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Upcoming Industry Conferences
Streaming Media West [2-3 November 2017]
Live Streaming Summit [2-3 November 2017]
Streaming Forum [27 February 2018]
Past Conferences
Streaming Media East 2017 [16-17 May 2017]
Live Streaming Summit [16-17 May 2017]
Streaming Media Producer Focus
April 09, 2015

Featured Articles
Review: vMix Go Portable Live Production Solution
vMix GO is an affordable, portable, SDI-based live production and recording solution that showcases the vMix 4K live production software, which, in my view, is probably the best software in the space that you've never heard of, though it is Windows-only.
Review: Telestream Wirecast 6
With version 6, Telestream has converted its premier live production software application to 64-bit operation, which should enhance performance and stability. Telestream also added several key features, including playlists, social media support, input from iOS devices, and instant replay.
Cost-Effective Media Wrangling Redux
After using my new media wrangling kit in the field a few times, I've augmented it with a few accessories and come to a few realizations that made it worth revisiting this entire premise. As in many cases, smaller is not always better, and when it comes to operating a computer, this is definitely the case.
Tutorial: Red Giant Magic Bullet Colorista III
Here's a quick tutorial to show you how to get started with the new, simplified Colorista interface and quickly apply some interesting grades to create new looks in your clips.
Featured News
Streambox Intros Live Encoding and Streaming for Aerial Video
The Streambox Drone EncoderPro is designed to capture and stream HD/SDI professional video from UAV's used for agriculture, news gathering, film production, live events, public safety, government and enterprise users.
JVC Partners With Ustream to Deliver One-Button Live Streaming
Select JVC cameras with built-in HD streaming offer simplified delivery of live video via Ustream's unmatched scalable, HD, easy-to-use video platform
Canon Unveils XC10 4K Digital Camcorder
Compact, lightweight and versatile, the XC10 (MSRP $2499) is designed to deliver stunning 4K and Full HD video as well as compelling 12-Megapixel still images
Roland M-5000 Mixer to Debut at NAB, Showcasing Extensive Broadcasting Features
The M-5000 based on the O.H.R.C.A platform delivers freely definable audio paths, supporting multiple audio formats protocols, plus pristine 96 kHz sound quality throughout the system
Telestream Intros Episode 6.5 at NAB 2015
Scheduled for release later in Q2 2015, version 6.5 will feature support for closed captions, new formats, multi-bitrate encoding, and multi-track audio
Pond5 Unveils Backlots and Backlots+ Digital Backgrounds
Backlots+ provide a completely new kind of video content—digital backlots with foreground elements, like sidewalks, streets or promenades, that mesh perfectly with the chosen background
Panasonic Upgrades AW-HE40 Full HD PTZ Cameras
The AW-SFU01 upgrade adds production-quality HD MPEG-4 streaming, in-camera HD recording on a microSD card, and USB video/audio capabilities to the cameras' already impressive range of features
Panasonic Rolls Out "Tap-Assist" Camera Control System for PTZ Cameras
AW-HEA10 control system dramatically simplifies and enhances remote control shooting with two of the company's next-generation pan/tilt/zoom cameras, the AW-HE130 and AW-HE40
Atomos Announces Support for Canon XC-10
Atomos Shogun to offer Canon XC-10 users Direct-to-ProRes/DNxHR 4K recording, 7" field monitor and scopes, long record times, balanced XLR recording, and more
Matrox Rolls Out New Multi-Channel H.264 Encoder Card for Developers at NAB 2015
The Matrox M264 is a half-length PCIe card featuring an onboard codec for unprecedented multi-channel H.264 encoding/decoding quality and performance from Baseline Profile to High 10 Intra Profile up to Level 5.2
Sponsored Articles
Tutorial: Greenscreen and Virtual Sets with the NewTek TriCaster Mini
Here's a look at the greenscreen and virtual set capabilities of the NewTek TriCaster Mini, which make it look like you spent a fortune on your production, while costing a fraction of what you'd spend if you built out a studio, bought multiple cameras, and hired operators to use them.
 
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