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Using Focus Peaking to Assess Your Camera Noise

This article demonstrates an easy way to use a camera's or external monitor's focus peaking feature to assess your camera's noise profile as I change various camera settings.
Featured Articles, Posted 27 Apr 2015

Almost Live from NAB: Marshall Electronics HDMI/HD-SDI-to-USB 3.0 Converters

Marshall Electronics director of sales Devan Cress gives Streaming Media Producer editor Shawn Lam an up-close look at two Streaming Media Best of NAB-winning USB 3.0 converters, the VAC-11SU3 and VAC-11HU3 and discusses viable applications for streaming producers.
Featured Articles, Posted 22 Apr 2015

Almost Live From NAB: Blackmagic Micro Cinema Camera and Micro Studio Camera

Blackmagic Design president Dan May gives Streaming Media Producer editor Shawn Lam an early look at two new Micro cameras in the Blackmagic booth at NAB 2015
Featured Articles, Posted 22 Apr 2015

Tutorial: Creating a Clickable Call to Action in Vimeo PRO

For many of us who are creating business and branded videos, what a viewer does after watching our video is an essential part in our sales and marketing strategies. This tutorial demonstrates how to create a clickable call to action within our videos using Vimeo Plus or Vimeo PRO. The purpose of a marketing call to action is to provoke an immediate response from our audience.
Featured Articles, Posted 13 Apr 2015

Streaming Media's Gear of the Year, 2014-15

The 12 products and technologies described in this article reflect what our writers found when four of our top writers unraveled the industry developments of the past 12 months and picked Streaming Media's Gear of the Year.
Featured Articles, Posted 13 Apr 2015

Morph Cuts, Time Tuning, and More: Inside the Latest Adobe Creative Cloud Reveal

This NAB's Adobe CC Reveal includes Lumetri Looks customization, a simplified 3 Way Color Corrector, and other feature updates in Premiere Pro, plus a new Time Tuner for Adobe Media Encoder, and a fun Character Animator companion app to After Effects.
Featured Articles, Posted 09 Apr 2015

Roland Rolls Out New 2 M/E Live Production Switcher

The new Roland V-1200HD features a new "hybrid" engine that combines a 4:2:2 / 2 M/E switcher with a 4:4:4/10-bit multi-format processor presentation switcher
Featured News, Posted 08 Apr 2015

Panasonic Upgrades AW-HE40 Full HD PTZ Cameras

The AW-SFU01 upgrade adds production-quality HD MPEG-4 streaming, in-camera HD recording on a microSD card, and USB video/audio capabilities to the cameras' already impressive range of features
Featured News, Posted 08 Apr 2015

Pond5 Unveils Backlots and Backlots+ Digital Backgrounds

Backlots+ provide a completely new kind of video content—digital backlots with foreground elements, like sidewalks, streets or promenades, that mesh perfectly with the chosen background
Featured News, Posted 08 Apr 2015

Tutorial: Creating a Gradient Effect in Adobe After Effects CC 2014

Gradients are a popular effect used in both broadcast and online video. You can use them to isolate something in your image, or add some style to your graphics and videos. This tutorial will demonstrate how to create and apply gradients in After Effects CC 2014.
Featured Articles, Posted 06 Apr 2015

Review: vMix Go Portable Live Production Solution

vMix GO is an affordable, portable, SDI-based live production and recording solution that showcases the vMix 4K live production software, which, in my view, is probably the best software in the space that you've never heard of, though it is Windows-only.
Featured Articles, Posted 06 Apr 2015

Review: Telestream Wirecast 6

With version 6, Telestream has converted its premier live production software application to 64-bit operation, which should enhance performance and stability. Telestream also added several key features, including playlists, social media support, input from iOS devices, and instant replay.
Featured Articles, Posted 06 Apr 2015

Blackmagic Announces Major Update to Teranex Express

Teranex 3.2 Update adds full motion standards conversions for a total of 1089 real time SD, HD and Ultra HD format conversions
Featured News, Posted 31 Mar 2015

Cost-Effective Media Wrangling Redux

After using my new media wrangling kit in the field a few times, I've augmented it with a few accessories and come to a few realizations that made it worth revisiting this entire premise. As in many cases, smaller is not always better, and when it comes to operating a computer, this is definitely the case.
Featured Articles, Posted 31 Mar 2015

Dawn of the Drone: An Aerial Video and Photo Primer

This article will introduce you to many of the areas that you will need to be versed in to assure safe and proficient operation of your aerial camera platform. Learn what you need to know before you fly, and fly safe!
Featured Articles, Posted 30 Mar 2015

Tutorial: Greenscreen and Virtual Sets with the NewTek TriCaster Mini

Here's a look at the greenscreen and virtual set capabilities of the NewTek TriCaster Mini, which make it look like you spent a fortune on your production, while costing a fraction of what you'd spend if you built out a studio, bought multiple cameras, and hired operators to use them.
Sponsored Articles, Posted 23 Mar 2015

Aframe to Roll Out Next-Gen Cloud-Based Video Collaboration Platform at NAB 2015

With new features that streamline review, expand search, simplify the user experience and extend format support, the Spring 2015 release enables more efficient, accessible, cost effective management of video and production assets
Featured News, Posted 18 Mar 2015

Book Review: Arts Law Conversations: A Surprisingly Readable Guide for Arts Entrepreneurs

Arts Law Conversations tackles complicated intellectual property issues in a format non-lawyers can understand. It's a great asset for all creative entrepreneurs attempting to wade through the complexity of intellectual property.
Featured Articles, Posted 17 Mar 2015

Multi-Camera Matching and Creating a Streaming Picture Profile Using the Sony PMW-300K1

By using a vectorscope and a waveform and the process described in this article, you can limit or eliminate distracting color-matching issues between cameras and ensure your audience has an immersive experience--at least as it pertains to the quality of the video.
Featured Articles, Posted 17 Mar 2015

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