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Streaming Media Producer - Featured News

News

Adobe Updates Video Desktop Apps at IBC 2014

Key updates include powerful new media and project management tools in Adobe Premiere Pro CC; a refreshed user-interface across all Adobe video desktop apps; and more streamlined production workflows empowering video professionals to edit more efficiently

Ikegami Rolls Out HC-HD300 3-CMOS HD Camera at IBC 2014

The HC-HD300 is equipped with a 1/3 inch bayonet lens mount and employs three 1/3-inch CMOS progressive-scan sensors, each with 2.2 million pixels, in RGB prism formation

Blackmagic Design Releases Camera 1.9.5 Software Upgrade for Production Camera 4K

New free upgrade includes dashboard on screen menus and high performance disk formatting for the Blackmagic Production Camera 4K

Cinedeck Promises 'Turbo-Charged' Adobe Premiere Pro CC Workflows at IBC 2014

Cinedeck record, ingest and transcode platforms deliver a host of cutting-edge features that enable Adobe Premiere Pro CC editorial teams to access files faster and to start editing content while it is being recorded

Streaming Media Producer - Featured Articles

Featured Articles

Review: HP Z1 G2 All-in-One Workstation

by | In this review, we'll look at four key new features that make the Z1 all-in-one idea an even better toolset for those who need super-fast connectivity to external storage, coupled with touch capability and an all-solid-state-drive (SSD) configuration.

Sneak Preview: Gearing Up for 4K Live Production at Streaming Media Producer Live 2014

by | Shawn Lam of Shawn Lam Video presents a video trailer for his Streaming Media Producer Live 2014 Technical Track session, "Gearing Up for 4K Live Production."

Tutorial: Animating a Company Logo

While animating a client's logo can be a time-consuming process, it adds more production value and life to your video projects. This tutorial will demonstrate how to create dynamic logo animations using Adobe After Effects CC and Adobe Illustrator.

Review: Beachtek MCC-2 and Kamkit DSLR Accessory Mounting and Control Brackets

The Beachtek MCC-2 and Kamkit allow users to mount, control, and connect various accessories to their DSLR with ease.

Under the Hood: HP Z820 Workstation

by | Here we take a look under the hood of HP's new flagship workstation, the HP Z820, and examine both its design and performance advantages as a top-of-the-line system for video editing, graphics, effects, and other postproduction tasks.

Tutorial: Grass Valley ADVC-G1 Converter

by | Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial we'll explore how the ADVC-G1 works and how you can incorporate it into your workflow.

Tutorial: Streamline Your Adobe After Effects Workflow with Keyboard Shortcuts

by | Here's a look at 15 keyboard shortcuts that will enhance the efficiency of your After Effects workflow.

Review: TorchLED Bolt 220R Remote-Controlled Dimmable Light

Switronix' TorchLED 220R, like the TorchLED 220W, is a compact, dimmable, temperature-adjustable on- or off-camera LED light. The 220R model adds a handy remote control that allows you to operate the light at a distance of more than 175 feet.

Review: eMotimo TB3 Programmable Pan-Tilt Head with Rhino Rails

by | Here we test eMotimo's TB3 3-axis motion control camera robot with the Rhino slider system for its usability, versatility, and reliability for live production.

LED Fresnels: Two Takes on Design

by | For location lighting, moving around a lot, and travel, the Fiilex LED kits offer amazing capability and flexibility in a small and light package. Designed for use as a fixed solution, for a small sound stage, or grip truck, the Gus 41 makes a perfect solution. It is very wide and soft or small and focused as needed.

How to Produce Professional Aerial Video, Part 2: Choosing a Gimbal and Capturing Stable, Usable Shots

by | In Part 2 of our 3 part series on mastering aerial video, we'll explore the challenges of choosing and assembling a gimbal system--ranging from DIY options to fully assembled kits--to ensure smooth and successful flight operation and capture stable, usable, professional-quality aerial shots, and also look at monitoring approaches and options.

Tutorial: Creating a Lens Flare in Adobe After Effects

by | This tutorial will show you a quick way to create an animated lens flare effect that can enhance your transitions, lower-thirds, and more using Adobe After Effects CC 2014.

Sony a7S Full-Frame Mirrorless Camera, Part 2: Adapting Lenses to the E-Mount

by | Now that we have covered some of the important characteristics of lenses from a videographer's perspective, we'll discuss several of the lens-and-adapter combinations for E-Mount cameras, like the Sony a7S, that are also relevant for the Sony FS100 and FS700/R.

2014 Streaming Media Readers' Choice Awards: Make Your Nominations Now

It's time for Streaming Media Producer readers to submit your nominations for the best products and services in 31 categories from cameras to media servers.
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