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FOR-A to Showcase FT-ONE 4K Super Slo-Mo Camera at Cine Gear Expo 2013

The FT-ONE's high-sensitivity CMOS color sensor, FT1-CMOS, enables high-speed recording at up to 900 frames per second

Adorama Pro Optic Extension Tube Sets Help Canon EOS, Nikon AF SLR, and Sony Alpha Shooters Magnify Images

Pro Optic Auto Extension Tube Sets are designed to enable a lens to focus closer than its normal set minimum focusing distance, which has the effect of magnifying a subject

Sonnet Upgrades xMac mini Server

The updated xMac mini Server now supports a double-width PCIe card's daughter card and includes BNC connector mounting holes on the enclosure's rear panel

Grass Valley Rolls Out K2 Dyno Replay System Training Tour

The K2 Dyno Replay System is a comprehensive set of live production replay tools that are seamlessly integrated for use in file-based production environments such as sports and other live events

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Streaming Media
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April/May 2013
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                Featured Articles
            
                Tutorial: Using Connected Storylines in Final Cut Pro X
            
            by Glen Elliott | In this tutorial, we'll look at several ways you can use connected storylines to enhance your FCP X edits and mix in cutaways and creative shots in a quick and efficient way.
        
                Chess on Ice Online: Telestream Wirecast Pro and Matrox VS4 Live Stream Curling Championship
            
            by Catherine Overbury, Michael McAteerMichael McAteer | The Mount Royal Curling Club leverages the Telestream Wirecast Pro and Matrox VS4 to deliver a live-switched feed of the 2013 Canadian Mixed Curling Championship to online viewers across Canada.
        
                Commentary: Adobe Reveals Creative Tools Features and Strategy at Adobe MAX
            
            by Tim Siglin | Premiere Pro CC and After Effects CC showcased in Adobe MAX kickoff keynote
        
                Audio Mixers for DSLR Production
            
            by Anthony Burokas | External audio mixers make it easy to adapt XLR mic and line-level sources to the audio inputs on DSLRs. The juicedLink Riggy Assist series of audio mixers are intended to adapt various microphones to be used with DSLRs. They can also provide additional features like phantom power and metering. The Riggy Assist does all this and more.
        
                Interview: Dan Maloney, Matrox
            
            by Shawn Lam | Shawn Lam interviews Matrox marketing manager Dan Maloney regarding the Streaming Media Innovation Award-winning MonarchHD, a new professional streaming and recording appliance.
        
                Interview: Dave Walton, JVC
            
            by Shawn Lam | Shawn Lam and Dave Walton discuss the JVC GY-HM650 2.0, JVC's newly updated dual-card/dual-codec ProHD camcorder with built-in FTP and live-output capability and a 23:1 Fujinon lens.
        
                Interview: Jeremy Young, Atomos
            
            by Shawn Lam | Shawn Lam and Atomos' Jeremy Young discuss the Samurai Blade, Atomos' new field recorder that features an improved 16:9 preview screen, waveform functionality, and enhanced Canon 5D Mark III support. 
        
                Interview: Tal Tzuk, PetrolBags
            
            Shawn Lam and Tal Tzuk of PetrolBags discuss Petrol's new Deca Airflow Camera Backpack (PC306) for cameras and camcorders up to the size of a Sony PMW-200, plus accessories and and lenses and a 17" laptop.
        
                Interview: Al Mooney, Product Manager, Adobe Premiere Pro
            
            by Shawn Lam | Shawn Lam and Al Mooney of Adobe discuss new features in Adobe Premiere Pro, including improved multicam and expanded GPU support, and new keyboard-driven editing enhancements.
        
                The NAB Interviews: Doug Jensen on the Sony PMW-160 and PMW-200
            
            by Shawn Lam | Shawn Lam and Doug Jensen discuss two new models in Sony's PMW camcorder line (that previously brought you the popular EX1 and EX3), the PMW-160 and its larger stablemate the PMW-200, and discuss the cameras' new 4:2:2 codec, recording media, and noise-handling features.
        
                The NAB Interviews: Blackmagic Design's Stuart Ashton on the ATEM Production Studio 4k
            
            by Shawn Lam | Shawn Lam discusses the new ATEM Production Studio 4K and 6Gb SDI with Blackmagic Design's Stuart Ashton an NAB 2013.
        
                HD Field Recorders for Live Production--UPDATED!
            
            by Shawn Lam | Now featuring a new interview from NAB 2013 on the Sound Devices Pix240i, this article looks at a handful of portable and rackmount external video recorders for live HD production, specifically in the role of recording the master program feed from a live switch.
        
                Review: Vinten Vision blue Tripods--UPDATED with New Interview on Vinten blueBridge from NAB 2013
            
            by Shawn Lam | Infinite counterbalance control is what differentiates the Vinten Vision blue line of tripods from its competitors. Here's a look at the latest additions to the line, with tips on balancing, counterbalancing, and choosing the right-payload tripod for your camera and accessories.
        
                The NAB Interviews: Shawn Lam and Canon's Jon Sagud Discuss the Canon XA25
            
            by Shawn Lam | In the first installment of Streaming Media's NAB 2013 Interviews, Shawn Lam and Jon Sagud discuss the Canon XA25, the new $2700 compact pro camcorder unveiled by Canon at this year's show.
        
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