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Streaming Media Producer - Featured News

News

ARRI Unveils ALEXA SXT Camera

ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs

RE:Vision Effects Rolls Out ReelSmart Motion Blur 5 and Twixtor 6

Motion blur and slo-mo effects plug-ins support Adobe Premiere Pro and After Effects, Apple FCP, Avid Media Composer, Nuke, Scratch, Autodesk, FXHOME HitFilm, Digital Vision Nucoda, Natron, and DaVinci Resolve

Codex and ARRI Intro ALEXA SXT Recording and Workflow System

The companies' engineering teams worked closely together to create high-performance, integrated recording, plus on-set and near-set data management systems to deliver a streamlined camera-to-post workflow for the ALEXA SXT range of cameras

Atomos Adds New Features to Shogun With Free Firmware Upgrade

New features include 3D LUTs, DNxHR (4K) recording, DNxHD (HD) recording, 4K UHD to HD down scaling, file preview in the playback screen, and a revamped Audio display interface

Streaming Media Producer - Featured Articles

Featured Articles

Tutorial: Greenscreen and Virtual Sets with the NewTek TriCaster Mini

by | Here's a look at the greenscreen and virtual set capabilities of the NewTek TriCaster Mini, which make it look like you spent a fortune on your production, while costing a fraction of what you'd spend if you built out a studio, bought multiple cameras, and hired operators to use them.

Book Review: Arts Law Conversations: A Surprisingly Readable Guide for Arts Entrepreneurs

by | Arts Law Conversations tackles complicated intellectual property issues in a format non-lawyers can understand. It's a great asset for all creative entrepreneurs attempting to wade through the complexity of intellectual property.

Multi-Camera Matching and Creating a Streaming Picture Profile Using the Sony PMW-300K1

by , Corey Behnke | By using a vectorscope and a waveform and the process described in this article, you can limit or eliminate distracting color-matching issues between cameras and ensure your audience has an immersive experience--at least as it pertains to the quality of the video.

Review: NewTek TriCaster Mini--Small Package, Big Potential

by | Company's newest TriCaster fits in a backpack, assembles quickly

Review: HP ZBook 17 Mobile Workstation

by | Who says hefty laptops can't be nimble and quick?

Maximizing Your 4K Editing Efficiency

by | If you improve your editing efficiencies and leverage the strengths of your existing system, editing 4K camera-original footage on a modestly equipped $1,000 PC should prove more than manageable.

Tutorial: Synchronizing Layer Animations Using Parenting in Adobe After Effects CC 2014

by | This tutorial demonstrates a versatile and flexible technique that will match animations between layers you choose to connect to enhance, simplify, and accelerate your animation process.

HD Camcorders for Webcasting

by | The requirements of a professional video camera for live-switching and webcasting can be different than in other markets, but ultimately I am looking for a video camera that both outperforms other camcorders in its class and costs less than you would expect it to.

Tutorial: Creating a Moving Timelapse Effect in Adobe After Effects CC

by | This tutorial will demonstrate an advanced method of adding a slider or jib effect to timelapse footage in Adobe After Effects CC 2014.

Review: Pro Sound Effects Hybrid Library

by | Many of us have production-related applications that come with some loops and effects built-in, but when it comes to variety, nothing compares to a dedicated SFX library. New York-based Pro Sound Effects offers the Hybrid Library for your consideration as a next-level SFX package.

How to Develop In-House Video Competency, Part 5: In-House vs. Outsourcing

by | This final installment of our 5-part series on in-house video is focused on outsourcing. What functions or roles should you consider to outsource to vendors after you bring much of your video competency and production in-house?

Streamline Your Portable Streaming System, Part 3: Switchers, Streaming Appliances, and Portable Encoders

by | In this article I'm going to highlight some of the latest gear you can use to put together a portable streaming solution. With this equipment you can quickly and easily transport your kit from one shoot to another and use it to deliver solid, high-quality streams for small and medium-sized events.

How to Develop In-House Video Competency, Part 4: Content, Marketing, and Engagement

by | In this 4th segment of our series on developing in-house video competency we'll look at content production and strategic issues surrounding it: How much content should could you be creating and what types?

Streamline Your Portable Streaming System, Part 2: Cameras

by | In this article I'm going to highlight some of the latest gear you can use to put together a portable streaming solution. With this equipment you can quickly and easily transport your kit from one shoot to another and use it to deliver solid, high-quality streams for small and medium-sized events.
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