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RE:Vision Effects Reveals RE:Flex v5 Morphing and Warping Plug-in for After Effects with GPU Support

Speedups up to 3x on GPUs when using RE:Flex have been measured over running RE:Flex in CPU mode
Featured News, Posted 29 Jul 2014

mLogic Rolls Out mTape Thunderbolt Backup and Archiving Solution for Creative Pros

mTape is the industry's first LTO-6 tape drive to feature Thunderbolt connectivity and the first tape drive system to receive Thunderbolt certification from Apple Inc. and Intel Corporation
Featured News, Posted 29 Jul 2014

Fairlight Intros EVO.Live Audio Mixing Console at IBC

EVO.Live is a powerful console that offers integrated HD video and multitrack audio recording, andcan switch between live and post production modes at the touch of a button so that staff engineers can use the desk for audio sweetening when it isn't needed for on-air applications
Featured News, Posted 23 Jul 2014

Tutorial: Giving Your Text a 3D Look

This tutorial explores how to add another dimension to your text and titles using some basic 3D capabilities in Adobe After Effects.
Featured Articles, Posted 21 Jul 2014

What's New in Sony Vegas Pro 13?

A quick look at the latest new features in Sony Vegas Pro 13, including the Vegas Pro Connect iPad app, a proxy-first workflow for mobile and 4K editors, and true, four-range loudness meters.
Featured Articles, Posted 14 Jul 2014

Idustrial Revolution Releases Snapshots Effect Plugin for Final Cut Pro X

The XEffects Snapshots plugin automatically freezes video, inserts it into a frame, and positions it onto a background in 3D space. Applying Snapshots to footage adds an instant level of professional design and class.
Featured News, Posted 10 Jul 2014

Tutorial: Using Adjustment Layers with your Videos

By using adjustment layers in Adobe After Effects, you can easily create a variety of looks for your videos and share and compare them with clients
Featured Articles, Posted 08 Jul 2014

ARRI Announces Apple ProRes 4444 XQ Support for ALEXA

ARRI ALEXA XT cameras and ALEXA Classic cameras with the XR Module will gain ProRes 4444 XQ capability with ARRI's Software Update Packet SUP 10
Featured News, Posted 01 Jul 2014

DiaQuest ProductionLink Now Supports Adobe Premiere Pro and After Effects CC 2014 Releases

ProductionLink adds Avid Interplay to Adobe's list of available render formats and resolves compatibility issues without transcoding or manual file manipulation
Featured News, Posted 25 Jun 2014

Matrox Announces Support for Latest Adobe CC and Avid Media Composer 8 Releases

Adobe CC 2014 and Media Composer 8 now supported by Matrox MXO2 family of I/O devices and the Matrox Mojito MAX I/O card
Featured News, Posted 24 Jun 2014

DaVinci Resolve 11 Public Beta Now Available for Download

DaVinci Resolve 11 is a major upgrade with over 100 new editing and color grading features.
Featured News, Posted 24 Jun 2014

Tutorial: Exporting for Digital Cinema with Adobe Premiere Pro and Adobe Media Encoder CC 2014

A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here how it you can add it to your offerings when your clients or projects demand it.
Featured Articles, Posted 24 Jun 2014

Tutorial: Live-Switched Production with the Roland VR-50HD Multi-Format AV Mixer

Shawn Lam guides readers/viewers through a simple, powerful, and versatile live-switched production and streaming workflow with Roland's VR-50HD all-in-one multi-format AV mixer.
Sponsored Articles, Posted 24 Jun 2014

Commentary: Adobe Unveils 'Big Splash' Creative Cloud Release Including New iPad Apps and Major Photoshop and After Effects Updates

New After Effects features include additional keying effects, Kuler integration, and the ability to create live text templates and to share masks with Premiere Pro; Photoshop gets more powerful Smart Objects, Improved Layer Comps and Content-Aware technology, Blur Gallery motion effects, and a Focus Mask
Featured Articles, Posted 18 Jun 2014

How to Develop a Viable 4K Production Workflow

4K content is here today and here to stay. Content acquisition is much easier than the rest of the workflow, led by consumer devices such as the millions of 4K cell phones, 4K POV cameras, and soon 4K Interchangeable Lens cameras that will lead the way for wider professional 4K adoption. 4K screen adoption is increasing rapidly too, and this just leaves some workflow issues for editing and distribution to be solved and adopted before 4K will be viable across a wide range of video production markets.
Featured Articles, Posted 17 Jun 2014

Review: Epiphan DVI2USB 3.0 Frame Grabber

The Epiphan DVI2USB 3.0 provides a boon to conference videographers via a simple, small-footprint, low-cost solution for capturing a live PowerPoint or Keynote presentation to a PC or Mac as a full-frame rate, native-resolution video file. Here's a walkthrough of a functional conference presentation capture workflow using the DVI2USB 3.0.
Featured Articles, Posted 11 Jun 2014

Apple Rolls Out OS X Yosemite

With Yosemite, OS X has been redesigned and refined with a fresh modern look where controls are clearer, smarter and easier to understand, and streamlined toolbars put the focus on your content without compromising functionality
Featured News, Posted 03 Jun 2014

Grass Valley Unveils EDIUS 7.3

This new version boasts a host of new features to amplify productivity throughout the entire post production workflow, including I/O support for the Matrox MXO2 LE, MXO2 Rack, Mojito MAX and MXO2 Mini editing devices
Featured News, Posted 03 Jun 2014

Reality Check: What Does a 4K Production Workflow Require?

The time for idle speculation about 4K production has passed. 4K is here, and it's arrived in mainstream cameras at various price points with some surprisingly modest data rates. Do you need all-new, cutting-edge hardware to handle it? Probably not. Delve deeper into the specifics of your production chain, and do a little math to find out what your needs really are, and what you find might surprise you.
Featured Articles, Posted 03 Jun 2014

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