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Camp Digital Streams Life is Beautiful Music and Lifestyle Festival with AJA Ki Pro

Camp Digital has extensive experience in live event production, and along with a vast team mobilized for the event, is capturing 500+ hours of content using file-based HD/SD recording devices from AJA Video Systems' Ki Pro family
Featured News, Posted 28 Oct 2014

DMO Live Underground Music Site Live Streams Festivals and More with Matrox Monarch HD

Created for the electronic music lover, DMO Live, will soon connect venues in different worldwide locations through one live event by streaming the night's main happening on large screens in club locations around the world.
Featured Articles, Posted 27 Oct 2014

Tutorial: Repairing Audio with iZotope RX4 Advanced

In this walkthrough of the latest version of iZotope's powerful audio repair tool, RX4 Advanced, we'll explore the RX4 interface and workflow, and use some of its key capabilities to clean up some persistent hum as it effects both dialogue and music.
Featured Articles, Posted 11 Oct 2014

First Look: NewTek TriCaster Mini

The ultra-portable TriCaster Mini joins the TriCaster 40 at the sub-$6k end of the TriCaster line, but weighs in 10 lbs. lighter and adds HDMI input ISO-recording, a new compact control surface, an internal monitor, and more.
Featured Articles, Posted 09 Oct 2014

Sneak Preview: Audio Mixing for Live Production at Streaming Media Producer Live 2014

Anthony Burokas previews his Streaming Media Producer Live 2014 session, "T205: Audio Mixing for Live Production."
Featured Articles, Posted 01 Oct 2014

Anthony Artis to Present Workshop, Keynote at Streaming Media Producer Live 2014

Anthony Q. Artis, author of the Shut Up and Shoot Freelance Guide, will present an all-day workshop and a Tuesday morning keynote at Streaming Media Producer Live 2014 on November 17-18 in Huntington Beach, CA. Check out Anthony's video trailer for the workshop and keynote for a sneak preview of what he'll be presenting at the event.
Featured Articles, Posted 23 Sep 2014

Sony a7S Full-Frame Mirrorless Camera, Part 3: Video Camera Review

In the last two articles in this 3-part series on the Sony a7S, we covered a lot of ground discussing what to look for in video lenses and lens adapters for the Sony e-mount that is native to the Sony a7S. Now it is time to take a deeper look at the Sony a7S as a video camera, with comparisons to the Canon 5D MKIII and Panasonic DMC-GH4.
Featured Articles, Posted 23 Sep 2014

Sneak Preview: Choosing Cameras for Live Video Switching and Webcasting at Streaming Media Producer Live 2014

Shawn Lam of Shawn Lam Video presents a video trailer for his Streaming Media Producer Live 2014 Technical Track session, "Choosing Cameras for Live Video Switching and Webcasting."
Featured Articles, Posted 22 Sep 2014

Review: Beachtek MCC-2 and Kamkit DSLR Accessory Mounting and Control Brackets

The Beachtek MCC-2 and Kamkit allow users to mount, control, and connect various accessories to their DSLR with ease.
Featured Articles, Posted 09 Sep 2014

Tutorial: Grass Valley ADVC-G1 Converter

Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial we'll explore how the ADVC-G1 works and how you can incorporate it into your workflow.
Sponsored Articles, Posted 02 Sep 2014

iZotope Unveils RX 4 and RX 4 Pro Audio Enhancement and Repair Suites

Key features of new versions include Clip Gain, Dialogue Denoiser, and roundtrip workflow with Pro Tools and Logic
Featured News, Posted 11 Aug 2014

2014 Streaming Media Readers' Choice Awards: Make Your Nominations Now

It's time for Streaming Media Producer readers to submit your nominations for the best products and services in 31 categories from cameras to media servers.
Featured Articles, Posted 31 Jul 2014

ClearCom Debuts FreeSpeak II Wireless Intercom System at IBC 2014

The FreeSpeak II system is designed for deployment across large-scale, multi-zone production areas typically required in live events, broadcast, and sports production
Featured News, Posted 29 Jul 2014

Review: Canon XF205 Professional Camcorder

The Canon XF205 pro camcorder resembles the acclaimed XA25 consumer model introduced last year in several respects, but adds welcome features such as individual rings for iris, zoom, and focus; 2 additional channels of internal microphone recording; 1080/30P HD-SDI output in the XF205, and more. As such, the XF205 comes highly recommended as a camcorder well-suited to webcasting workflows.
Featured Articles, Posted 25 Jul 2014

Fairlight Intros EVO.Live Audio Mixing Console at IBC

EVO.Live is a powerful console that offers integrated HD video and multitrack audio recording, andcan switch between live and post production modes at the touch of a button so that staff engineers can use the desk for audio sweetening when it isn't needed for on-air applications
Featured News, Posted 23 Jul 2014

Tutorial: Mixing, Switching, and Streaming Live with the Roland VR-3EX All-in-One A/V Mixer

In this tutorial we'll explore the robust audio and video mixing, switching, and live-delivery feature set of Roland's versatile next-generation 4-input VR-3EX, HDMI-capable A/V mixer.
Sponsored Articles, Posted 17 Jul 2014

What's New in Sony Vegas Pro 13?

A quick look at the latest new features in Sony Vegas Pro 13, including the Vegas Pro Connect iPad app, a proxy-first workflow for mobile and 4K editors, and true, four-range loudness meters.
Featured Articles, Posted 14 Jul 2014

Blackmagic ATEM 2 M/E Production Switcher Drives Live Production at New Hope Oahu

New Hope Oahu relies on Blackmagic's ATEM 2 M/E Production Switcher and Broadcast Panel, Blackmagic Audio Monitor and a host of additional products to help broadcast services to more than 12,000 in-person and online attendees
Featured News, Posted 24 Jun 2014

Tutorial: Exporting for Digital Cinema with Adobe Premiere Pro and Adobe Media Encoder CC 2014

A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here's how you can add it to your offerings when your clients or projects demand it.
Featured Articles, Posted 24 Jun 2014

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