PixPlay allows any Broadcast Pix integrated production switcher to provide slow motion control to a Blackmagic Design HyperDeck or AJA Video Systems Ki Pro disk recorder
Featured News,
Posted 12 Aug 2014
In Part 2 of our 3 part series on mastering aerial video, we'll explore the challenges of choosing and assembling a gimbal system--ranging from DIY options to fully assembled kits--to ensure smooth and successful flight operation and capture stable, usable, professional-quality aerial shots, and also look at monitoring approaches and options.
Featured Articles,
Posted 08 Aug 2014
With new standard, users can connect using HDMI and automatically trigger functions on external devices from the camera itself, just as they have for years with SDI
Featured News,
Posted 05 Aug 2014
ith the new ATEM Camera Control software update, ATEM live production switchers can now control cameras via a new open standard protocol sent to the camera via the return program feed
Featured News,
Posted 04 Aug 2014
Ribcage enables easy and secure mounting of C and CS lenses to GoPro cameras
Featured News,
Posted 04 Aug 2014
The FreeSpeak II system is designed for deployment across large-scale, multi-zone production areas typically required in live events, broadcast, and sports production
Featured News,
Posted 29 Jul 2014
mTape is the industry's first LTO-6 tape drive to feature Thunderbolt connectivity and the first tape drive system to receive Thunderbolt certification from Apple Inc. and Intel Corporation
Featured News,
Posted 29 Jul 2014
Combining the core X10 ultra-motion technology with Vision Research's Phantom Flex4K camera, X10 UHD supports operation in a range of modes to meet differing production requirements, and can be instantly re-configured for new 4K or HD shooting scenarios
Featured News,
Posted 29 Jul 2014
The Canon XF205 pro camcorder resembles the acclaimed XA25 consumer model introduced last year in several respects, but adds welcome features such as individual rings for iris, zoom, and focus; 2 additional channels of internal microphone recording; 1080/30P HD-SDI output in the XF205, and more. As such, the XF205 comes highly recommended as a camcorder well-suited to webcasting workflows.
Featured Articles,
Posted 25 Jul 2014
The MoVI Controller is purpose built to provide for a true two-user MoVI stabilizer setup by letting a second operator control pan, tilt, roll, focus, iris, and zoom of a MoVI-mounted camera while the first operator holds the system
Featured News,
Posted 23 Jul 2014
In this tutorial we'll explore the robust audio and video mixing, switching, and live-delivery feature set of Roland's versatile next-generation 4-input VR-3EX, HDMI-capable A/V mixer.
Sponsored Articles,
Posted 17 Jul 2014
Incorporated into broadcast operations upgrades at EverBank Field, the two 8K Mira Production servers are part of a larger commitment to Abekas multi-channel video servers which includes three, eight-channel Abekas Mira Instant Replay servers and an eight-channel Mira Production server
Featured News,
Posted 15 Jul 2014
Combining the core X10 ultra-motion technology with Vision Research's Phantom Flex4K camera, X10 UHD supports operation in a range of modes to meet differing production requirements, and can be instantly re-configured for new 4K or HD shooting scenarios
Featured News,
Posted 15 Jul 2014
Launched at NAB, the Ninja Star is a must have for film creatives who need to "Record Apple ProRes on Board" camera rigs, such as Drones, RC Helicopters and other UAVs, or recording post production quality from the world's best camera makers, Canon, Sony, Nikon Panasonic and GoPro
Featured News,
Posted 01 Jul 2014
Surging in popularity thanks to affordable, unmanned multirotor copters comfortably paired with cameras ranging from GoPros to DSLRs to REDs, aerial cinema is proving as effective a pro video tool as it is a cool hobby. But regardless of what "ready to fly" advocates tell you, there's no shortcut to aerial cinema coolness. This 3-part series will provide an essential primer in the technologies, tools, techniques, legal and practical concerns, and hidden challenges you'll face in aerial cinema as you prepare for takeoff.
Featured Articles,
Posted 30 Jun 2014
Shawn Lam guides readers/viewers through a simple, powerful, and versatile live-switched production and streaming workflow with Roland's VR-50HD all-in-one multi-format AV mixer.
Sponsored Articles,
Posted 24 Jun 2014
New camera series features Range-Set image control, a revolutionary new camera optical image control technology that allows integrators and technical staff the ability to set the appropriate camera wide field-of-view and optical zoom range to match the requirements of the room
Featured News,
Posted 18 Jun 2014
The live event was watched outside the Emirates Stadium on a 100m2 mobile LED screen, and online by 200,000 worldwide
Featured News,
Posted 18 Jun 2014
Production company TVPRO produced a live two-day pay-per-view HD stream and a separate stream optimized for mobile devices, featuring competition build up and coverage of the big races, plus a third stream consisting of beauty shots and CG from the main arena was produced and streamed free of charge
Featured News,
Posted 18 Jun 2014
|