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Streaming Media Producer - Featured News

News

SmallHD Unveils New Daylight-Viewable HDR Studio Production Monitors

Designed to provide the same level of durability, high-end software capability, resolution and color accuracy as their HDR counterparts, these new 17" and 24" 1080p production monitors are designed for controlled lighting environments

BorisFX Delivers Plug-in Update for Blackmagic DaVinci Resolve 12.5

BCC 10 for OFX is now available and compatible with DaVinci Resolve 12.5 and Sony Vegas Pro 13-10.

Marquis Collaborates With NewTek on 'Edit While Capture'

Medway, Marquis' workflow automation solution, which enables seamless media and metadata integration with leading broadcast content applications, now supports NewTek's TriCaster multi-camera video production system to provide broadcasters and content creators with a cost effective and efficient ingest to edit workflow

ZyLight to Distribute Aladdin LEDs Throughout Americas

Aladdin also offers the A-Lite Bi and Eye-Lite Bi, two ultra-portable dimmable lights with internal batteries that allow up to two hours of runtime, and offer adjustable color temperature.

Streaming Media Producer - Featured Articles

Featured Articles

Review: eMotimo Spectrum ST4

by | eMotimo's new camera robot, the Spectrum ST4, delivers multi-axis camera control for timelapses like its predecessor, the TB3, but features a new design and motion presets designed to enhance its appeal for video producers.

The VR Camera Disaster

by | The cameras have poor controls, the headsets are bulky, and the results sometimes make people sick. Still, don't write off virtual reality just yet.

First Look: Edelkrone JibPLUS

by | The new Edelkrone JibPLUS is a new motion control device capable of tracking up to three targets at once

Almost Live from NAB: Atomos Shogun Flame

by | The new Atomos Shogun Flame, along with other new entries in the Atomos monitor/recorder line, brings forth AtomHDR, which enables producers taking advantage of new HDR capabilities available in their cameras to reproduce it on their monitors as they do HDR work in the field.

Tutorial: How to Create a Moving Glow Effect Using Adobe After Effects CC 2015

by | This tutorial demonstrates a nice way to highlight key words, titles, logos, and lower-thirds within your video graphics using a simple workflow in After Effects CC.

Almost Live from NAB: Blackmagic URSA Professional Studio Camera Workflow

by | Shawn Lam interviews Blackmagic Design's Bob Caniglia about the URSA Studio Viewfinder, a Streaming Media Best of NAB 2016 award-winning accessory for Blackmagic's popular URSA camera line that contributes to a professional studio camera workflow that producers can build around the camera.

Tutorial: How to Set Up a Single-Operator Live-Switched Stream with PTZ Cameras

by | Pan-tilt-zoom (PTZ) camera systems are now hitting a sort of renaissance for event videography, especially in live concert, government, and worship settings. This tutorial looks at how to use a PTZ-based workflow to pull off a multicam live-switched stream with a single operator at the controls.

Almost Live from NAB: Matrox Monarch LCS

by | Shawn Lam interviews Matrox's Wayne Andrews regarding the Matrox Monarch LCS, a Streaming Media Best of NAB 2016 award-winning new, dual-input, dual-encoder addition to the popular Matrox Monarch series of streaming and recording appliances.

Blurred Lines: How to Manage and Integrate On-site and Off-site Audience and Presenter Interactions in Live Webcasts

by | Recording a presentation that is delivered to a live audience for later on-demand viewing is nothing new. Neither is webcasting live presentations. But more and more the lines of what is considered the norm for presentations is getting blurred as online participants interaction is being incorporated with the live audience and presenters are delivering their talks remotely to both a live and an online audience. This article discusses the challenges producers face when managing both live and online audiences and presenters concurrently.

Almost Live from NAB: Datavideo KMU-100

by | Shawn Lam interviews Datavideo's Craig Moffat regarding the Datavideo KMU-100, a new device that enables 4K shooters to take up to 4 images from their camera's 4K output as discrete 1080 outputs in real-time and send them to a switcher or monitor. With support for two 4K inputs, the KMU-100 can output up to 8 separate images.

Streaming Media Picks Best Products of NAB 2016

by | NAB took over Las Vegas this week, and the Streaming Media and Streaming Media Producer editorial staffs were on hand to pick out the signal from the noise, selecting the best new products from this year's show

Blackmagic Unveils VideoAssist 4K, Duplicator 4K, and URSA Studio Viewfinder at NAB 2016

by | Other key announcements include UltraStudio 4K Extreme with Thunderbolt 3 support and HDR playback over HDMI

Adobe Adds VR Editing and Output, Publish-to-Twitter, and a New Playback Engine in Updates to CC Video Apps

by | NAB-synced announcements for CC apps bring new creativity and efficiency features

Review: Sony PXW-FS5

by | I've waited 5 years to write this review, about a new camera model that delivers everything I'm looking for in a professional video camera: Sony's large-sensor, interchangeable-lens, 4K-capable PXW-FS5 XDCAM Super35.
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