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Fairlight Intros EVO.Live Audio Mixing Console at IBC

EVO.Live is a powerful console that offers integrated HD video and multitrack audio recording, andcan switch between live and post production modes at the touch of a button so that staff engineers can use the desk for audio sweetening when it isn't needed for on-air applications
Featured News, Posted 23 Jul 2014

Tutorial: Mixing, Switching, and Streaming Live with the Roland VR-3EX All-in-One A/V Mixer

In this tutorial we'll explore the robust audio and video mixing, switching, and live-delivery feature set of Roland's versatile next-generation 4-input VR-3EX, HDMI-capable A/V mixer.
Featured Articles, Posted 17 Jul 2014

Colorado's Flatirons Community Church Expands Streaming, IMAG Offerings with FOR-A Switchers

The church purchased an HVS-390HS 2 M/E switcher for its main campus, and moved its HVS-350HS switcher to its new satellite campus earlier this year
Featured News, Posted 15 Jul 2014

Jacksonville Jaguars Deploy 8K Mira Production Servers for 60-Foot In-Game UHD Displays at EverBank Field

Incorporated into broadcast operations upgrades at EverBank Field, the two 8K Mira Production servers are part of a larger commitment to Abekas multi-channel video servers which includes three, eight-channel Abekas Mira Instant Replay servers and an eight-channel Mira Production server
Featured News, Posted 15 Jul 2014

Sun Valley Megachurches Deploy FOR-A Switchers for Live Production

Both Sun Valley's Gilbert and Tempe campuses have full video production suites, with each of its FOR-A switchers running three live cameras, and multiple computers driving content to three projectors in the front of the auditorium, which are used for image magnification and visual content
Featured News, Posted 01 Jul 2014

Blackmagic ATEM 2 M/E Production Switcher Drives Live Production at New Hope Oahu

New Hope Oahu relies on Blackmagic's ATEM 2 M/E Production Switcher and Broadcast Panel, Blackmagic Audio Monitor and a host of additional products to help broadcast services to more than 12,000 in-person and online attendees
Featured News, Posted 24 Jun 2014

Tutorial: Exporting for Digital Cinema with Adobe Premiere Pro and Adobe Media Encoder CC 2014

A key concern for any producer is to ensure that the work you produce will play back on as many platforms (online, mobile, broadcast) as possible. Until recently, delivering content in digital cinema environments was the exclusive province of high-end facilities with specialized equipment. But with the release of Adobe Media Encoder CC 2014 and its Wraptor DCP plug-in, DCP has become just another export option, putting digital cinema delivery well within the reach of any Adobe CC user. Here how it you can add it to your offerings when your clients or projects demand it.
Featured Articles, Posted 24 Jun 2014

Barco Unveils New Presentation System for 4K Live Screen Management

Brand-new presentation system provides superior image quality, exceptional input and output density, great expandability, and durability
Featured News, Posted 11 Jun 2014

Roland Rolls Out XS Series of Multi-Format Matrix Switchers

New line of Multi-Format Matrix Switchers designed for fixed installations requiring high-quality integrated video and audio conversion and switching
Featured News, Posted 11 Jun 2014

NewTek Unveils Major Upgrades to Pro TriCasters

The new features--which further eliminate the need for racks of specialized equipment and multiple operators to produce video content that offers the same professional quality and look of a network-style television broadcast--are now available at no cost to current TriCaster 8000, 860, 460 and 410 model owners
Featured News, Posted 21 May 2014

Grass Valley Partners with AJA to Bring 4K to K2 Dyno Replay System

Grass Valley is integrating AJA's Corvid Ultra and TruScale scaling hardware into the K2 Dyno to drive real-time pan and zoom to allow HD extraction from 4K acquisition with DynoZoom
Featured News, Posted 07 May 2014

Almost Live with Streaming Media: Roland Systems VR-50HD All-in-One A/V Mixer

Shawn Lam and Roland's Doug Schouten discuss key features of Roland's VR-50HD an audio/video mixer/switcher with a multi-viewer touchscreen and integrated USB 3.0 output for live streaming.
Featured Articles, Posted 25 Apr 2014

Almost Live with Streaming Media: The Blackmagic Studio Camera HD and 4K

Streaming Media Producer contributing editor Shawn Lam and Blackmagic Design Senior Regional Manager Bob Caniglia discuss Blackmagic's new HD and 4K Studio Cameras, introduced at NAB 2014, and touted as "the world's smallest studio camera with the world's largest viewfinder."
Featured Articles, Posted 25 Apr 2014

Leader Adds New Features to LV5490 Compact Portable SD.HD/4K Picture and Signal Monitor

The LV5490 now incorporates test-pattern generation, support for two-sample interleaved 4K image transmission, and an HD-SDI output
Featured News, Posted 26 Mar 2014

Grass Valley K2 Dyno Replay Solution Now Features Telestration

K2 Dyno's integration with tOG-Sports means replay operators have a fast and powerful telestration tool directly available to them on the K2 Dyno S touchscreen interface
Featured News, Posted 11 Feb 2014

Broadcast Pix Rolls Out New Replay System

ReVue, a new HD slow motion replay system, works with any Broadcast Pix integrated production systems or independently in other production environments
Featured News, Posted 11 Feb 2014

PlayBox Intros ProductionAirBox Production Workflow Solution

Based on multi-channel engine architecture, ProductionAirBox can deliver content rapidly in one-shot mode or from a playlist
Featured News, Posted 22 Jan 2014

Feeding the Beast, Part 2: Production Workflow

The next key element of feeding the beast and maintaining high-volume video output is workflow; the choices that you make for your workflow are important for everything that you do, from studio space to production, post, syndication, and archiving.
Featured Articles, Posted 21 Jan 2014

Feeding the Beast: Producing Serial Content Effectively, Part 1: Generating Content

Video publishers often struggle to keep up with the demands of viewers expect fresh content on a daily basis, and advertisers who want lots of inventory. This article explains how a two-person production crew generates 800-1,000 new videos per year for a leading site for investors.
Featured Articles, Posted 16 Jan 2014

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