Livestream Studio HD500 is designed to perform as a standalone, broadcast quality live video switcher when using live video output for applications such as in-venue screen broadcasting, live-to-tape production and network and local television programming, all with or without live streaming to the web
Featured News,
Posted 05 Sep 2012
Streaming Media Producer continues its "What Is...?" series tackling essential topics in the streaming media and live production world with a look at IMAG, or image magnification, a common and effective way of delivering instant video projection of speakers and performers at corporate, conference, and faith-based events. We examine the technical challenges, the required gear, and the preferability of producing separate feeds for projection and streaming of the same event.
What Is ...,
Posted 05 Sep 2012
NewTek returns to its roots of empowering entry-level and budget-constrained live producers with its first sub-$5k HD-capable, multi-camera live production system
Featured Articles,
Posted 29 Aug 2012
TriCaster 40 creates a new entry point for broadcasters and producers who need full-resolution, HD, multi-camera live production and streaming capabilities, at a breakthrough price
Featured News,
Posted 29 Aug 2012
In Part 1 of this article, we looked at how to set up a live webcast over 4G with the Teradek Cube and the Bond 4G Cellular Transmitter. Now we'll look at the results of the testing with the setup we assembled.
Featured Articles,
Posted 15 Aug 2012
ATEM Switcher 3.2 audio mixer software lets customers mix embedded audio from SDI and HDMI inputs, as well as external audio inputs
Featured News,
Posted 13 Aug 2012
With the rise and increased penetration of 4G networks, live streaming over cellular is becoming more and more accessible. For this review, we tested the Teradek Cube encoder and Bond 4G cellular transmitter
Featured Articles,
Posted 13 Aug 2012
Both cards support full, high-definition (1080p) video capture, the PCI Express Capture Card supports both digital and analog video input support with built-on HDMI and DVI input ports, and includes the necessary adapters for converting and capturing video from VGA or component video sources
Featured News,
Posted 03 Aug 2012
The new, lower cost device enables the use of a wide variety of high-performance PCIe adapter cards, originally designed for use in desktop computers, with any computer equipped with a Thunderbolt port
Featured News,
Posted 03 Aug 2012
Adobe Premiere Pro Instructor extraordinaire Luisa Winters explains how to use the new and enhanced Multi-Camera Monitor for quick and efficient multicam edits in Adobe Premiere Pro CS6 in this video and text tutorial.
Sponsored Articles,
Posted 02 Aug 2012
Designed to drive any combination of image magnification (I-MAG) screens, Internet feeds, and live television productions
Featured News,
Posted 25 Jul 2012
Low-cost, high-efficiency system transmit uncompressed, HD video over 150 feet to any field monitor with a latency of less than 1 millisecond, making it ideal for real-time viewing
Featured News,
Posted 25 Jul 2012
The Sony NEX-FS700 has much to recommend it as a top-flight large-sensor, interchangeable-lens camcorder and as a worth-the-upgrade successor to the Sony FS100. And it's 4k support and 10x slo-mo are nothing to sneeze at. But what makes it the best camera in the market for webcast producers?
Featured Articles,
Posted 23 Jul 2012
Roland V-800HD is a true multi-format video switcher boasting sixteen inputs and eight channels of mixing with independent scalers on the inputs and outputs allowing you to connect any video format including 3G, HD, SD, computer, digital, analog, SDI, and HDMI
Featured News,
Posted 17 Jul 2012
DVEO HD Spigot converters feature dual outputs and are fully compatible with SMPTE-259M and SMPTE 292M; supported resolutions include 1080p, 1080i, 1035i, or 720p HD
Featured News,
Posted 17 Jul 2012
Part 2 of this series on webcast video production focuses on Sony's NEX-FS100 large-sensor camcorder and new capabilities added via a firmware upgrade that (among other things) makes it compatible with Sony's LA-EA2 lens adapter. While it's not as strong a webcast camera as the FS700 (review coming soon), it still has much to recommend it.
Featured Articles,
Posted 07 Jul 2012
Streaming Media Producer kicks off its "What Is...?" series tackling essential topics in the streaming media production world with a look at live switching, touching on the differences between switching and mixing, assembling the components and crew of a live switch, and the basics of "punching" a multi-camera show or event for live delivery.
What Is ...,
Posted 03 Jul 2012
Lander University is utilizing a combination of Canon BU-46H remote-control HD pan-tilt-zoom (PTZ) cameras, Canon XF305 HD camcorders, and Canon VC-C50iR security cameras to capture game play for local cablecasts, worldwide webcasts, and coaching/player analysis
Featured News,
Posted 26 Jun 2012
A Grass Valley customer since it launched in January 2009, MLB Network's facility also features a collaborative editing environment based on 15 Grass Valley Aurora™ editing systems and multiple Grass Valley K2 HD media servers, configured as a flexible and highly reliable storage area network (SAN), and is one of the largest K2/Aurora systems in the world.
Featured News,
Posted 26 Jun 2012
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