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Upcoming Industry Conferences
Streaming Media West [2-3 November 2017]
Live Streaming Summit [2-3 November 2017]
Past Conferences
Streaming Forum [28 February - 1 March 2017]
Streaming Media East 2017 [16-17 May 2017]
Live Streaming Summit [16-17 May 2017]
Streaming Media Producer Focus
September 25, 2014

Featured Articles
Sony a7S Full-Frame Mirrorless Camera, Part 3: Video Camera Review
In the last two articles in this 3-part series on the Sony a7S, we covered a lot of ground discussing what to look for in video lenses and lens adapters for the Sony e-mount that is native to the Sony a7S. Now it is time to take a deeper look at the Sony a7S as a video camera, with comparisons to the Canon 5D MKIII and Panasonic DMC-GH4.
Anthony Artis to Present Workshop, Keynote at Streaming Media Producer Live 2014
Anthony Q. Artis, author of the Shut Up and Shoot Freelance Guide, will present an all-day workshop and a Tuesday morning keynote at Streaming Media Producer Live 2014 on November 17-18 in Huntington Beach, CA. Check out Anthony's video trailer for the workshop and keynote for a sneak preview of what he'll be presenting at the event.
Sneak Preview: Choosing Cameras for Live Video Switching and Webcasting at Streaming Media Producer Live 2014
Shawn Lam of Shawn Lam Video presents a video trailer for his Streaming Media Producer Live 2014 Technical Track session, "Choosing Cameras for Live Video Switching and Webcasting."
10-bit Aerial Video Recording: Atomos’ Ninja Star
The Atomos Ninja Star is more than just a simple recorder and playback deck; it's a way to bypass the highly compressed codec of your camera and record straight to 10-bit 4:2:2 Apple ProRes, all on a device roughly the size of an iPhone and weighing in at just under 300 grams including the up-to-5 hr battery.
Sneak Preview: Gearing Up for 4K Live Production at Streaming Media Producer Live 2014
Shawn Lam of Shawn Lam Video presents a video trailer for his Streaming Media Producer Live 2014 Technical Track session, "Gearing Up for 4K Live Production."
Featured News
Quantel Launches LiveTouch Live Sports Highlighting System
LiveTouch offers bidirectional editor integration making it faster and easier to integrate editing and highlights operations
JVC F.A.S.T. Track Tour Rolls On with DC and South Florida Events
industry consultant Jan Ozer, who writes for Streaming Media Magazine and Streaming Media Producer, will host the seminar, which will also feature guest speakers and interactive demonstrations
Pickathon Music Festival Picks ATEM Switchers for Switching its Live Stream
Pickathon Music Festival used five Blackmagic Studio Cameras and six ATEM Live Production Switchers, as well as a large number of additional Blackmagic Design products, as the backbone of its live production and live streaming workflows
Sponsored Articles
Under the Hood: HP Z820 Workstation
Here we take a look under the hood of HP's new flagship workstation, the HP Z820, and examine both its design and performance advantages as a top-of-the-line system for video editing, graphics, effects, and other postproduction tasks.
Tutorial: Grass Valley ADVC-G1 Converter
Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial we'll explore how the ADVC-G1 works and how you can incorporate it into your workflow.
 
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