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Streaming Media Producer Focus
March 26, 2015

Featured Articles
Multi-Camera Matching and Creating a Streaming Picture Profile Using the Sony PMW-300K1
By using a vectorscope and a waveform and the process described in this article, you can limit or eliminate distracting color-matching issues between cameras and ensure your audience has an immersive experience--at least as it pertains to the quality of the video.
Featured News
ARRI Unveils ALEXA SXT Camera
ALEXA SXT cameras additionally offer ProRes 4K recording, improved image quality, powerful color management and three fully independent HD-SDI outputs
RE:Vision Effects Rolls Out ReelSmart Motion Blur 5 and Twixtor 6
Motion blur and slo-mo effects plug-ins support Adobe Premiere Pro and After Effects, Apple FCP, Avid Media Composer, Nuke, Scratch, Autodesk, FXHOME HitFilm, Digital Vision Nucoda, Natron, and DaVinci Resolve
Codex and ARRI Intro ALEXA SXT Recording and Workflow System
The companies' engineering teams worked closely together to create high-performance, integrated recording, plus on-set and near-set data management systems to deliver a streamlined camera-to-post workflow for the ALEXA SXT range of cameras
Atomos Adds New Features to Shogun With Free Firmware Upgrade
New features include 3D LUTs, DNxHR (4K) recording, DNxHD (HD) recording, 4K UHD to HD down scaling, file preview in the playback screen, and a revamped Audio display interface
Sponsored Articles
Tutorial: NewTek TriCaster Mini Turnkey HDMI Production Studio
In this tutorial, Jan Ozer demonstrates how the NewTek TriCaster Mini delivers portable, affordable, and full-featured live production to producers using HDMI cameras.
Tutorial: Connecting Content-Creation Workgroups with the ProMAX Platform Portable Y
Whether you need to connect multiple workstations together with shared storage or multiple storage devices to a single workstation, the ProMAX Platform Portable series has you covered.
Tutorial: Greenscreen and Virtual Sets with the NewTek TriCaster Mini
Here's a look at the greenscreen and virtual set capabilities of the NewTek TriCaster Mini, which make it look like you spent a fortune on your production, while costing a fraction of what you'd spend if you built out a studio, bought multiple cameras, and hired operators to use them.
 
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