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Streaming Media Magazine: October 2017
by | Some people are never happy. U.S. viewers now have scores of premium streaming options at their fingertips, but a few see those choices as a problem.
by | Western publishers that want to stream video to audiences in China need to overcome unique hurdles that are more political than technical.
by | Hiring a sales manager? Promote from within. Looking for a marketing pro? Look anywhere else. Here's why video companies should disrupt the hiring process.
by | When will over-the-top video services finally get more viewing time than broadcast channels? When they finally overcome these four main problems.
by | Starting in January, educational and training videos will need to be accessible to the blind, but audio descriptions are difficult to create. Is there a better option?
by | The industry has barely scratched the surface on how artificial intelligence can be used. In the next few years, look for AI to automate mundane areas of live streaming.
by | How can publishers compare video quality at different resolutions? There's the theoretically correct answer and then there's how it's generally done.
by | The list that sets the standard is back. Streaming Media presents its authoritative list of the most important companies in the online video industry, the ones leading us into the future. Our fast-changing industry is reflected in a list with plenty of new names.
by | Presenting our 2017 list of the 100 companies doing the most interesting and innovative work in streaming video. We're shining a spotlight on the companies that enable the creation and delivery of today's video revolution.
by | The Interoperable Master Format (IMF) offers the appeal of a universal distribution format for all video, but it's not quite there yet. Here's where development stands today.
by | While publishers wait for a single content encryption system that works across all browsers, standards bodies debate the future of EME. Here's what rights management will look like in a post-plugin world.
by | Is there one single encoder that stands apart when live streaming a range of content in H.264? This roundup looks at the best equipment for lower-budget productions.
by | Save on bandwidth and keep costs down: Per-title video encoding solutions let publishers break free from fixed encoding ladders. Explore the benefits of four methods.
by | To help VR content creators contend with the deluge of information and product announcements, this article will focus on VR streaming workflows and toolkits that have worked well together in various VR/360 productions I've done.
by | Blackmagic Web Presenter ($495) is a standalone, dual-input capture device that can make SDI or HDMI sources look like a webcam for input into Skype or any livestreaming software program.