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Articles

LED Fresnels: Two Takes on Design

For location lighting, moving around a lot, and travel, the Fiilex LED kits offer amazing capability and flexibility in a small and light package. Designed for use as a fixed solution, for a small sound stage, or grip truck, the Gus 41 makes a perfect solution. It is very wide and soft or small and focused as needed.
Featured Articles, Posted 11 Aug 2014

Adorama Unveils New Flashpoint Lights for Photo and Video for Camera- and Stand-Mounted Use

New Flashpoint lights include the SpeedLight Partner and the VariAngle light, as well as a collection of LED lights in both standard and bi-color options; new stand-mounted lights include various models of circular and panel lights.
Featured News, Posted 29 Jul 2014

Setla Films Illuminates Patient Care Procedures On Location with Sony F5s and Zylight F8 LED Fresnels

The 5600K Zylight fresnels have been particularly effective while shooting scenes in the ER, where the installed fluorescent lighting adds a green tint to skin tones
Featured News, Posted 01 Jul 2014

Litepanels Intros ASTRA 1x1 Bi-Color Panel

The ASTRA 1x1 Bi-Color offers a light output that is up to four times brighter than the company's traditional 1x1 Bi-Color fixture, high CRI (Color Rendering Index), and user-selectable active or passive cooling modes
Featured News, Posted 03 Jun 2014

How to Pack and Prepare for International Video Shoots

A veteran producer of video projects on multiple continents offers tips on everything from hard-shelled equipment cases to travel restrictions to international power issues to visas to carnets for videographers who want to book international jobs, make the most of them, and escape the pitfalls that come with being un- or under-prepared.
Featured Articles, Posted 22 May 2014

New Compact Softy Lite LED Debuts

Each Softy Lite has 8 panels of 48 LEDs, daylight balanced and wired for 12 volts in banks of three
Featured News, Posted 14 May 2014

Equipping a Studio for Web Video Production: Three Models to Match Your Budget

Whether you're an independent production facility or a corporate or institutional outfit bringing professional online video production and webcasting in-house, what will it cost to create a flexible and functional studio? In this article, we'll spec out three different studios at three different price points—$5,000, $15,000, and $25,000.
Featured Articles, Posted 10 Apr 2014

Litepanels Launches Hilio D12 and T12 High Light Output Panels at NAB 2014

The Hilio D12/T12 fixtures were designed by Litepanels to augment the lighting requirements of broadcast studios, as well as motion picture, episodic television, and commercial location shoots
Featured News, Posted 19 Mar 2014

Litepanels Intros Sola 4 Traveler Kit

Designed specifically to accommodate the needs of shooters and productions on the go, the Sola 4 Traveler Kit includes three Sola 4 LED Fresnel fixtures in a rugged, ergonomically designed, trolley-style hard case
Featured News, Posted 25 Feb 2014

How to Brand Your Online Videos

Successfully implementing branding in online video means making sure every video you produce accurately reflects and advances your company's or client's brand identity at each stage of the production process, as well as in your production style. This article explains how and when to pay attention to branding in your productions.
Featured Articles, Posted 18 Feb 2014

How to Light, Frame, and Shoot Online Video

While some of the time-tested principles of traditional video production still apply, online video is really a world of its own; here we look at key elements of online video production that distinguish it from producing for other media, including composition, lighting, and more.
Featured Articles, Posted 10 Feb 2014

Choosing Cameras and Lighting for Single-Speaker Webinars

Are pro video cameras overkill for single-speaker webinars? What's the best type of camera these ever-more popular productions, and what kind and how much lighting do you need to pull them off? We set up some common scenarios, ran some tests, and here's what we found out.
Featured Articles, Posted 04 Feb 2014

Feeding the Beast, Part 2: Production Workflow

The next key element of feeding the beast and maintaining high-volume video output is workflow; the choices that you make for your workflow are important for everything that you do, from studio space to production, post, syndication, and archiving.
Featured Articles, Posted 21 Jan 2014

Feeding the Beast: Producing Serial Content Effectively, Part 1: Generating Content

Video publishers often struggle to keep up with the demands of viewers expect fresh content on a daily basis, and advertisers who want lots of inventory. This article explains how a two-person production crew generates 800-1,000 new videos per year for a leading site for investors.
Featured Articles, Posted 16 Jan 2014

Review: Canon XA25, Part 1

An in-depth discussion on the features and usability, image quality, and capabilities of the Canon XA20/25, along with comparisons to the predecessor XA10 and next-higher models XF100 and XF300 featuring the author and Andrew Jones of Dallas's The Movie Institute.
Featured Articles, Posted 18 Dec 2013

Meet the SMPLive Presenter: Stjepan Alaupovic of St. Jepan Media

New York City-based media production specialist Stjepan Alaupovic describes his Streaming Media Producer Live sessions, "How to Light, Frame, and Shoot Video for the Web" and "How to Brand Your Online Productions."
Featured Articles, Posted 25 Sep 2013

Litepanels Launches Hilio/HC Field Lighting Package

New portable Litepanels lighting package is designed to provide the Hilio's high-output, daylight-balanced illumination with a convenient and portable DC power system from Anton/Bauer for ultimate mobility
Featured News, Posted 18 Sep 2013

ARRI Unveils New Adjustable Daylight Fresnel at IBC 2013

New addition to ARRI L-Series, L7-DT, offers adjustable green-magenta point and amazing color quality and consistency
Featured News, Posted 18 Sep 2013

Review: JVC GY-HM650 ProHD Camcorder

In performance testing, the JVC GY-HM650 produced exceptionally sharp quality. It offers very good manual controls and outstanding auto-mode performance, and shoots very well-balanced pictures in a range of lighting conditions.
Featured Articles, Posted 16 Sep 2013

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