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 File Layout: RSS.criteria.criteriavalue.rows.xml --><rss version="2.0"><channel><title>StreamingMedia.com RSS Feeds : All Articles</title><link>https://www.StreamingMedia.com</link><description>RSS feeds from Streamingmedia.com.</description><copyright>All Content Copyright 1998-2026, Streaming Media Magazine, a Division of Information Today Inc.</copyright><ttl>60</ttl><image><title>StreamingMedia.com RSS Feeds : All Articles</title><url>https://dzceab466r34n.cloudfront.net/images_nl/socialicons/32x32/black-rss-32.png</url><link>https://www.StreamingMedia.com</link></image><item><title>Independent Report Compares Codec Royalty Costs Across Two Major Licensing Pools</title><pubDate>Fri, 03 Apr 2026 02:00:50 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174221</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174221</guid><description>Streaming services evaluating codec licensing face a difficult question: how do the royalty costs of Access Advance Video Distribution Patent Pool and the Avanci Video program actually compare? A new report from Streaming Learning Center's Jan Ozer answers that question with hard numbers.</description></item><item><title>AI-Enriched Metadata Drives Better CTV Content Discovery</title><pubDate>Fri, 03 Apr 2026 01:30:31 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174220</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174220</guid><description>Why are streaming services, channels, and platforms across the CTV and OTT ecosystems turning to AI/ML-enhanced metadata to remove the friction from CTV content discovery and improve user experiences? Cineverse's Tony Huidor and SUMM8's Jamie Mackinlay discuss how AI-enriched metadata and natural language interfaces are enhancing and transforming discovery and bringing users closer to the content they want to watch in this discussion with Integration Therapy's Rebecca Avery at Streaming Media Connect 2026.</description></item><item><title>Why to Invest in Lowering Sports Streaming Latency in 2026</title><pubDate>Fri, 03 Apr 2026 01:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174219</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174219</guid><description>The knock against streaming for live sports has always been higher latency than broadcast, and the agony of hearing your cable-watching neighbor cheer a goal before it happens on your screen. One could argue that live-streamed sports aren't really live in this scenario. But given the costs and challenges of lowering latency, is it really worth the investment, or should sports streamers be prioritizing other engineering challenges or elements of the fan experience? MTech Sport's Matt Stagg, DAZN's James Pearce, BT Group's Ian Parr, and TATA Communications' Corey Smith discuss the current business case for lowering sports streaming latency at Streaming Media Connect 2026.</description></item><item><title>The 13% Problem: Why Identity Accuracy Is Advertising?s Blind Spot</title><pubDate>Wed, 01 Apr 2026 02:00:09 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174159</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174159</guid><description>Recent reporting from an independent third party found that using an IP address as the signal to target in a household-based environment like CTV is only 13-16% accurate. In other words, for every $1 of media investment aimed at a specific audience, about 85 cents is wasted right out of the gate? so is it really worth the premium?</description></item><item><title>The Story-Centric Shift: Designing the Multi-Platform Newsroom for the Streaming Era</title><pubDate>Tue, 31 Mar 2026 03:50:50 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174154</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174154</guid><description>Linear broadcast still represents a significant source of revenue for many major media organizations. It can't simply be replaced. The challenge is to support both the real-time digital and scheduled linear TV models at once - delivering fast, platform-specific content for streaming and social platforms while continuing to serve traditional broadcast audiences.</description></item><item><title>How to Monetize Vertical Microdrama in the US</title><pubDate>Tue, 31 Mar 2026 03:50:08 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174151</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174151</guid><description>Even as the buzz builds around vertical microdrama and more and more content, innovation, and creativity flow into this new storytelling mode, how to make it profitable remains an open question. Celestine Pictures founder and executive producer Grace Gao discusses its origins in China, its transition to America, persisting quality/quantity disparities, the emergence of a few successful brands, the monetization and distribution models that will sustain and grow the industry as a whole, and how the interest of major platforms like Netflix will impact vertical content creators in discussion with Chris Pfaff in this clip from Streaming Media Connect 2026.</description></item><item><title>LG Shop Time and the Creator Economy</title><pubDate>Fri, 27 Mar 2026 04:40:47 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174105</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174105</guid><description>Integrated purchasing opportunities and creator content are becoming increasingly prominent elements of the CTV experience. How are they converging on major CTV platforms like LG and webOS? Chester Goodson, LG Electronics' senior manager of business development, discusses the rise of creator programming and monetization opportunities available through LG's Shop Time ecommerce app and where the two intersect in this conversation with moderator Chris Pfaff at Streaming Media Connect 2026.