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Sneak Preview: Audio Mixing for Live Production at Streaming Media Producer Live 2014

Anthony Burokas previews his Streaming Media Producer Live 2014 session, "T205: Audio Mixing for Live Production."
Featured Articles, Posted 01 Oct 2014

Portable Field Transcoding with Small-Form-Factor Computers

What if you need to transcode files when you're in the field, in between production shoots or as a way to push digital dailies out to local clients? Recognizing the need for portability in such a scenario, we ran a number of tests to determine the ideal balance of size and speed, and we share those results here.
Featured Articles, Posted 30 Sep 2014

Sneak Preview: Choosing Cameras for Live Video Switching and Webcasting at Streaming Media Producer Live 2014

Shawn Lam of Shawn Lam Video presents a video trailer for his Streaming Media Producer Live 2014 Technical Track session, "Choosing Cameras for Live Video Switching and Webcasting."
Featured Articles, Posted 22 Sep 2014

Blackmagic Design Announces New Ultra HD-Compatible Mini Converters

New Ultra HD compatible Mini Converters and Heavy Duty Mini Converter 4K models feature 6G-SDI technology, allowing customers to use a single type of converter for all conversion needs in SD, HD and Ultra HD television formats.
Featured News, Posted 17 Sep 2014

Ikegami Rolls Out HC-HD300 3-CMOS HD Camera at IBC 2014

The HC-HD300 is equipped with a 1/3 inch bayonet lens mount and employs three 1/3-inch CMOS progressive-scan sensors, each with 2.2 million pixels, in RGB prism formation
Featured News, Posted 10 Sep 2014

Plura to Roll Out New Dual 7-inch Monitor Solution at IBC2014

The new LCM-207-3G monitor expands the LCM range of affordable monitors, keeping costs very low by integrating features tailored specifically for preview needs - notably, in-depth color calibration to maximize picture quality and integrity
Featured News, Posted 03 Sep 2014

Tutorial: Grass Valley ADVC-G1 Converter

Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial we'll explore how the ADVC-G1 works and how you can incorporate it into your workflow.
Sponsored Articles, Posted 02 Sep 2014

Atomos Intros Open HDMI Standard for Video Pros

With new standard, users can connect using HDMI and automatically trigger functions on external devices from the camera itself, just as they have for years with SDI
Featured News, Posted 05 Aug 2014

Blackmagic Design Announces Free ATEM Switchers Update 6.0 with New Camera Control Support

ith the new ATEM Camera Control software update, ATEM live production switchers can now control cameras via a new open standard protocol sent to the camera via the return program feed
Featured News, Posted 04 Aug 2014

ClearCom Debuts FreeSpeak II Wireless Intercom System at IBC 2014

The FreeSpeak II system is designed for deployment across large-scale, multi-zone production areas typically required in live events, broadcast, and sports production
Featured News, Posted 29 Jul 2014

mLogic Rolls Out mTape Thunderbolt Backup and Archiving Solution for Creative Pros

mTape is the industry's first LTO-6 tape drive to feature Thunderbolt connectivity and the first tape drive system to receive Thunderbolt certification from Apple Inc. and Intel Corporation
Featured News, Posted 29 Jul 2014

Review: Canon XF205 Professional Camcorder

The Canon XF205 pro camcorder resembles the acclaimed XA25 consumer model introduced last year in several respects, but adds welcome features such as individual rings for iris, zoom, and focus; 2 additional channels of internal microphone recording; 1080/30P HD-SDI output in the XF205, and more. As such, the XF205 comes highly recommended as a camcorder well-suited to webcasting workflows.
Featured Articles, Posted 25 Jul 2014

Fairlight Intros EVO.Live Audio Mixing Console at IBC

EVO.Live is a powerful console that offers integrated HD video and multitrack audio recording, andcan switch between live and post production modes at the touch of a button so that staff engineers can use the desk for audio sweetening when it isn't needed for on-air applications
Featured News, Posted 23 Jul 2014

Tutorial: Mixing, Switching, and Streaming Live with the Roland VR-3EX All-in-One A/V Mixer

In this tutorial we'll explore the robust audio and video mixing, switching, and live-delivery feature set of Roland's versatile next-generation 4-input VR-3EX, HDMI-capable A/V mixer.
Sponsored Articles, Posted 17 Jul 2014

Colorado's Flatirons Community Church Expands Streaming, IMAG Offerings with FOR-A Switchers

The church purchased an HVS-390HS 2 M/E switcher for its main campus, and moved its HVS-350HS switcher to its new satellite campus earlier this year
Featured News, Posted 15 Jul 2014

Bethlehem Baptist Church Turns to the PIX 260i Production Video Recorder From Video Devices

The PIX 260i brings the features and tools needed by production companies and other production-based AV environments looking to migrate to file-based recording and playback environments. The PIX 260i's extensive audio capabilities are an essential component for the facility.
Featured News, Posted 10 Jul 2014

Sun Valley Megachurches Deploy FOR-A Switchers for Live Production

Both Sun Valley's Gilbert and Tempe campuses have full video production suites, with each of its FOR-A switchers running three live cameras, and multiple computers driving content to three projectors in the front of the auditorium, which are used for image magnification and visual content
Featured News, Posted 01 Jul 2014

Blackmagic ATEM 2 M/E Production Switcher Drives Live Production at New Hope Oahu

New Hope Oahu relies on Blackmagic's ATEM 2 M/E Production Switcher and Broadcast Panel, Blackmagic Audio Monitor and a host of additional products to help broadcast services to more than 12,000 in-person and online attendees
Featured News, Posted 24 Jun 2014

Tutorial: Exporting for Digital Cinema with Adobe Premiere Pro and Adobe Media Encoder CC 2014

A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here how it you can add it to your offerings when your clients or projects demand it.
Featured Articles, Posted 24 Jun 2014

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