The HC-HD300 is equipped with a 1/3 inch bayonet lens mount and employs three 1/3-inch CMOS progressive-scan sensors, each with 2.2 million pixels, in RGB prism formation
Featured News,
Posted 10 Sep 2014
The new LCM-207-3G monitor expands the LCM range of affordable monitors, keeping costs very low by integrating features tailored specifically for preview needs - notably, in-depth color calibration to maximize picture quality and integrity
Featured News,
Posted 03 Sep 2014
Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial we'll explore how the ADVC-G1 works and how you can incorporate it into your workflow.
Sponsored Articles,
Posted 02 Sep 2014
With new standard, users can connect using HDMI and automatically trigger functions on external devices from the camera itself, just as they have for years with SDI
Featured News,
Posted 05 Aug 2014
ith the new ATEM Camera Control software update, ATEM live production switchers can now control cameras via a new open standard protocol sent to the camera via the return program feed
Featured News,
Posted 04 Aug 2014
The FreeSpeak II system is designed for deployment across large-scale, multi-zone production areas typically required in live events, broadcast, and sports production
Featured News,
Posted 29 Jul 2014
mTape is the industry's first LTO-6 tape drive to feature Thunderbolt connectivity and the first tape drive system to receive Thunderbolt certification from Apple Inc. and Intel Corporation
Featured News,
Posted 29 Jul 2014
The Canon XF205 pro camcorder resembles the acclaimed XA25 consumer model introduced last year in several respects, but adds welcome features such as individual rings for iris, zoom, and focus; 2 additional channels of internal microphone recording; 1080/30P HD-SDI output in the XF205, and more. As such, the XF205 comes highly recommended as a camcorder well-suited to webcasting workflows.
Featured Articles,
Posted 25 Jul 2014
EVO.Live is a powerful console that offers integrated HD video and multitrack audio recording, andcan switch between live and post production modes at the touch of a button so that staff engineers can use the desk for audio sweetening when it isn't needed for on-air applications
Featured News,
Posted 23 Jul 2014
In this tutorial we'll explore the robust audio and video mixing, switching, and live-delivery feature set of Roland's versatile next-generation 4-input VR-3EX, HDMI-capable A/V mixer.
Sponsored Articles,
Posted 17 Jul 2014
The church purchased an HVS-390HS 2 M/E switcher for its main campus, and moved its HVS-350HS switcher to its new satellite campus earlier this year
Featured News,
Posted 15 Jul 2014
The PIX 260i brings the features and tools needed by production companies and other production-based AV environments looking to migrate to file-based recording and playback environments. The PIX 260i's extensive audio capabilities are an essential component for the facility.
Featured News,
Posted 10 Jul 2014
Both Sun Valley's Gilbert and Tempe campuses have full video production suites, with each of its FOR-A switchers running three live cameras, and multiple computers driving content to three projectors in the front of the auditorium, which are used for image magnification and visual content
Featured News,
Posted 01 Jul 2014
New Hope Oahu relies on Blackmagic's ATEM 2 M/E Production Switcher and Broadcast Panel, Blackmagic Audio Monitor and a host of additional products to help broadcast services to more than 12,000 in-person and online attendees
Featured News,
Posted 24 Jun 2014
A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here's how you can add it to your offerings when your clients or projects demand it.
Featured Articles,
Posted 24 Jun 2014
Shawn Lam guides readers/viewers through a simple, powerful, and versatile live-switched production and streaming workflow with Roland's VR-50HD all-in-one multi-format AV mixer.
Sponsored Articles,
Posted 24 Jun 2014
New camera series features Range-Set image control, a revolutionary new camera optical image control technology that allows integrators and technical staff the ability to set the appropriate camera wide field-of-view and optical zoom range to match the requirements of the room
Featured News,
Posted 18 Jun 2014
If you're looking for a tripod for tracking high-motion events and have only $150 to spend, you should check out the Adorama 3Pod V2AH.
Featured Articles,
Posted 17 Jun 2014
Latest addition to the PESA Xstream family of multi-channel HD IP streaming devices includes I/O options for standalone streaming applications or as part of a larger hybrid broadcast system
Featured News,
Posted 11 Jun 2014
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