</description></item><item><title>Incrementality is About to Become the New Baseline for CTV Outcomes</title><pubDate>Fri, 27 Mar 2026 04:20:10 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174104</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174104</guid><description>In CTV, where exposure is often view-through, and actions happen on other screens, "last-click" measurement distortion can turn "good ROAS" into a mirage. That's why incrementality is becoming a necessary baseline. In practice, it means fewer arguments about attribution models and more routine experimentation baked into media plans.</description></item><item><title>Why Microdramas Are a Streaming Media Opportunity</title><pubDate>Fri, 27 Mar 2026 04:05:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174103</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174103</guid><description>Just because microdramas are being viewed on mobile devices doesn't mean that they're not a streaming media opportunity.</description></item><item><title>How to Achieve Seamless Shoppable CTV</title><pubDate>Fri, 27 Mar 2026 03:05:59 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174102</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174102</guid><description>What strategic and technological innovations are in the pipeline to facilitate more seamless shoppable CTV experiences? Fuse Media's Karl Meyer, Disney's Lexi Swift, Spaceback's Joe Hall, and LG's Chester Goodson address future prospects for enhanced shoppability in this discussion with moderator Chris Pfaff from Streaming Media Connect 2026.</description></item><item><title>Shoppable TV Has a QR Code Problem</title><pubDate>Fri, 27 Mar 2026 01:25:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174097</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174097</guid><description>Brands have poured millions in media spend into making commercials "shoppable" by placing QR codes on screen. The logic seems simple: put your code in front of millions of viewers and they will scan it. But many publishers have told me that widespread scanning just hasn't materialized, with some even reporting that CTR hovers around 0.03%. Why so low? Because scanning a QR code takes viewers away from the content they love.</description></item><item><title>Case Study: Option Media Builds Trust in Every Transfer</title><pubDate>Fri, 27 Mar 2026 12:55:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174095</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174095</guid><description>With Signiant, Option Media moves high volumes of media quickly and consistently, reducing transfer failures and eliminating the need to restart interrupted uploads. Signiant's alignment with TPN Gold Shield assessments and advanced access controls help Option Media meet studio-grade security requirements without slowing production. Branded, client-friendly portals make it easy for non-technical users to send and receive content, improving client experience</description></item><item><title>Why Streamers Must Become?Proactive About Piracy?Before It Is Too Late</title><pubDate>Thu, 26 Mar 2026 12:50:04 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174084</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174084</guid><description>For years, many streaming companies have perceived piracy as?a disease that needs to be treated only after it strikes.?A show is released, pirates copy it, and the platform responds with takedown notices, legal complaints, or occasional enforcement actions. That approach may have worked in the early days of online video. Today, it does not.</description></item><item><title>View From the Top: What Google?s 2027 License Service Deadline Means for Streamers</title><pubDate>Thu, 26 Mar 2026 12:35:56 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174083</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174083</guid><description>Digital rights management is the invisible backbone of?streaming security, and the license service sits at its core. Every play request, entitlement check, and encrypted segment relies on a clean exchange of?keys between clients, proxies, and license servers. Replacing that infrastructure under deadline pressure requires not only technical execution but strategic planning.</description></item><item><title>The State of AI in On-Demand Streaming in 2026</title><pubDate>Thu, 26 Mar 2026 12:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173868</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173868</guid><description>This is a tale of a few different AI use cases that involve research, localization, advertising, and UX. The first is a public broadcaster in Austria. The second is a TV OS. The third is a well-known vendor. The last is a major media company. What all of these have in common is that their AI applications have moved from the proof-of-concept stage to full commercial implementation.