In this article I'm going to highlight some of the latest gear you can use to put together a portable streaming solution. With this equipment you can quickly and easily transport your kit from one shoot to another and use it to deliver solid, high-quality streams for small and medium-sized events.
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Posted 26 Jan 2015
This tutorial will explore the capabilities of vMix GO, an affordable, highly functional, and easy-to-use live production system.
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Posted 22 Jan 2015
In this five-part series, we'll examine all the elements you need to consider when developing an in-house video competency at your business or organization, beginning with studio setup in Part 1, then moving on to staffing, investment, gearing up,, content and marketing strategy, and concluding with the elements of a video publishing program that you should continue to outsource.
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Posted 12 Jan 2015
In Part 1 of this series on production solutions for live streaming, we looked at two key pieces of the live production puzzle: cameras and audio. Here we'll look at a product that ties it all together for live producers: the Sony Anycast Touch.
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Posted 22 Dec 2014
In this 2-part series, we'll focus on some of the tools that are available to you as content creators when you're delivering content for the web, beginning in this first installment with cameras and pro audio gear.
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Posted 22 Dec 2014
Smaller and smaller is the direction of mobile video production, and now video mixer, playback, recording, and streaming services are all being crammed into ever-smaller cases. Today I take a look at the Paladin Flypack, a Windows-based, portable production system by Paladin Innovators.
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Posted 09 Dec 2014
This article is designed to help you avoid some of the many pitfalls that you can fall into when doing audio mixing for live production.
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Posted 30 Nov 2014
This article will discuss an all-day webcast that Morningstar does every year for its Individual Investor Conference, going through the decisions made in pre-production, the vendors selected, and the workflow, and share some tips that readers take into your webcast productions.
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Posted 25 Nov 2014
Supporting Dante in addition to REAC, MADI and Waves SoundGrid positions the new Roland M-5000 Live Mixing Console and the O.H.R.C.A platform as one of the most openly networked audio consoles on the market
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Posted 11 Nov 2014
How to use the Ambience Match natural sound-matching feature in iZotope RX4 Advanced to fix uneven ambient audio across multiple clips and scenes, using examples from Jason Prisk's new indie film, Crimes and Mister Meanors.
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Posted 10 Nov 2014
The Roland M-5000's internal mix architecture is not fixed and can be freely defined for mixing channels, AUXs, Matrices, subgroup buses, MIX-MINUS buses within a range of up to 128 audio paths allowing user to create a console structure to suit the needs of the application
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Posted 04 Nov 2014
Camp Digital has extensive experience in live event production, and along with a vast team mobilized for the event, is capturing 500+ hours of content using file-based HD/SD recording devices from AJA Video Systems' Ki Pro family
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Posted 28 Oct 2014
Created for the electronic music lover, DMO Live, will soon connect venues in different worldwide locations through one live event by streaming the night's main happening on large screens in club locations around the world.
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Posted 27 Oct 2014
In this walkthrough of the latest version of iZotope's powerful audio repair tool, RX4 Advanced, we'll explore the RX4 interface and workflow, and use some of its key capabilities to clean up some persistent hum as it effects both dialogue and music.
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Posted 11 Oct 2014
The ultra-portable TriCaster Mini joins the TriCaster 40 at the sub-$6k end of the TriCaster line, but weighs in 10 lbs. lighter and adds HDMI input ISO-recording, a new compact control surface, an internal monitor, and more.
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Posted 09 Oct 2014
Anthony Burokas previews his Streaming Media Producer Live 2014 session, "T205: Audio Mixing for Live Production."
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Posted 01 Oct 2014
Anthony Q. Artis, author of the Shut Up and Shoot Freelance Guide, will present an all-day workshop and a Tuesday morning keynote at Streaming Media Producer Live 2014 on November 17-18 in Huntington Beach, CA. Check out Anthony's video trailer for the workshop and keynote for a sneak preview of what he'll be presenting at the event.
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Posted 23 Sep 2014
In the last two articles in this 3-part series on the Sony a7S, we covered a lot of ground discussing what to look for in video lenses and lens adapters for the Sony e-mount that is native to the Sony a7S. Now it is time to take a deeper look at the Sony a7S as a video camera, with comparisons to the Canon 5D MKIII and Panasonic DMC-GH4.
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Posted 23 Sep 2014
Shawn Lam of Shawn Lam Video presents a video trailer for his Streaming Media Producer Live 2014 Technical Track session, "Choosing Cameras for Live Video Switching and Webcasting."
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Posted 22 Sep 2014
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