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Streaming Media Magazine: September 2017
by | In pay TV packages, there's a small group of A-list channels and a much larger group of B-list channels. But in the skinny bundle world, no one has time for B-list.
by | The latest macOS includes support for HEVC, but not for older Macs. In the rush to support higher resolutions and lower files sizes, are too many people being left out?
by | A little planning beforehand will ensure that a Facebook Live broadcast goes smoothly. Here are tips from an experienced live event producer.
by | VR video gets a lot of attention, even though not many people are watching it. The requirements for consumers are still way too high.
by | Breaking out of conventional ways of thinking could pay big dividends for educational video production. Where is the art in today's classroom video?
by | The last few years have seen huge changes in how video encoding gets done, and that means new pricing options. Explore the various choices before making a decision.
by | Discover what it takes to produce an on-location 4K live stream webcast, including camera selection, video cables, video switching, capture cards, webcast encoder options, bandwidth requirements, and more.
by | Netflix and YouTube could start using AV1 as soon as early 2018, while hardware implementations will take much longer.
by | Managing media assets is about far more than storing and finding clips, and cutting-edge MAM and DAM systems are moving to the cloud and taking on VR and 4K.
by | The controlled environment of virtual reality is proving ideal for diagnosing and treating traumatic brain injuries. Learn why the Department of Defense is funding trials.
by | People are angry and they're using online video to get organized. Discover the Resistance Media Collective, an organization run by creative pros who never thought of themselves as activists—until now.