</description></item><item><title>The State of Streaming Codecs 2026</title><pubDate>Thu, 26 Mar 2026 12:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173838</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173838</guid><description>Streaming codec adoption used to be an engineering abstraction governed by RD curves, BD-rate tables, and roadmap slides that no one outside of R&amp;D ever considered. Over the last 15 months, codec adoption decisions have morphed into a much broader discussion, involving C-level execs from finance and legal. While the precursors to this transition occurred pre-2025, the situation coalesced in 2025. During the same period, we saw one codec step to the front (AV1) and another shrink before our eyes (VVC). </description></item><item><title>The State of Live Sports Streaming 2026</title><pubDate>Thu, 26 Mar 2026 12:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173832</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173832</guid><description>One streaming platform's increasing appetite for live events combined with titanic global reach means that it will dominate discussion in 2026?and it's not necessarily Netflix.</description></item><item><title>Streaming Year in Review 2026</title><pubDate>Thu, 26 Mar 2026 12:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173826</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173826</guid><description>Two stories dominated streaming media in 2025: Netflix versus the rest and YouTube takes TV. YouTube may be the bigger story. </description></item><item><title>The State of Streaming Monetization 2026</title><pubDate>Thu, 26 Mar 2026 12:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173815</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173815</guid><description>How are streaming content companies doing? Publishers, creators, and aggregators have traditionally made the majority of their revenue on subscriptions, so why does everyone want to talk about advertising? Ad-supported content is more affordable. Because most streaming consumers have maxed out their subscriptions, leaving the SVOD market saturated, advertising is more likely to be the dominant incremental revenue driver for streaming over the next several years, based on how media companies are talking about themselves and guiding investors.</description></item><item><title>The State of Streaming Sustainability 2026</title><pubDate>Thu, 26 Mar 2026 12:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173814</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173814</guid><description>Is it still fashionable to be sustainable, even with AI?</description></item><item><title>Streamticker: The Biggest Streaming Mergers  and Acquisitions of 2025</title><pubDate>Thu, 26 Mar 2026 12:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173809</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173809</guid><description>Here is a month-by-month roundup of the streaming industry's most momentous mergers and acquisitions of 2025 (excluding the competing Paramount Skydance and Netflix bids for Warner Bros. Discovery?a drama that just turned definitively in Paramount's favor at press time).</description></item><item><title>The State of AI In Live Streaming</title><pubDate>Thu, 26 Mar 2026 12:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173245</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173245</guid><description>As with all streaming workflows, AI has steadily crept into the live streaming technology stack. In some cases, the impact is incremental, in others, profound. From production to monetization, here's a quick overview of where AI has become relevant for live event producers and engineers, and some areas where, surprisingly, it hasn't. </description></item><item><title>How Streaming Has Transformed NBA Audience Insights</title><pubDate>Tue, 24 Mar 2026 04:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174053</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174053</guid><description>As the NBA has seen its audience shift from traditional TV to streaming, strategies and techniques for measuring that audience and interpreting viewer behavior have shifted with it, with greater fragmentation and different metrics. NBA VP of Global Media Insights Michelle Auguste discusses the challenges and incongruities of audience measurement across different platforms and partners and why old, linear-based models like Nielsen must continue to adapt and evolve in this clip from her keynote fireside chat with Streaming Media's Steve Nathans-Kelly at Streaming Media Connect 2026.</description></item><item><title>Samsung TV Plus Powers the Next Era of FAST, Showcasing Live Events, Creator-Led Content, Exclusive Offerings, and Interactive Features Accelerating the Fan Experience</title><pubDate>Tue, 24 Mar 2026 03:20:08 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174051</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174051</guid><description>At IAB NewFronts 2026, Samsung TV Plus is expanding its exclusive offering with live events and creator-led programming, plus interactive experiences throughout.</description></item><item><title>Has Resilience Replaced Scale as Live Sports Streaming?s Chief Concern?</title><pubDate>Fri, 20 Mar 2026 02:35:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174011</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174011</guid><description>When it comes to withstanding traffic spikes and other factors that stress-test live streams, "your infrastructure is only as strong as the weakest part of the chain," notes DAZN EVP James Pearce in this clip from Streaming Media Connect 2026. So has the resiliency of streaming architecture become a greater factor in livestream success than insufficient scalability or CDN capacity? MTech Sport's Matt Stagg, TATA Communications' Corey Smith, and BT Group's Ian Parr join the debate over where streams are most likely to break down today and whether CDN capacity problems have indeed been solved in this clip from Streaming Media Connect 2026.