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Streaming Media Producer - Featured News

News

JVC Unveils Firmware Upgrades for GY-HM650, GY-HM850, and GY-HM890 ProHD Streaming Camcorders

Among other improvements, Version 4.0 for the GY-HM650 and Version 2.0 for GY-HM850 and GY-HM890 models feature adaptive bit rate technology for more reliable streaming, a high quality 12 Mbps mode, and support for Real Time Messaging Protocol (RTMP)

SmallHD Now Shipping Sidefinder

The true high-definition Sidefinder is a combination of HD electronic viewfinder (or EVF) and 5-inch fold-out Full HD monitor

Matrox Now Shipping Monarch HDX

Matrox Monarch HDX dual-channel H.264 encoding appliance is now available through a worldwide network of authorized dealers, priced at $1995 US

Matrox to Showcase New Broadcast Streaming and Recording Appliance, Multi-camera Recording App at IBC2015

Matrox Video will feature the award-winning new Monarch HDX dual-channel H.264 encoder for broadcast streaming and recording and the VS4Recoder Pro multi-camera recording app

Streaming Media Producer - Featured Articles

Featured Articles

Review: Teradek VidiU Mini

by | Tested on a recent live concert shoot and stream at Galax, Virginia's historic Rex Theater, the Teradek VidiU Mini and Ustream provided quick-and-easy setup, and nearly problem-free performance.

Tutorial: Adjusting Your Video's Duration Using the Time Tuner in Adobe Premiere Pro CC 2015

by | With the new Time Tuner feature in Premiere Pro, Adobe now makes it easy to adjust the length of a video to fit a specific requirement by adding or removing frames at scene changes, audio passages, and during periods of low visual activity.

Tutorial: Minimizing Jump Cuts with Adobe Premiere Pro CC 2015’s Morph Cuts Transition

by | In some scenes, particularly those with the static background, Adobe Premiere Pro CC's new Morph Cut transition will seamlessly eliminate jump cuts from your edit, but you may have to experiment to get there. This tutorial demonstrates how. Every editor who works with interviews will find this a great new tool that will make their footage look better and possibly eliminate the need to re-shoot.

Tutorial: Using Adobe Stock with Adobe Premiere Pro CC

by | Adobe Stock is a massive, high-resolution stock photo, illustration, and vector library that allows for easy integration with Premiere Pro, Photoshop, After Effects, and other Adobe programs. In this tutorial we'll explore how Adobe Stock can work with Adobe Premiere Pro in our video projects.

Benchmarking the HP Z840 Workstation for Video, Part 3: Analysis

by | I perform three basic types of activities on my workstations: editing, encoding, and file analysis. With the Z840 in-house, I benchmarked performance in all three activities, comparing the results to my aging workhorse, the Z800. Part 2 presents the analysis results.

Choosing a Streaming Appliance

by | So, you've decided to buy a streaming appliance for live event production. In this article, we'll start with a high-level history of the live streaming appliance market, then identify the factors you should consider when making your buying decision.

Benchmarking the HP Z840 Workstation for Video, Part 2: Encoding

by | I perform three basic types of activities on my workstations: editing, encoding, and file analysis. With the Z840 in-house, I benchmarked performance in all three activities, comparing the results to my aging workhorse, the Z800. Part 2 presents the encoding results.

Review: JVC GY-LS300 4KCAM Handheld S35mm Camcorder, Part 1: Lens Support, Functionality, and Usability

by | JVC is running ahead of the pack again with the GY-LS300, an affordable ($3,995), interchangeable-lens, Super35/variable-sensor area, 4K/HD camcorder that also features internal streaming capability, first model in a new product line.

Review: Audient ID22 Software Digital Audio Interface and Monitoring System

by | The ID22 is a 10 in/14 out digital audio interface that comes with a versatile software mixing application and integrates well with popular audio editing applications like Adobe Audition. The build and performance quality of the hardware make it a tremendous value at $599.

Benchmarking the HP Z840 Workstation for Video, Part 1: Editing

by | I perform three basic types of activities on my workstations: editing, encoding, and file analysis. With the Z840 in-house, I benchmarked performance in all three activities, comparing the results to my aging workhorse, the Z800. This 3-part article will present the results, starting with the editing tests.

5 Ways to Use the Wi-Fi Functions on the Canon EOS C100 Mark II

by | This article looks at several ways you can use the Wi-Fi features on the Canon EOS C100 in-studio and on-location to improve your video workflow. Most or all of the ideas discussed here can be applied to any Wi-Fi-ready camera and production workflow.

The Art and Technology Behind Great Timelapse Videos

by , Paul Schmutzler | Creating jaw-dropping slow-motion and timelapse effects is now easier and more affordable than ever. Here's how to speed up or slow down time like a pro.

Tutorial: Using the New Lumetri Color Interface in Adobe Premiere Pro CC 2015

by | The new Lumetri Color panel makes it simple to correct your footage and then creatively control the color with preset looks or your own adjustments. It's one of the best new additions in the Adobe Premiere Pro CC 2015 update.

How to Master Audio Mixing for Live Production and Streaming

by | Live audio is challenging. Unlike many of the issues that arise on the video side of the equation, none of the problems that affect audio quality—RF interference, feedback, ground loop hum, hiss, over-modulation—can be seen. All of these challenges take a knowledge and understanding of the problem to assess and fix them properly. On live productions, more often than not, the time to fix audio issues is as soon as you hear them starting to happen.
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