The PIX 260i brings the features and tools needed by production companies and other production-based AV environments looking to migrate to file-based recording and playback environments. The PIX 260i's extensive audio capabilities are an essential component for the facility.
Featured News,
Posted 10 Jul 2014
Both Sun Valley's Gilbert and Tempe campuses have full video production suites, with each of its FOR-A switchers running three live cameras, and multiple computers driving content to three projectors in the front of the auditorium, which are used for image magnification and visual content
Featured News,
Posted 01 Jul 2014
New Hope Oahu relies on Blackmagic's ATEM 2 M/E Production Switcher and Broadcast Panel, Blackmagic Audio Monitor and a host of additional products to help broadcast services to more than 12,000 in-person and online attendees
Featured News,
Posted 24 Jun 2014
A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here's how you can add it to your offerings when your clients or projects demand it.
Featured Articles,
Posted 24 Jun 2014
Shawn Lam guides readers/viewers through a simple, powerful, and versatile live-switched production and streaming workflow with Roland's VR-50HD all-in-one multi-format AV mixer.
Sponsored Articles,
Posted 24 Jun 2014
New camera series features Range-Set image control, a revolutionary new camera optical image control technology that allows integrators and technical staff the ability to set the appropriate camera wide field-of-view and optical zoom range to match the requirements of the room
Featured News,
Posted 18 Jun 2014
If you're looking for a tripod for tracking high-motion events and have only $150 to spend, you should check out the Adorama 3Pod V2AH.
Featured Articles,
Posted 17 Jun 2014
Latest addition to the PESA Xstream family of multi-channel HD IP streaming devices includes I/O options for standalone streaming applications or as part of a larger hybrid broadcast system
Featured News,
Posted 11 Jun 2014
New line of Multi-Format Matrix Switchers designed for fixed installations requiring high-quality integrated video and audio conversion and switching
Featured News,
Posted 11 Jun 2014
The time for idle speculation about 4K production has passed. 4K is here, and it's arrived in mainstream cameras at various price points with some surprisingly modest data rates. Do you need all-new, cutting-edge hardware to handle it? Probably not. Delve deeper into the specifics of your production chain, and do a little math to find out what your needs really are, and what you find might surprise you.
Featured Articles,
Posted 03 Jun 2014
A veteran producer of video projects on multiple continents offers tips on everything from hard-shelled equipment cases to travel restrictions to international power issues to visas to carnets for videographers who want to book international jobs, make the most of them, and escape the pitfalls that come with being un- or under-prepared.
Featured Articles,
Posted 22 May 2014
RMP was created to provide broadcast quality production to mid-market events, where smaller venues can be served cost effectively by smaller mobile production units equipped with world-class solutions
Featured News,
Posted 21 May 2014
The new features--which further eliminate the need for racks of specialized equipment and multiple operators to produce video content that offers the same professional quality and look of a network-style television broadcast--are now available at no cost to current TriCaster 8000, 860, 460 and 410 model owners
Featured News,
Posted 21 May 2014
A strong contender for the most affordable 4K camera on the market today, Panasonic's DMC-GH4 adds both UltraHD and pixel-for-pixel Cinema4K to the feature set that made its GH3 predecessor great, and joins a rapidly growing Micro 4/3 marketplace.
Featured Articles,
Posted 07 May 2014
Company offers two models of innovative, if fragile, studio camera
Featured Articles,
Posted 02 May 2014
Shawn Lam and Roland's Doug Schouten discuss key features of Roland's VR-50HD an audio/video mixer/switcher with a multi-viewer touchscreen and integrated USB 3.0 output for live streaming.
Featured Articles,
Posted 25 Apr 2014
Streaming Media Producer contributing editor Shawn Lam and Blackmagic Design Senior Regional Manager Bob Caniglia discuss Blackmagic's new HD and 4K Studio Cameras, introduced at NAB 2014, and touted as "the world's smallest studio camera with the world's largest viewfinder."
Featured Articles,
Posted 25 Apr 2014
Almost Live with Streaming Media reports from NAB 2014 with an up-close look at the new Canon XF205 Pro Camcorder.
Featured Articles,
Posted 17 Apr 2014
PIX 270i and PIX 250i seamlessly replace tape- and disc-based video decks for a complete offering that addresses a range of multiple-source video productions, including fast-paced, mission-critical studio applications, live sports and events, and mobile production
Featured News,
Posted 15 Apr 2014
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