</description></item><item><title>California?s Streaming Loudness Law: Time for Ad Tech to Rethink Audio Control</title><pubDate>Fri, 20 Mar 2026 12:15:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174007</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=174007</guid><description>A familiar broadcast rule is now entering the streaming world with California's new loudness regulation SB 576, mandating that advertisements must match the perceived volume of the primary content surrounding them. The goal is to eliminate the sudden volume spikes viewers experience during ad breaks. On paper, it's a win-win: audiences get a better viewing experience, and advertisers know their message is landing without jarring. But implementing that rule in streaming is far less simple than it sounds.</description></item><item><title>Why the Future of Remote Production May Run at the Speed of Light</title><pubDate>Fri, 20 Mar 2026 11:05:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173999</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173999</guid><description>If immersive, real-time, and AI-driven production is the future, the underlying network must change, argue photonics advocates and members of IOWN.</description></item><item><title>The Future of Shoppable TV Requires Restraint </title><pubDate>Wed, 18 Mar 2026 03:30:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173974</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173974</guid><description>If the next chapter of CTV is going to deliver on both engagement and outcomes, it starts with a simple constraint: Respect the viewer first, then innovate inside that reality.?</description></item><item><title>The Hidden Cost of Over-engineering Broadcast Stacks</title><pubDate>Wed, 18 Mar 2026 12:35:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173971</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173971</guid><description>Efforts to build a powerful broadcast stack often quietly evolve into something far less efficient due to over-engineering. The hidden cost of this complexity rarely shows up on a purchase order. It appears in integration timelines, operational friction, and long-term maintainability.</description></item><item><title>Setplex Transforms Video Streaming with AI and Super Aggregation Innovations at the 2026 NAB Show</title><pubDate>Tue, 17 Mar 2026 11:20:47 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173937</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173937</guid><description>Setplex's Fully Integrated Zapflex Platform Empowers Operators and Media Owners to Manage, Distribute, and Monetize Video</description></item><item><title>H.264 Streaming Fees: What Changed, Who's Affected, and What It Means</title><pubDate>Tue, 17 Mar 2026 10:50:25 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173935</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173935</guid><description>Via's new AVC Streaming License Fee structure, which applies to new licenses beginning in 2026, replaces the old single-cap model with a tiered system that scales sharply with platform size.</description></item><item><title>Streaming the Universe: A Q&amp;A with GM &amp; Head of NASA+ Rebecca Sirmons</title><pubDate>Tue, 17 Mar 2026 09:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173841</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173841</guid><description>After launching on Nov 8, 2023, and the sunsetting of NASA TV (NASA's linear channel) in August 2024, NASA+ has become the official destination for all NASA content, whether you are watching on Amazon Prime, Netflix or NASA's website, and app. Currently, NASA is planning to stream the first crewed launch to the Moon in over 50 years, Artemis II (estimated viewership 25M) and will become the world's largest live streaming event, the next moon landing on Artemis III (estimated viewership 250M). In this Q&amp;A, I spoke with General Manager and Head of NASA+ Rebecca Sirmons about how her team built NASA+ and the infrastructure, gear, ops, and workflows that launch live streams at this massive scope and scale.</description></item><item><title>Middle-Mile Resiliency and Delivering Live Streams at Scale</title><pubDate>Mon, 16 Mar 2026 04:05:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173929</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173929</guid><description>As the last mile of streaming becomes increasingly predictable, according to CacheFly CTO and Founder Matt Levine, the focus of streaming professionals working to enhance reliability in live event delivery shifts to the middle mile. Levine and YouTube Head of OTT Live Engineering Sean McCarthy explore what workflow and architecture elements constitute the middle mile and what it takes to navigate middle-mile variability most effectively origin-to-edge and designing workflows that scale in this conversation with SVTA Subject Matter Expert Bhavesh Upadhyaya at Streaming Media Connect 2026.</description></item><item><title>Does Viewer Research Reveal What Makes Streaming Shows Hits?</title><pubDate>Mon, 16 Mar 2026 10:55:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173920</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173920</guid><description>Forecasting the success of streaming content based on the IP behind it?whether it's a legacy property like Family Feud or a video game adaptation like The Last of Us?is harder than it may appear, but do patterns emerge in historical viewership data or viewer surveys that offer usable clues? Hub Entertainment Research Principal Jon Giegengack takes a crack at unraveling the mysteries of streaming show success in this conversation with Integration Therapy Owner and Principal Rebecca Avery at Streaming Media Connect 2026.