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Upcoming Industry Conferences
Streaming Media West [19-20 Nov 2019]
Esport & Sports Streaming Summit [19-20 Nov 2019]
OTT Leadership Summit [19-20 Nov 2019]
Video Engineering Summit [19-20 Nov 2019]
Live Streaming Summit [19 Nov 2019]
Streaming Media East [5-6 May 2020]
Past Conferences
Streaming Media East [7-8 May 2019]
Live Streaming Summit [7-8 May 2019]
OTT Leadership Summit [7-8 May 2019]
Video Engineering Summit [7-8 May 2019]
Content Delivery Summit [6 May 2019]
Streaming Forum [26 February 2019]

Streaming Media
Magazine

October 2019
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Current Digital Edition
Streaming Media Producer Focus
November 07, 2019
Featured Articles
NewTek Unveils All-NDI, 4K-Capable TriCaster TC Mini
With today's announcement of the next-generation TriCaster TC Mini, NewTek delivered a host of new features to the Mini's target demographic of EDU and school sports producers, as well as in-house corporate production staff and pro AV crews by unleashing the first 4K/UHD-capable, all-NDI model in the popular Mini line.
7 Steps to Live Stream a Local Sporting Event Like a Pro
In the age of streaming video, as long as you have the right equipment you can live stream just about anything for the world to see. Here's how to make sure remote fans can enjoy every play of the game.
Featured News
Adobe MAX 2019: Empowering Creativity for All
Creative Cloud innovation announcements include availability of Photoshop on iPad, Fresco on Windows, and Adobe Aero for Immersive Media, along with previews of Adobe Illustrator on iPad and Photoshop Camera.
Minnesota House of Representatives Modernizes Live Streams with AJA HELO
House Public Information Services, a non-partisan office of the Minnesota House of Representatives, broadcasts select meetings live on PBS and cable when the House is in session, but also delivers a live stream of every meeting room to YouTube
Director/DP Yoram Astrakhan Captures Investigation Discovery’s Betrayed with AU-EVA1 Cameras
Currently shooting its 4th season (10 episodes per season), the true crime series is directed and shot by Yoram Astrakhan with AU-EVA1 cinema cameras.
 
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