Viewers interacting with a second screen while consuming content is not something that we, as producers, have much control over, but by integrating real-time social media with streaming video we can try to maintain viewer engagement and encourage them to use their second screens to interact with the content producers and other viewers, instead of with their wider social media network.
Featured Articles,
Posted 07 Oct 2014
Anthony Burokas previews his Streaming Media Producer Live 2014 session, "T205: Audio Mixing for Live Production."
Featured Articles,
Posted 01 Oct 2014
What if you need to transcode files when you're in the field, in between production shoots or as a way to push digital dailies out to local clients? Recognizing the need for portability in such a scenario, we ran a number of tests to determine the ideal balance of size and speed, and we share those results here.
Featured Articles,
Posted 30 Sep 2014
Pickathon Music Festival used five Blackmagic Studio Cameras and six ATEM Live Production Switchers, as well as a large number of additional Blackmagic Design products, as the backbone of its live production and live streaming workflows
Featured News,
Posted 24 Sep 2014
Shawn Lam of Shawn Lam Video presents a video trailer for his Streaming Media Producer Live 2014 Technical Track session, "Choosing Cameras for Live Video Switching and Webcasting."
Featured Articles,
Posted 22 Sep 2014
New Ultra HD compatible Mini Converters and Heavy Duty Mini Converter 4K models feature 6G-SDI technology, allowing customers to use a single type of converter for all conversion needs in SD, HD and Ultra HD television formats.
Featured News,
Posted 17 Sep 2014
The HC-HD300 is equipped with a 1/3 inch bayonet lens mount and employs three 1/3-inch CMOS progressive-scan sensors, each with 2.2 million pixels, in RGB prism formation
Featured News,
Posted 10 Sep 2014
Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial we'll explore how the ADVC-G1 works and how you can incorporate it into your workflow.
Sponsored Articles,
Posted 02 Sep 2014
With new standard, users can connect using HDMI and automatically trigger functions on external devices from the camera itself, just as they have for years with SDI
Featured News,
Posted 05 Aug 2014
ith the new ATEM Camera Control software update, ATEM live production switchers can now control cameras via a new open standard protocol sent to the camera via the return program feed
Featured News,
Posted 04 Aug 2014
The FreeSpeak II system is designed for deployment across large-scale, multi-zone production areas typically required in live events, broadcast, and sports production
Featured News,
Posted 29 Jul 2014
mTape is the industry's first LTO-6 tape drive to feature Thunderbolt connectivity and the first tape drive system to receive Thunderbolt certification from Apple Inc. and Intel Corporation
Featured News,
Posted 29 Jul 2014
The Canon XF205 pro camcorder resembles the acclaimed XA25 consumer model introduced last year in several respects, but adds welcome features such as individual rings for iris, zoom, and focus; 2 additional channels of internal microphone recording; 1080/30P HD-SDI output in the XF205, and more. As such, the XF205 comes highly recommended as a camcorder well-suited to webcasting workflows.
Featured Articles,
Posted 25 Jul 2014
EVO.Live is a powerful console that offers integrated HD video and multitrack audio recording, andcan switch between live and post production modes at the touch of a button so that staff engineers can use the desk for audio sweetening when it isn't needed for on-air applications
Featured News,
Posted 23 Jul 2014
In this tutorial we'll explore the robust audio and video mixing, switching, and live-delivery feature set of Roland's versatile next-generation 4-input VR-3EX, HDMI-capable A/V mixer.
Sponsored Articles,
Posted 17 Jul 2014
Both Sun Valley's Gilbert and Tempe campuses have full video production suites, with each of its FOR-A switchers running three live cameras, and multiple computers driving content to three projectors in the front of the auditorium, which are used for image magnification and visual content
Featured News,
Posted 01 Jul 2014
New Hope Oahu relies on Blackmagic's ATEM 2 M/E Production Switcher and Broadcast Panel, Blackmagic Audio Monitor and a host of additional products to help broadcast services to more than 12,000 in-person and online attendees
Featured News,
Posted 24 Jun 2014
A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here's how you can add it to your offerings when your clients or projects demand it.
Featured Articles,
Posted 24 Jun 2014
Shawn Lam guides readers/viewers through a simple, powerful, and versatile live-switched production and streaming workflow with Roland's VR-50HD all-in-one multi-format AV mixer.
Sponsored Articles,
Posted 24 Jun 2014
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