</description></item><item><title>The Fine Print</title><pubDate>Mon, 16 Mar 2026 09:00:01 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173869</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173869</guid><description>Opening our blog to a never-ending stream of guest contributors yields some of the coolest stuff we publish, with topics that would never occur to me. Though I rarely know when these pieces will arrive or where they'll come from, it is often heady, provocative stuff that I'm proud to publish. </description></item><item><title>Video Podcasts Are Ready to Move Up a Weight Class</title><pubDate>Fri, 13 Mar 2026 01:45:05 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173910</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173910</guid><description>How streaming's fastest-growing format will compete for performance budgets</description></item><item><title>The New MVPs: Why Teamwork and Tech Will Win the Streaming Game</title><pubDate>Fri, 13 Mar 2026 01:40:35 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173911</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173911</guid><description>A moment's buffering during a game might send fans running. This is where the need for scale, reliability, and quality converge. So, how do providers deliver seamless, captivating experiences for millions of viewers? The answer isn't found in a solo technology or company, but at the intersection of technology and smart collaboration.</description></item><item><title>Key Contextual Data Points for Targeted and Brand-Safe CTV Advertising</title><pubDate>Fri, 13 Mar 2026 12:55:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173907</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173907</guid><description>Matching ads to programming context and audience interests is theoretically what CTV and OTT can do better than traditional linear television, but it requires gathering data and leveraging it effectively to make sound contextual calls. Philo Head of Advertising Partnerships Aulden Kaye Yi and Roku Head of Supply Side Ad Platform Charlie Goodman discuss what works on their platforms and how their teams approach contextual advertising in this conversation with SVTA Subject Matter Expert Bhavesh Upadhyaya at Streaming Media Connect 2026.</description></item><item><title>How the NBA Keeps Younger Viewers Engaged</title><pubDate>Tue, 10 Mar 2026 03:25:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173848</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173848</guid><description>Even as live sports remains arguably the only consistently reliable appointment viewing genre in TV, younger viewers are notoriously appointment viewing-averse. Yet NBA attention from younger fans is growing, according to NBA VP of Global Media Insights Michelle Auguste; it just shows up in different places, and requires following different metrics to make sense of and deploying different strategies and cultural touchpoints to cultivate the 24/7 fandom model that makes younger fans feel like they're part of the league. </description></item><item><title>The Games Behind the Games: Winter Olympics From Mountain Slope to Mobile Screen</title><pubDate>Tue, 10 Mar 2026 03:10:52 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173846</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173846</guid><description>That illusion of effortlessness is what makes the Winter Olympics such a powerful lens for understanding where streaming and live production are heading next. Because what happened at Milano Cortina 2026 is not just about new cameras or sharper graphics. It is about the entire journey from capture to cloud to consumer.</description></item><item><title>Why the Gap Between the Game and Your Screen Is a Business Problem</title><pubDate>Tue, 10 Mar 2026 02:55:35 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173844</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173844</guid><description>That gap between reality and your screen is latency, and it has become one of the most commercially consequential technical problems in the live sports industry. With American sports betting exploding in scale and prediction markets rewriting the rules of fan engagement, the stakes around streaming delay have jumped from a quality-of-experience nuisance to a structural business problem that touches broadcasters, technology companies, regulators, and sportsbooks alike.</description></item><item><title>Inside the CTV Contextual Advertising Toolset</title><pubDate>Mon, 09 Mar 2026 09:00:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173791</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173791</guid><description>CTV contextual advertising, like many things in life, is all about making good decisions, and making informed decisions based on a wealth of data means leveraging the right tools?often AI-driven?to gather and distill and interpret that data. Sometimes developing sound contextual media plans involves working with in-house tech and other times it means working with third-party tools, as Team Whistle (a DAZN company) president Joe Caporoso and Intersection CEO Chris Grosso explain in this discussion with SVTA subject matter expert Bhavesh Upadhyaya in this clip from Streaming Media Connect 2026.