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Streaming Media Producer - Featured News

News

Optimum Productions Chooses Small Tree for Shared Storage

Optimum Productions, an award-winning video production agency located in Alpharetta, Georgia, switched to Small Tree to meet the increased need for storage capacity by its growing number of editors

EditShare Rolls Out Flow 3.3.0.2

The new update features content delivery to Amazon S3, batch sidecar metadata file processing, support for multi-track audio in AirFlow, and user permissions in Flow Templates.

BorisFX Unveils BCC 10 for FCP

Following recent releases for Avid, Adobe and Blackmagic DaVinci Resolve, BCC 10 now delivers major new tools for visual effects, title design, digital beauty work, and image restoration to the Final Cut Pro timeline

Accusys Expands ExaSAN Line

Designed to reach the robust and expanding demands of post-production studios, the A08S4-PS offers convenient scalability, up to 3 extra JBOD devices reaching a storage capacity of up 320 TB (Using 10 TB HDD)

Streaming Media Producer - Featured Articles

Featured Articles

Live-Switching and Streaming From Mobile Devices

by | The production studio in your pocket—also known as your smartphone or tablet—has a pretty good camera, cellular data or Wi-Fi connectivity, and maybe even external microphone input and HDMI output connectors. This article will describe two different categories of live streaming from mobile devices: self-contained streaming and multidevice synchronized streaming.

Tutorial: How to Emphasize Text with Light Adjustments in Adobe After Effects

by | Clear Online Video's Stjepan Alaupovic demonstrates how to spotlight text in your projects using animated lighting effects with this simple technique in Adobe After Effects CC 2015.

Tutorial: How to Make Your Logo Wiggle in Adobe After Effects 2015

by | The wiggle effect is a common look that editors use to enhance and add some randomness to a logo, text, or graphics. This tutorial demonstrates two quick ways to accomplish this look.

Tutorial: Setting Up Avid NEXIS | PRO Shared Storage Platform

by | The Avid NEXIS | PRO has all the features that Avid's big NEXIS shared storage solutions have, but scaled down for producers with smaller shops but the same need for reliability and sharing functionality that makes NEXIS popular with bigger studios.

Review: Manfrotto 546B Pro Video Tripod

by | What do you look for in a tripod? Knoxville, Tennessee producers Paul Schmutzler and Jacob Dean explore this and other questions in this video review of the Manfotto 546B tripod along with various fluid heads and different camera rigs.

The VR Camera Disaster

by | The cameras have poor controls, the headsets are bulky, and the results sometimes make people sick. Still, don't write off virtual reality just yet.

Review: eMotimo Spectrum ST4

by | eMotimo's new camera robot, the Spectrum ST4, delivers multi-axis camera control for timelapses like its predecessor, the TB3, but features a new design and motion presets designed to enhance its appeal for video producers.

First Look: Edelkrone JibPLUS

by | The new Edelkrone JibPLUS is a new motion control device capable of tracking up to three targets at once

Almost Live from NAB: Atomos Shogun Flame

by | The new Atomos Shogun Flame, along with other new entries in the Atomos monitor/recorder line, brings forth AtomHDR, which enables producers taking advantage of new HDR capabilities available in their cameras to reproduce it on their monitors as they do HDR work in the field.

Tutorial: How to Create a Moving Glow Effect Using Adobe After Effects CC 2015

by | This tutorial demonstrates a nice way to highlight key words, titles, logos, and lower-thirds within your video graphics using a simple workflow in After Effects CC.

Almost Live from NAB: Blackmagic URSA Professional Studio Camera Workflow

by | Shawn Lam interviews Blackmagic Design's Bob Caniglia about the URSA Studio Viewfinder, a Streaming Media Best of NAB 2016 award-winning accessory for Blackmagic's popular URSA camera line that contributes to a professional studio camera workflow that producers can build around the camera.

Tutorial: How to Set Up a Single-Operator Live-Switched Stream with PTZ Cameras

by | Pan-tilt-zoom (PTZ) camera systems are now hitting a sort of renaissance for event videography, especially in live concert, government, and worship settings. This tutorial looks at how to use a PTZ-based workflow to pull off a multicam live-switched stream with a single operator at the controls.

Almost Live from NAB: Matrox Monarch LCS

by | Shawn Lam interviews Matrox's Wayne Andrews regarding the Matrox Monarch LCS, a Streaming Media Best of NAB 2016 award-winning new, dual-input, dual-encoder addition to the popular Matrox Monarch series of streaming and recording appliances.

Blurred Lines: How to Manage and Integrate On-site and Off-site Audience and Presenter Interactions in Live Webcasts

by | Recording a presentation that is delivered to a live audience for later on-demand viewing is nothing new. Neither is webcasting live presentations. But more and more the lines of what is considered the norm for presentations is getting blurred as online participants interaction is being incorporated with the live audience and presenters are delivering their talks remotely to both a live and an online audience. This article discusses the challenges producers face when managing both live and online audiences and presenters concurrently.
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