If you're in the market for a portable video encoder/transmitter, you should consider the LiveGear Airstream from Vislink. It's mobile and easy to use, and it employs predictive forward error correction and adaptive bitrate H.264 encoding to reliably deliver top-quality video over broadband cellular networks. Jan Ozer explains how it works.
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In this tutorial, Jan Ozer demonstrates how you can use the Neat Video plug-in to remove noise from video, improving output quality for all outputs.
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In this tutorial video editing expert Jan Ozer explains how to maximize the brightness and contrast of your video in Adobe Premiere Pro CS6 using the Brightness, Contrast, and Gamma Correction controls for effective and balanced adjustments.
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Looking beyond the small set of white and bi-color LEDs specifically made for video production, live production pro Anthony Burokas shows how you can find a whole other world of LED fixtures made for other markets—including "disc jockey" LED lights and controllers. For the cost of one good fresnel light, you can have a multi-light, expandable LED lighting package.
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The histogram and the waveform in Apple Final Cut Pro X are effective, easy-to-master tools that provide the clear input you need to diagnose and fix the contrast issues in your video simply and intelligently. In this video tutorial, video editing and encoding expert Jan Ozer explains how they work.
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Video encoding and editing expert Jan Ozer provides three useful tips that will enhance your workflow and get you out of some editing jams in your Adobe Premiere Pro projects: editing audio without unlinking; Fill Left and Fill Right to create stereo audio; and creating nested sequences for smoother edits and creating reusable set pieces in your projects.
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NewBlueFX ColorFast is a new color correction, color grading, and color enhancement plug-in for Vegas, Premiere Pro, Final Cut Pro X, Avid, and EDIUS. Editing instructor David McKnight demonstrates how it worls with a piece of footage from a recent project that calls for all three kinds of color adjustment, and show how to accomplish each task in ColorFast.
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Adobe Premiere Pro Instructor extraordinaire Luisa Winters explains how to use the new and enhanced Multi-Camera Monitor for quick and efficient multicam edits in Adobe Premiere Pro CS6 in this video and text tutorial.
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Sony SpectraLayers is a dynamic new audio editing tool for Mac and Windows users that might be best described as "Photoshop for Audio," featuring the ability to isolate and edit individual layers of a mixed track using frequency analysis. In this tutorial, David McKnight explains how it works and what it offers post-production pros with complex audio issues to resolve.
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DSLRs produce cinematic-looking video that exceeds the capabilities of most video cameras, but they lack the professional audio connections and controls that come standard on traditional pro camcorders. Which means anyone shooting pro video with DSLRs needs to develop workarounds. Here Philip Hinkle offers some tips on getting great audio on a budget with a DSLR production workflow.
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David McKnight explores the range of features in NewBlueFX Titler Pro that allow editors to produce creative titling effects, animations, and extrusions along the 3D plane using both manual controls and a host of preset styles and templates.
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In this tutorial, encoding and streaming icon Jan Ozer describes how to install and configure ViewCast's dual-channel Osprey 820e card ($1,795 MSRP; as low as $1,400 street) into a Windows system for driving two cameras within Telestream Wirecast, and discusses the board's highly functional set of utilities and SimulStream feature, which allows it to feed audio and video streams to more than one encoding application.
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This is the first of a three-part tutorial on using Wirecast to mix two streams of video and other disk-based content. In this first tutorial, Jan Ozer describes how to install and configure two Blackmagic Design Intensity Pro cards into an HP Z600 for switching with Wirecast.
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The new version of Adobe Media Encoder, included in the just-released CS6 collection as well as as a standalone product, offers significant improvements in usability and performance, as well as new features. Here video encoding expert Jan Ozer explains what you need to know about it.
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In this fifth tutorial in our six-part series on Sony Vegas Pro 11, Vegas instructor David McKnight talks about the Render dialog box. Every project you work on has to go through a rendering stage, so you'll find yourself getting quite familiar with it as you do more project. In Vegas Pro 11, Sony has added some new features to the Render dialog, and they've totally revamped the way that it works.
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The new mixer layout in Sony Vegas Pro 11 makes editing audio for video in Vegas feel like you're using a pro hardware mixer. Vegas instructor David McKnight explains how it's done.
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When Apple originally released Final Cut Pro 10, the biggest deficit for Pro users was the lack of multicam. With the 10.0.3 release, Apple has addressed this with a highly functional and easy-to-use multicam feature, which Jan Ozer explains in this tutorial.
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Sony Vegas instructor David McKnight continues his video tutorial series with a look at Vegas' new GPU Assist feature, which enables Vegas editors to leverage the processing power of supported NVIDIA and AMD video cards to get full-frame previews of loaded timelines and accelerate rendering with many popular codecs.
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Sync Linking is a cool new feature in Sony Vegas Pro 11 that allows you to group clips of events and move and control them in the timeline with a single Master clip, while still being able to fine-tune subordinate clips within the group.
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In this tutorial you'll learn how to make the most of Vegas's new by-parameter keyframing capabilities for effects plug-ins that ship with Vegas Pro 11 using the new Sony Text & Titles plug-in as an example.
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When you compress video for the web, the video can darken and colors can become muted. In this tutorial, I'll show you how to correct color and adjust brightness and color saturation with Adobe Premiere Pro's Fast Color Corrector.
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If you're a streaming producer you have to know how to produce H.264 for both Flash distribution and for mobile devices. Fortunately, Adobe Media Encoder makes this simple with multiple presets for desktop and mobile players which I'll show you how to find and customize in this tutorial.
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In this tutorial, learn how to deliver your digital content using Helix Universal Media Server. Step-by-step demonstrations cover formatting for 3GPP, Flash and Silverlight, as well as streaming to iPhone, iPad and other mobile devices. See just how easy streaming to mobile devices is with Helix Universal Media Server.
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With Helix Universal Media Server, easily deliver multi-format content – including Flash, H.264, MPEG-4 (MP4), QuickTime, MP3 and RealVideo – to PCs, smartphones, iPhones and tablets. In this tutorial, learn how to install the 30-day trial version and see just how simple it really is.
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The Accordent Media Management System controls the creation, management and distribution of rich media across enterprise networks, with portal-based viewing and extensive reporting. This tutorial provides an overview of these capabilities.
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