</description></item><item><title>Volumetric video takes gold in live events - could major film awards be next?</title><pubDate>Fri, 06 Mar 2026 03:05:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173788</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173788</guid><description>By recording Olympic athletes from multiple viewpoints simultaneously, volumetric video preserves the spatial performance itself rather than a single chosen angle. Producers can then reposition a virtual camera in post-production, even if the final output remains conventional 2D. Perspective becomes adjustable after the event, not fixed at the moment of capture.</description></item><item><title>Provisioning for Live Streaming Scale in Real Time at Al Jazeera and YouTube</title><pubDate>Fri, 06 Mar 2026 02:55:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173787</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173787</guid><description>How do large-volume streamers anticipate, provision for, and capacity-plan for real-time traffic bursts during tentpole and breaking news events? Al Jazeera Senior Streaming Media Architect Dilip Bharadwaj and YouTube Head of Live OTT Engineering Sean McCarthy discuss real-world challenges and preparation and remediation strategies in this discussion with SVTA Subject Matter Expert Bhavesh Upadhyaya at Streaming Media Connect 2026.</description></item><item><title>Shoppable Content Meets Cloud Gaming on CTV</title><pubDate>Fri, 06 Mar 2026 01:15:34 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173785</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173785</guid><description>As cloud gaming and the living room converge and shoppable opportunities on CTV continue to multiply, how real and how near are opportunities to merge the two and incorporate interactive shopping into the intensely lean-forward gaming world? Fuse Media CRO Karl Meyer and Spaceback co-founder and CPO Joe Hall discuss opportunities and implementations of shoppable CTV with the hyper-engaged gamer audience in this discussion with Chris Pfaff, CEO of Chris Pfaff Tech Media, at Streaming Media Connect 2026.</description></item><item><title>Finding the Viewer in a Fragmented TV World</title><pubDate>Fri, 06 Mar 2026 12:45:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173782</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173782</guid><description>With more streaming choices than ever, structural fragmentation has become the norm. The center of gravity has shifted, and audience strategy carries more weight than inventory access alone. The brands that are winning precisely define who they need to reach and understand how those audiences engage across TV environments.</description></item><item><title>Netflix Ramps Up Ad Suite</title><pubDate>Thu, 05 Mar 2026 05:10:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173775</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173775</guid><description>Netflix hopes the special sauce of their newly expanded expanded Ads Suite with assists from Amazon and Yahoo DSP will make CTV look different. This balance of data and technology, making things faster, more efficient, and more personalized within the ad environment should bring a unique experience to the marketplace. </description></item><item><title>Grounded thinking: Why AI-powered CTV experiences rise or fall on data</title><pubDate>Tue, 03 Mar 2026 03:40:31 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173742</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173742</guid><description>Over time, LLMs will enable transformational TV experiences for viewers. Consumer expectations for how they interact with technology continue to rise, and CTV platforms have an opportunity to get ahead of the curve. LLMs can deliver on that promise-but only when anchored in trusted, up-to-date data. With TV viewers constantly reevaluating where they spend their time and money, the cost of unvetted or unreliable information becomes impossible to ignore.?</description></item><item><title>Programming vs. Promotion Decisions in CTV Content Monetization Strategy</title><pubDate>Tue, 03 Mar 2026 03:30:00 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173741</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173741</guid><description>When it comes to curating and monetizing CTV content, do programming and promotion decisions go hand in hand or does one necessarily drive the other? Head of Fubo Studios Pamela Duckworth offers a look inside Fubo Sports Network's approach to testing and promotion, from pop-up FAST channels to tentpole events and evergreen content and breakthrough sports like bare-knuckle boxing in this discussion with Integration Therapy's Rebecca Avery at Streaming Media Connect 2026.</description></item><item><title>Vertical Leap: Growing the Free Vertical Drama Business at Streaming Media Connect</title><pubDate>Mon, 02 Mar 2026 12:15:11 EST</pubDate><link>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173716</link><guid>https://www.streamingmedia.com/Articles/ReadArticle.aspx?ArticleID=173716</guid><description>On Thursday, February 26, at Streaming Media Connect, the panel "Vertical Leap: Growing the Free Vertical Drama Business at Streaming Media Connect" assembled expert practitioners from Celestine Pictures, Hudson Vertical, Stratagem Vertical, and GoodShort to explore the ways that vertical drama is exploding on free streaming platforms, driven by mobile-first viewing, bingeable formats, and a new generation of viewers and global creators.</description></item></channel></rss>