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Upcoming Industry Conferences
Streaming Forum [26 February 2019]
Content Delivery Summit [6 May 2019]
Streaming Media East [7-8 May 2019]
Live Streaming Summit [7-8 May 2019]
OTT Leadership Summit [7-8 May 2019]
Video Engineering Summit [7-8 May 2019]
Past Conferences
Streaming Media West [13-14 November 2018]
Live Streaming Summit [13-14 November 2018]

Video Tutorial: New Features in Adobe Media Encoder CC

This video tutorial demonstrates how to use and leverage 3 key new features in Adobe Media Encoder CC: Lumetri Looks support, and image, text, and timecode overlay.

This video tutorial demonstrates how to use and leverage 3 key new features found under the Effects tab in Adobe Media Encoder CC (which replaces the much more limited Filters tab in Adobe Media Encoder CS6): Lumetri Looks support, and image, text, and timecode overlay.

Related Articles
Two types of noises degrade the audio you shoot with your video: random noises like microphone clicks and pops, and consistent noises like white noise or air conditioning hum. This tutorial demonstrates how to remove both of them in Adobe Audition CS6.
In this tutorial you'll learn how to create and edit industry-standard closed captions for video using the new closed-captioning capabilities in the just-released Adobe Premiere Pro CC.
Here's a quick tutorial for Premiere Pro CC users on how to migrate encoding presets that you created to customize and streamline encodes in Adobe Media Encoder CS5/6 into Adobe Media Encoder CC so you can pick up right where you left off.
If you ever find yourself having to render multiple sequences from Premiere Pro, there's an easier way to do it than by using the Premiere Pro Export control. This tutorial will explain the easier and more efficient way using Adobe Media Encoder.
Exploring 3 new key features in Audition CC, the newest version of Adobe's professional audio editing application: Sound Removal for eliminating hums and other variable-frequency unwanted noises, the Loudness Radar Meter for matching and adhering to broadcast volume standards, and Automatic Speech Alignment for ADR.
In this first installment of a two-part series, Jan Ozer compares the declipping and crackle and pop-removal features in iZotope's new RX 3 pro audio editor to the parallel features in Adobe Audition CC.
In this final round between audio editing champs iZotope RX 3 and Adobe Audition CC, we compare the two audio editors in noise reduction and reverb/echo reduction.
Recent upgrades to Adobe CC make it easy to apply graded looks in Adobe Premiere Pro CC and match shots with different color temperatures via seamless roundtripping between Premiere Pro CC and SpeedGrade CC.
Using Adobe Lightroom 5 to color-grade and apply metadata to DSLR video files is simple and efficient and can benefit live-switchers doing minimal edits, editing novices, and pro editors exploring non-traditional workflows.
New SpeedLooks in SpeedGrade, Mask Tracker in After Effects, Sync Settings in Adobe Media Encoder, improved multicam in Premiere Pro, expanded UltraHD/4k support, and more
A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here's how you can add it to your offerings when your clients or projects demand it.