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Equipping a Studio for Web Video Production: Three Models to Match Your Budget

Whether you're an independent production facility or a corporate or institutional outfit bringing professional online video production and webcasting in-house, what will it cost to create a flexible and functional studio? In this article, we'll spec out three different studios at three different price points—$5,000, $15,000, and $25,000.
Featured Articles, Posted 10 Apr 2014

Litepanels Launches Hilio D12 and T12 High Light Output Panels at NAB 2014

The Hilio D12/T12 fixtures were designed by Litepanels to augment the lighting requirements of broadcast studios, as well as motion picture, episodic television, and commercial location shoots
Featured News, Posted 19 Mar 2014

Litepanels Intros Sola 4 Traveler Kit

Designed specifically to accommodate the needs of shooters and productions on the go, the Sola 4 Traveler Kit includes three Sola 4 LED Fresnel fixtures in a rugged, ergonomically designed, trolley-style hard case
Featured News, Posted 25 Feb 2014

How to Brand Your Online Videos

Successfully implementing branding in online video means making sure every video you produce accurately reflects and advances your company's or client's brand identity at each stage of the production process, as well as in your production style. This article explains how and when to pay attention to branding in your productions.
Featured Articles, Posted 18 Feb 2014

How to Light, Frame, and Shoot Online Video

While some of the time-tested principles of traditional video production still apply, online video is really a world of its own; here we look at key elements of online video production that distinguish it from producing for other media, including composition, lighting, and more.
Featured Articles, Posted 10 Feb 2014

Choosing Cameras and Lighting for Single-Speaker Webinars

Are pro video cameras overkill for single-speaker webinars? What's the best type of camera these ever-more popular productions, and what kind and how much lighting do you need to pull them off? We set up some common scenarios, ran some tests, and here's what we found out.
Featured Articles, Posted 04 Feb 2014

Feeding the Beast, Part 2: Production Workflow

The next key element of feeding the beast and maintaining high-volume video output is workflow; the choices that you make for your workflow are important for everything that you do, from studio space to production, post, syndication, and archiving.
Featured Articles, Posted 21 Jan 2014

Feeding the Beast: Producing Serial Content Effectively, Part 1: Generating Content

Video publishers often struggle to keep up with the demands of viewers expect fresh content on a daily basis, and advertisers who want lots of inventory. This article explains how a two-person production crew generates 800-1,000 new videos per year for a leading site for investors.
Featured Articles, Posted 16 Jan 2014

Review: Canon XA25, Part 1

An in-depth discussion on the features and usability, image quality, and capabilities of the Canon XA20/25, along with comparisons to the predecessor XA10 and next-higher models XF100 and XF300 featuring the author and Andrew Jones of Dallas's The Movie Institute.
Featured Articles, Posted 18 Dec 2013

Meet the SMPLive Presenter: Stjepan Alaupovic of St. Jepan Media

New York City-based media production specialist Stjepan Alaupovic describes his Streaming Media Producer Live sessions, "How to Light, Frame, and Shoot Video for the Web" and "How to Brand Your Online Productions."
Featured Articles, Posted 25 Sep 2013

Litepanels Launches Hilio/HC Field Lighting Package

New portable Litepanels lighting package is designed to provide the Hilio's high-output, daylight-balanced illumination with a convenient and portable DC power system from Anton/Bauer for ultimate mobility
Featured News, Posted 18 Sep 2013

ARRI Unveils New Adjustable Daylight Fresnel at IBC 2013

New addition to ARRI L-Series, L7-DT, offers adjustable green-magenta point and amazing color quality and consistency
Featured News, Posted 18 Sep 2013

Review: JVC GY-HM650 ProHD Camcorder

In performance testing, the JVC GY-HM650 produced exceptionally sharp quality. It offers very good manual controls and outstanding auto-mode performance, and shoots very well-balanced pictures in a range of lighting conditions.
Featured Articles, Posted 16 Sep 2013

Berklee College of Music Promo Videos Leverage Zylight IS3c LED

To create unique color backdrops for various performers who were shot separately on the same set, a Boston-based production company used its Zylight IS3c LED light, which features a Color Mode that produces millions of colors without gels or filters
Featured News, Posted 07 Aug 2013

Matt Pond "Love to Get Used" Video Leverages Litepanels 1x1 Bi-Colors

"About 75% of this video was shot with a Sony FS700 at 240/480 fps, while underwater elements were done with DSLRs in underwater housings. "This music piece really put our two Litepanels 1x1 Bi-Colors to the test."
Featured News, Posted 22 Jun 2013

Producing Online Promo Video for Schools, Part 2: Building Out the Program

In the conclusion of this two-part series on producing online video for schools, examined through the lens of DigiNovations' ongoing work with Middlesex School, we'll look at strategies and measures you can take to build and advance both your relationship with the school, and develop the project into a diversified and more nuanced promotional and positioning program than a single video can provide.
Featured Articles, Posted 17 Jun 2013

Adorama Fires Up Flashpoint 7" LED Field Monitor for DSLR Shooters

The compact and lightweight Flashpoint field monitor offers five times the image size of a typical 3" on-camera LCD plus impressive 1280x800 pixel resolution, enabling extra-precise focusing and framing
Featured News, Posted 05 Jun 2013

Zylight Showcases F8 LED Fresnel at Infocomm 2013

Available in tungsten (3200K) or daylight (5600K) versions, the new F8 LED Fresnel collapses to less than four inches thick for easy transport and storage
Featured News, Posted 29 May 2013

Zylight Intros F8 LED Fresnel at Cine Gear 2013

Available in tungsten (3200K) or daylight (5600K) versions, the compact Zylight fresnel collapses to less than four inches thick for easy transport and storage
Featured News, Posted 15 May 2013

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