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Streaming Media Producer - Featured News

News

Mathews To Debut Minivator II Light Stand at IBC 2014

The MINIVATOR II is the long-awaited stronger and taller version of the MINIVATOR stand, first introduced over 10 years ago

ProMAX Launches New 4K Editing Workstations

New ProMAX ONE and ONE+ workstations are specifically designed to deliver superior performance and time-saving advantages for professional video editors, colorists, and VFX artists working within the media management challenges of 4K workflows

Epiphan Rolls Out Free Firmware Upgrade to its Video Streaming and Recording Devices

New firmware upgrade enables Epiphan devices to encode audio/video content in RTMP, the protocol of choice for many major content delivery networks

Maxell Now Offers Pro Camera Accessories Including Power Shoe Adapters

New accessory line also includes shoe clamp, power connectors, and USB charge adapter

Streaming Media Producer - Featured Articles

Featured Articles

Tutorial: Streamline Your Adobe After Effects Workflow with Keyboard Shortcuts

by | Here's a look at 15 keyboard shortcuts that will enhance the efficiency of your After Effects workflow.

Review: TorchLED Bolt 220R Remote-Controlled Dimmable Light

Switronix' TorchLED 220R, like the TorchLED 220W, is a compact, dimmable, temperature-adjustable on- or off-camera LED light. The 220R model adds a handy remote control that allows you to operate the light at a distance of more than 175 feet.

Review: eMotimo TB3 Programmable Pan-Tilt Head with Rhino Rails

by | Here we test eMotimo's TB3 3-axis motion control camera robot with the Rhino slider system for its usability, versatility, and reliability for live production.

LED Fresnels: Two Takes on Design

by | For location lighting, moving around a lot, and travel, the Fiilex LED kits offer amazing capability and flexibility in a small and light package. Designed for use as a fixed solution, for a small sound stage, or grip truck, the Gus 41 makes a perfect solution. It is very wide and soft or small and focused as needed.

How to Produce Professional Aerial Video, Part 2: Choosing a Gimbal and Capturing Stable, Usable Shots

by | In Part 2 of our 3 part series on mastering aerial video, we'll explore the challenges of choosing and assembling a gimbal system--ranging from DIY options to fully assembled kits--to ensure smooth and successful flight operation and capture stable, usable, professional-quality aerial shots, and also look at monitoring approaches and options.

Tutorial: Creating a Lens Flare in Adobe After Effects

by | This tutorial will show you a quick way to create an animated lens flare effect that can enhance your transitions, lower-thirds, and more using Adobe After Effects CC 2014.

Sony a7S Full-Frame Mirrorless Camera, Part 2: Adapting Lenses to the E-Mount

by | Now that we have covered some of the important characteristics of lenses from a videographer's perspective, we'll discuss several of the lens-and-adapter combinations for E-Mount cameras, like the Sony a7S, that are also relevant for the Sony FS100 and FS700/R.

2014 Streaming Media Readers' Choice Awards: Make Your Nominations Now

It's time for Streaming Media Producer readers to submit your nominations for the best products and services in 31 categories from cameras to media servers.

Review: Peak Design Capture PRO Auto-Latching Camera Plate System

by | The Peak Design Capture PRO system is great for "hybrid" shooters tasked with covering events where you need to have your camera at the ready at all times, such as walking around covering everything that happens at a large event, but still need to be able to quickly put it on the tripod for a speech or talking head.

Review: Canon XF205 Professional Camcorder

by | The Canon XF205 pro camcorder resembles the acclaimed XA25 consumer model introduced last year in several respects, but adds welcome features such as individual rings for iris, zoom, and focus; 2 additional channels of internal microphone recording; 1080/30P HD-SDI output in the XF205, and more. As such, the XF205 comes highly recommended as a camcorder well-suited to webcasting workflows.

Tutorial: Giving Your Text a 3D Look

by | This tutorial explores how to add another dimension to your text and titles using some basic 3D capabilities in Adobe After Effects.

What's New in Sony Vegas Pro 13?

by | A quick look at the latest new features in Sony Vegas Pro 13, including the Vegas Pro Connect iPad app, a proxy-first workflow for mobile and 4K editors, and true, four-range loudness meters.

Sony a7S Full-Frame Mirrorless Camera, Part 1: Lens Options

by | People are buzzing about the Sony a7S, so Streaming Media Producer is launching a comprehensive three-part review. In this first part, we'll examine lens options for the Sony a7S and related cameras, as well as what to look for in a video lens.

Tutorial: Using Adjustment Layers with your Videos

by | By using adjustment layers in Adobe After Effects, you can easily create a variety of looks for your videos and share and compare them with clients
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