StreamingMedia.com/Producer focuses on tutorials and real-world technical advice for professional online video producers
Featured News,
Posted 16 Feb 2012
DSLRs have become the standard by which current and future large-sensor camcorders are judged. But as we adopted DSLRs and primes to produce more "filmic" video for our clients, we left something critical behind: the feathery smooth servo zoom that serves feature film producers so well. So how do you get that capability on your DSLR?
Featured Articles,
Posted 16 Feb 2012
New variable color temperature output solution designed for run-and-gun news shooters, event videographers or still photographers who move rapidly from one light environment to the next, with no time to change lighting equipment or add gels
Featured News,
Posted 15 Feb 2012
The FX-Motion Furio system has been used to control cameras and provide compelling visuals on productions such as the Eurovision Song Contest, So You Think You Can Dance and in augmented reality productions like the VGA awards as well as in news studio production environments.
Featured News,
Posted 14 Feb 2012
Gives shooters creative depth-of-field control by transforming any of Lensbaby's bending lens bodies into a tilt lens that delivers a selective slice of sharp focus through an image
Featured News,
Posted 14 Feb 2012
PluralEyes for FCP X is available now for 149.00 USD. Existing PluralEyes for FCP customers can upgrade to PluralEyes for Final Cut Pro X free of charge.
Featured News,
Posted 13 Feb 2012
In an era of ever-shrinking HD cameras, cell phone HD, and DSLRs, you might ask, why would anyone need an on-shoulder HD camcorder? Is it the copious amount of I/O jacks? The ergonomics? Or the easy access to numerous features in a big camera sort of way that enamor the Panasonic AG-HMC80 to its target end users? Let's find out.
Featured Articles,
Posted 10 Feb 2012
O-Focus is optimized for both still and cine-style camera lenses, to meet the exacting needs of professional camera operators and assistants
Featured News,
Posted 10 Feb 2012
How do you get all the different cameras you might use to cover an event to match? There is a trick you can use to set up a color profile for each of the cameras, and then use the corrections established there to correct for the rest of the footage from your project.
Featured Articles,
Posted 01 Feb 2012
Replaces HyperDeck Shuttle 1 and adds broadcast quality 10-bit recording and playback to the Avid DNxHD format for $345
Featured News,
Posted 24 Jan 2012
Jon Connor and Cristina Valdivieso, two renowned event filmmakers from Philadelphia, went to Los Angeles in June to shadow World Light Welterweight boxing champion Amir Khan as he prepared for his title unification bout, capturing footage for pay-per-view broadcast in the UK. Stephen Nathans-Kelly describes how they pulled it off.
Featured Articles,
Posted 23 Jan 2012
There's a wave of raw, demolike one-take music videos with an unmistakable live feel sweeping the web, and some savvy event filmmakers have thrown their hats into thering. Here we look behind the scenes of Bill Grant's boneshow and Jet Kaiser's One Take Shows, and get their spin on this new, viral field-recording phenomenon.
Featured Articles,
Posted 18 Jan 2012
Streaming concerts and other live events has established Ryan Bodie's Studio 26 as the go-to live event webcast provider in his region and in some key entertainment areas, ranging from concert series in the spring to festivals in the summer and one-off arena gigs like a Chaka Khan show. Bodie estimates that his crew shoots, switches, and streams 80 live events per year, with maybe half of those involving music.
Featured Articles,
Posted 17 Jan 2012
Award-winning producer Shawn Lam looks at two key elements of the process: capturing multimedia presentations effectively for both live-switched productions and post-produced edits, and how to become a successful technical director of a live-switched shoot, whether for IMAG delivery or providing a live feed for broadcast or webcast.
Featured Articles,
Posted 16 Jan 2012
Award-winning producer Shawn Lam looks at the art and science of stage lighting and the challenges of making lighting designed for performance work for video. He also discusses the meat-and-potatoes things you need to know for microphone selection and successful live-recorded conference audio.
Featured Articles,
Posted 16 Jan 2012
Whether you're shooting a conference, a convention, or an AGM, the setup of the shoot is one of the most important parts of the production process. It's the step where you select the equipment, establish your camera positions, lay your cables, and check and recheck your audio and lighting.
Featured Articles,
Posted 15 Jan 2012
For Altair and humanstory, the name of the game in college sports web shows is storytelling, and their theme-driven style is getting them lucrative gigs with top college programs.
Featured Articles,
Posted 11 Jan 2012
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