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Streaming Media Magazine: April/May 2018
by | Today's live event producers can do everything they need with flexible phone-based apps. Time-tested camera skills are no longer an essential part of the equation.
by | Skinny bundles have made a lot of improvements in a short time, but until they can detail exactly what live sports they carry they aren't replacements for pay TV.
by | When it comes to subscription video on-demand, increasingly you can take it with you. Some services now let subscribers stream while abroad.
by | Barcelona's Mobile World Congress is full of hype about 5G and VR, but doesn't care about video. Why the blind spot over small-screen viewing?
by | Today's students grow up in a conflict-free echo chamber created by on-demand entertainment. Live streaming is a place for diverse opinions to come through.
by | Thanks to affordable real-time motion capture software, virtual characters are gaining fans on YouTube. Before long, they'll find a place in the enterprise.
by | Sometimes an industry benchmark—such as Netflix's ISP Speed Index—only tells half the story about video delivery. Before picking a codec, dig a little deeper.
by | Redundancy and advanced testing are essential for any live video event. Here are five rules for live streaming that can help save the day.
by | Looking to do professional work for clients on location without having to disassemble a TriCaster studio, one producer found apps for iPad and iPhone that let him connect everything wirelessly and stream it to the web via a cell phone.
by | Learn how to use Wibbitz, an automated video creation platform that lets anyone in an organization create videos quickly and easily for any number of social platforms and websites—no editing experience required.
by | Even long-time video professionals can still find ways to improve their approach to preproduction. Here are practical tips learned through real-world experience.
by | Sooner or later, any event producer might be asked to create a live video stream with an HDR viewing option. This primer on Hybrid Log Gamma workflows is a good place to start.
by | After testing Roland's new multi-format A/V switcher, the V-60HD, on three live events, I'll be switching over to the V-60HD as my main video switcher for live event production.
by | This tutorial demonstrates how to publish a single video to multiple social media and other websites from Adobe Premiere Pro and Adobe Media Encoder.
by | Traditionally, producing interactive webinars has required pricey services that offer Q & A, polling, participant management, and other features unavailable on mainstream platforms. As an alternative, learn how IBM Cloud Video delivers a webinar-like experience.
by | The editing capabilities found in YouTube's backend aren't going to compete with nonlinear editors like Adobe Premiere Pro, but there are some powerful and unique tools that make simple editing projects even simpler.