the major revolutionary changes in Apple Final Cut Pro X, and one of the areas editors struggle with when they're coming from track-based NLEs. In this tutorial we'll break it down and show you how to make it work for you.
Featured Articles, Posted 08 Mar 2013

Kappa Studios Accelerates Post-Production for Annoying Orange with All-Adobe Workflow

Kappa Studios switches from Avid to an all-Adobe workflow for the production of Cartoon Network's new hit show Annoying Orange.
Sponsored Articles, Posted 22 Feb 2013

RE:Vision Effects Reveals RE:Match Pro Automatic Multicam Color-Matching Tool

RE:Match is a set of plug-ins to match one view of video or film to another so that it looks as if it was shot with the same camera and settings
Featured News, Posted 21 Feb 2013

FxFactory Sweetens Subtitling With SUGARfx

SUGARfx Subtitles allows users to add permanent subtitles to their finished movies in Final Cut Pro®, Motion, Adobe® Premiere Pro and Adobe After Effects
Featured News, Posted 21 Feb 2013

Tutorial: Keyword Tagging in Apple Final Cut Pro X

In this first installment of our new tutorial series, Glen Elliott demystifies Final Cut Pro X, illustrates its core functions, and focuses on one of the most powerful new features for organizing, accelerating, and streamlining your edits: metadata keyword tagging.
Featured Articles, Posted 21 Feb 2013

Crispy Duck Leverages AFrame's Cloud Video Technology to Debut Harper’s BAZAAR's "The Look" Season 2

Through the use of Aframe, the program achieves the lush production values that reinforce the magazine's luxury positioning with speed and ease and at a budget not typically associated with cross-continent productions.
Featured News, Posted 13 Feb 2013

Streamline Your Production Pipeline

Want to produce great shows on-time and on-budget? Re-evaluate your production pipeline to break up time-consuming tasks.
Featured Articles, Posted 13 Feb 2013

Pages: << Prev  1 2 3 4 5 6 7 8 9 10 11 12 13 14 15 16 17 18 19 20 21 22 23 24 25 26 27 28 29 30 31 32 33 34 35 36 37 38 39 40 41 42 43   Next >>