Long-time technology partner Technical Innovation's Blue Hat Designdeveloped a comprehensive, innovative, portable solution that provided a complete A/V/L set-up in under an hour. Key to the system's overall design was a compact video switcher that would transport easily while providing a robust variety of video production features, and FOR-A's HVS-100 portable video switcherwas the perfect choice
Posted 31 Jul 2015
So, you've decided to buy a streaming appliance for live event production. In this article, we'll start with a high-level history of the live streaming appliance market, then identify the factors you should consider when making your buying decision.
Posted 13 Jul 2015
Panasonic AW-HE130 pan/tilt/zoom cameras are ideal for demanding video-over-IP applications in sports, rental/staging, news and enterprise to transmit multi-stream H.264 HD video and audio at up to 1080/60p at 25Mbps
Posted 16 Jun 2015
New software extends I/O, allows easy cross-point control of router sources to router destinations feeding a Broadcast Pix system
Posted 10 Jun 2015
Teranex 3.2 Update adds full motion standards conversions for a total of 1089 real time SD, HD and Ultra HD format conversions
Posted 31 Mar 2015
This tutorial will demonstrate an advanced method of adding a slider or jib effect to timelapse footage in Adobe After Effects CC 2014.
Posted 16 Feb 2015
The new software supports a broad range of AJA products including KONA 4, KONA 3G, KONA LHi, KONA LHe Plus, Io 4K, Io XT, Io Express and T-TAP
Posted 28 Jan 2015
Optional Rapid CG 3 graphics software adds dynamic graphics during live sporting events
Posted 13 Jan 2015
AJA Product Manager Eric Norrell offers an overview of key AJA products and applications for HD and 4K production, post-production, and streaming, along with a look at integrated solutions featuring AJA gear like the vMix Thunder.
Posted 02 Jan 2015
The new software/capture card package enables a compatible PC to function as an affordable multi-camera video production system, which records 4 simultaneous tracks of full HD 1080p @ 60fps video in H.264 format with hundreds of hours of recording time
Posted 10 Dec 2014
Effective today, he company's formally named HVS-XT100, HVS-XT110, and HVS-XT2000 switchers will now be called the HVS-100, HVS-110 and HVS-2000
Posted 04 Nov 2014
Anthony Burokas provides a sneak preview of his Streaming Media Producer Live 2014 seminar, T203: Choosing a Video Switcher, which he'll present Wednesday, November 19 at 11:30 AM in Huntington Beach, California.
Posted 01 Nov 2014
What if you need to transcode files when you're in the field, in between production shoots or as a way to push digital dailies out to local clients? Recognizing the need for portability in such a scenario, we ran a number of tests to determine the ideal balance of size and speed, and we share those results here.
Posted 30 Sep 2014
New Ultra HD compatible Mini Converters and Heavy Duty Mini Converter 4K models feature 6G-SDI technology, allowing customers to use a single type of converter for all conversion needs in SD, HD and Ultra HD television formats.
Posted 17 Sep 2014
The HC-HD300 is equipped with a 1/3 inch bayonet lens mount and employs three 1/3-inch CMOS progressive-scan sensors, each with 2.2 million pixels, in RGB prism formation
Posted 10 Sep 2014
The new LCM-207-3G monitor expands the LCM range of affordable monitors, keeping costs very low by integrating features tailored specifically for preview needs - notably, in-depth color calibration to maximize picture quality and integrity
Posted 03 Sep 2014
Some video switchers have built-in scan converters for converting VGA signals to an internal standard that you can use in your live production workflow. If you don't have that, then you're going to need a converter like the Grass Valley ADVC-G1 that can convert that VGA to your output. In this tutorial we'll explore how the ADVC-G1 works and how you can incorporate it into your workflow.
Posted 02 Sep 2014
For location lighting, moving around a lot, and travel, the Fiilex LED kits offer amazing capability and flexibility in a small and light package. Designed for use as a fixed solution, for a small sound stage, or grip truck, the Gus 41 makes a perfect solution. It is very wide and soft or small and focused as needed.
Posted 11 Aug 2014
Designed for lecture capture/streaming, the StreamCam is a zero-setup, automatic tracking camera that will automatically focus, pan, tilt, and zoom to follow a presenter
Posted 04 Aug 2014