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Streamline Your Portable Streaming System, Part 2: Cameras

In this article I'm going to highlight some of the latest gear you can use to put together a portable streaming solution. With this equipment you can quickly and easily transport your kit from one shoot to another and use it to deliver solid, high-quality streams for small and medium-sized events.
Featured Articles, Posted 26 Jan 2015

Streamline Your Portable Streaming System, Part 1: Streaming Software, Capture Cards, and Signal Converters

In this article I'm going to highlight some of the latest gear you can use to put together a portable streaming solution. With this equipment you can quickly and easily transport your kit from one shoot to another and use it to deliver solid, high-quality streams for small and medium-sized events.
Featured Articles, Posted 19 Jan 2015

Gearing Up for 4K Production, Part 3: Storage, Throughput, Switching, and Delivery

Two big issues that concern almost everyone making the jump to 4K and UltraHD are throughput and storage. How are you going to manage and transfer all those additional bits?
Featured Articles, Posted 12 Jan 2015

Review: Adobe Premiere Clip

Premiere Clip, Adobe's new iOS editing app, is a simple cut/trim editor, not a full-blown editing app. How useful is it for pro editors who need to do mobile editing on-the-go?
Featured Articles, Posted 09 Jan 2015

AJA: HD and 4K Production

AJA Product Manager Eric Norrell offers an overview of key AJA products and applications for HD and 4K production, post-production, and streaming, along with a look at integrated solutions featuring AJA gear like the vMix Thunder.
Sponsored Articles, Posted 02 Jan 2015

Gearing Up for 4K Production, Part 2: Cameras and Lenses

In part 2 of our 3-part series on gearing up for 4K live production, we'll explore the cameras and lenses available today for professional 4K production.
Featured Articles, Posted 29 Dec 2014

Gearing Up for 4K Production, Part 1: Connectivity, Codecs, and Capture

We'll begin this 3-part series with a look at the two 4K formats and a discussion of why you'd want to shoot in 4K today even though most viewers and potential clients aren't demanding it, and start to examine the links in the 4K live production chain with an eye to connectivity, codecs, and capture.
Featured Articles, Posted 22 Dec 2014

FOR-A Switcher Ascends to WorldStage

New York City-based company WorldStage, a leading technical staging provider in the live event and entertainment technology field, recently selected a FOR-A HVS-100 portable video switcher for live video production of events ranging from corporate meetings to fashion show productions
Featured News, Posted 16 Dec 2014

FutureVideo Unveils V-Station HD Studio Capture Package

The new software/capture card package enables a compatible PC to function as an affordable multi-camera video production system, which records 4 simultaneous tracks of full HD 1080p @ 60fps video in H.264 format with hundreds of hours of recording time
Featured News, Posted 10 Dec 2014

How to Become an Audio-Mixing Ninja

This article is designed to help you avoid some of the many pitfalls that you can fall into when doing audio mixing for live production.
Featured Articles, Posted 30 Nov 2014

Matrox VS4 Quad HD Capture Card Now Supports Wirecast 6.0

Matrox VS4 not only sends the video feeds to Wirecast for streaming, it simultaneously provides high-quality ISO recording of all the original video and audio feeds to NLE-friendly codecs
Featured News, Posted 19 Nov 2014

Telestream Wirecast 6.0 Now Available

With new powerful production capabilities, streamlined workflows, and expanded content source options, Wirecast 6.0 offers the capabilities of more expensive hardware solutions with the flexibility and affordability of a software application
Featured News, Posted 11 Nov 2014

FOR-A Renames Three HANABI Switchers

Effective today, he company's formally named HVS-XT100, HVS-XT110, and HVS-XT2000 switchers will now be called the HVS-100, HVS-110 and HVS-2000
Featured News, Posted 04 Nov 2014

Roland Launches M-1000 Live Mixing Console

The Roland M-5000's internal mix architecture is not fixed and can be freely defined for mixing channels, AUXs, Matrices, subgroup buses, MIX-MINUS buses within a range of up to 128 audio paths allowing user to create a console structure to suit the needs of the application
Featured News, Posted 04 Nov 2014

Choosing a Video Switcher at Streaming Media Producer Live 2014

Anthony Burokas provides a sneak preview of his Streaming Media Producer Live 2014 seminar, T203: Choosing a Video Switcher, which he'll present Wednesday, November 19 at 11:30 AM in Huntington Beach, California.
Featured Articles, Posted 01 Nov 2014

Camp Digital Streams Life is Beautiful Music and Lifestyle Festival with AJA Ki Pro

Camp Digital has extensive experience in live event production, and along with a vast team mobilized for the event, is capturing 500+ hours of content using file-based HD/SD recording devices from AJA Video Systems' Ki Pro family
Featured News, Posted 28 Oct 2014

DMO Live Underground Music Site Live Streams Festivals and More with Matrox Monarch HD

Created for the electronic music lover, DMO Live, will soon connect venues in different worldwide locations through one live event by streaming the night's main happening on large screens in club locations around the world.
Featured Articles, Posted 27 Oct 2014

First Look: NewTek TriCaster Mini

The ultra-portable TriCaster Mini joins the TriCaster 40 at the sub-$6k end of the TriCaster line, but weighs in 10 lbs. lighter and adds HDMI input ISO-recording, a new compact control surface, an internal monitor, and more.
Featured Articles, Posted 09 Oct 2014

Blackmagic Design Updates ATEM Switcher Software

ATEM Switcher Update 6.1 software, a free download for ATEM switcher users, includes new features for Camera Control such as copying of color settings across cameras, white balance display and synchronized fading of audio and video using Fade to Black
Featured News, Posted 08 Oct 2014

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