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Review: Yuneec Typhoon 4K ActionCam

Are you looking for an easy way to get smooth 4K handheld footage without breaking the bank? The Yuneec Typhoon 4K ActionCam is a handy little tool that makes it easy to get the smooth shots you want, if you can live with the limitations.
Featured Articles, Posted 25 Jul 2016

VR Reality Check: Challenges to Widespread Consumer Adoption

VR remains a niche market at this writing, but it's a growing one with huge potential. Here are the latest developments and what it means to adoption in the live production and streaming world.
Featured Articles, Posted 18 Jul 2016

Gaelic Athletic Association Streams Live Sports with Broadcast Pix

With a custom mobile production unit built around a Broadcast Pix™ Mica 1000 integrated production switcher, Mac AV produces live coverage of several sports for the Gaelic Athletic Association that are specific to Ireland
Featured News, Posted 13 Jul 2016

NDI and Live Titling

If you haven't been watching the live titling space, you've missed the NDI revolution, and your productions may be falling behind in terms of graphics quality. In this article I'll explain what NDI is and how it works, and I'll explore how it enhances the titling capabilities of the NewTek TriCaster, Telestream Wirecast, and vMix GO. I'll also look at the base capabilities of each system and discuss when it's time to consider third-party offerings.
Featured Articles, Posted 12 Jul 2016

Rice University Football Breaks 4K Barrier With New Panasonic Cams

Rice Athletics has recently purchased four of Panasonic's new AK-UC3000 4K camera systems, as well as AW-HE130 integrated pan/tilt/zoom cameras for high end-zone coverage
Featured News, Posted 14 Jun 2016

Vinten Unveils Vector 750 Pan-and-Tilt Head for Live Sports

Providing versatile support for 4K, studio, and OB broadcast cameras and lenses, the Vinten Vector 750 promises perfect control for large sports cameras at any resolution or frame rate, including UHD and Slo-mo
Featured News, Posted 14 Jun 2016

Are You So Focused On Video That You’re Neglecting Audio?

Even when your video is perfect, nothing sours a streaming experience more quickly than poor audio. Whether you are running the whole show yourself or receiving an audio feed from the "sound guy," there are several areas you need to pay attention to when combining audio into your live video stream.
Sponsored Articles, Posted 11 Jun 2016

Tutorial: Setting Up Avid NEXIS | PRO Shared Storage Platform

The Avid NEXIS | PRO has all the features that Avid's big NEXIS shared storage solutions have, but scaled down for producers with smaller shops but the same need for reliability and sharing functionality that makes NEXIS popular with bigger studios.
Featured Articles, Posted 02 Jun 2016

Review: Manfrotto 546B Pro Video Tripod

What do you look for in a tripod? Knoxville, Tennessee producers Paul Schmutzler and Jacob Dean explore this and other questions in this video review of the Manfotto 546B tripod along with various fluid heads and different camera rigs.
Featured Articles, Posted 30 May 2016

The VR Camera Disaster

The cameras have poor controls, the headsets are bulky, and the results sometimes make people sick. Still, don't write off virtual reality just yet.
Featured Articles, Posted 24 May 2016

Almost Live from NAB: Blackmagic URSA Professional Studio Camera Workflow

Shawn Lam interviews Blackmagic Design's Bob Caniglia about the URSA Studio Viewfinder, a Streaming Media Best of NAB 2016 award-winning accessory for Blackmagic's popular URSA camera line that contributes to a professional studio camera workflow that producers can build around the camera.
Featured Articles, Posted 04 May 2016

TVU Networks Unveils IP and Cellular-Based Live VR Streaming

TVU VR delivers an ultra-high definition, full frame rate and live 360-degree fully immersive video to any VR headset
Featured News, Posted 27 Apr 2016

Almost Live from NAB: Datavideo KMU-100

Shawn Lam interviews Datavideo's Craig Moffat regarding the Datavideo KMU-100, a new device that enables 4K shooters to take up to 4 images from their camera's 4K output as discrete 1080 outputs in real-time and send them to a switcher or monitor. With support for two 4K inputs, the KMU-100 can output up to 8 separate images.
Featured Articles, Posted 21 Apr 2016

Streaming Media Picks Best Products of NAB 2016

NAB took over Las Vegas this week, and the Streaming Media and Streaming Media Producer editorial staffs were on hand to pick out the signal from the noise, selecting the best new products from this year's show
Featured Articles, Posted 20 Apr 2016

StereoStitch Debuts Real-Time 360 VR Video Stitching Software

StereoStitch helps content creators with their 3D and Virtual Reality needs, be it live-stitching of 3D content (e.g. film making), or projection of VR concepts (e.g. sports match or a fashion show using drone mounted 3D cameras)
Featured News, Posted 19 Apr 2016

NewBlue Rolls Out Titler Live Broadcast 3D Titling Solution for Live Producers

Titler Live Broadcast supports popular production systems such as NewTek Tricaster, Telestream Wirecast, Blackmagic ATEM, Roland Switchers, and vMIX Go
Featured News, Posted 19 Apr 2016

NewTek Rolls Out NewTek Connect Pro to Bridge IP and SDI Workflows

Combining IP video sources with SDI capture cards enables customer to expand production capabilities as needs develop and grow
Featured News, Posted 19 Apr 2016

Blackmagic Unveils VideoAssist 4K, Duplicator 4K, and URSA Studio Viewfinder at NAB 2016

Other key announcements include UltraStudio 4K Extreme with Thunderbolt 3 support and HDR playback over HDMI
Featured Articles, Posted 19 Apr 2016

Telestream Unveils Lightspeed Live Stream and Lightspeed Capture Enterprise-Class Streaming and Capture Solutions

Lightspeed Live Stream solves the problem of preparing real time content for adaptive bitrate live streaming while Lightspeed Live Capture can independently record multiple channels of SD, HD or a single channel of UHD
Featured News, Posted 12 Apr 2016

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